I was desperate to work with Stuart Immonen, who I have talked with for several years about doing a project together. So just the stars aligned. I knew that Stuart had a little break in his schedule, where he would be willing to do a project with me. So this year I've been very lucky.
What we face is a scared populace, and because it's scared, it's willing to put up with what I think are inevitably more moves toward the constriction of civil liberties, mobility within the country, the ability to travel overseas, all of those things we have long taken for granted.
Form a small group. Five or six people, of people who think the way you do, and are willing to meet regularly, every week, and you will be surprised at what imaginative, gutsy thought and action comes out of that synergy. Takes a while, but there's something that every little group like that can do.
Bands are more willing to take risks and we don't need this big label over us anymore telling us what it means to sell records and get into magazines.
Only when you’re willing to take 100 percent responsibility for making the relationship work will it work. Otherwise, a relationship left to chance will always be vulnerable to disaster.
What happens is sometimes these congregations will still have the white style of worship, even though they're mixed, because folks are willing to give up whatever they may have come with. So it's still quite a stretch for African Americans, yeah.
I'm not willing to sign a contract. They want everything. They want the rights to do the movie and everything else they can think of, forever. There's no limit to the contract. In this universe and universes to be discovered - I'm not making this up - this is in the contract.
I don't really have any "must work withs," but I would never refuse if a celebrity or fellow musician came along who is willing to write or sing or play on a Lita song.
Try to just be true to ourselves, whoever we are, but willing to grow, even as we're true to ourselves.
If I want to keep making films for a few more years, I probably should be willing to adapt. I've sort of evolved into the filmmaker that I am because of natural selection anyway.
I had been at Comic-Con, and I have the same manager as Bob Morley, so we ended up at a Warner Bros. party. I met Jason Rothenberg for the first time, and he's a fan of Black Sails and Shameless and some of my work, and was like, "Hey, we've been having trouble casting this part. I think you'd be perfect for it, if you'd be willing to come up and have some fun for some episodes."
If we as a society are willing to take away human life, we should be willing to watch it.
Social change really cannot happen unless people are willing to take a risk, and they were. And I was so moved by that, and of course by the way that he spoke, that made a huge dent in my belief system and my spirit.
There should be a name for this, for the process whereby one knows one is being yanked and concedes it has been done successfully - that one is grateful to have been spun. In the theater, it is called the willing suspension of disbelief. That's what allows the play to make an impact on the audience: they have to be able to make believe that what's happening on the stage is really happening. Maybe to a degree it is a requirement for all political participation, all effective political communication, too.
It all depends on what you're willing to invest time and effort in and put your mind to. That's what separates winners from losers. Winners are the ones who want the most out of their opportunities.
Senator Obama is a gifted and eloquent young man who can do great things for our country in the years ahead. But my friends, eloquence is no substitute for a record - not in these tough times for America. In the Senate he has not reached across party lines to get anything significant done, nor has he been willing to take on powerful interest groups in the Democratic Party.
And I want every one of you, every one of us, 100 senators to look in that camera, and you tell your people back home what you think. Don't hide anymore; none of us. That is the essence of our responsibility. And if we're not willing to do it, we're not worthy to be seated right here. We fail our country. If we don't debate this, if we don't debate this, we are not worthy of our country. We fail our country.
But I'm willing to take a chance on believing there has to be a way. All I need is someone to believe with me.
I really had spent my whole life playing soccer, and the fact that I was willing to give that up for theater, that told me I was moving in that direction.
Well, I'd say that I'm mostly drawn to people who are genuine and willing to take a step to the unknown. So when I play with these people, usually there's this sense of that 'yes, we are doing it together right at this moment without any agenda' feeling which is so exciting! It means that there is this sense of trust, that whatever I throw in the music that's happening, they will make it work and send something to work with in my direction. Hopefully they feel the same about me.
The reason we don't get what we want isn't because we don't have the ability or time. We aren't willing to do the things we need to do when we don't feel like doing them. There's an impact of that entitlement on their business. The attitude is you learn to fall in love with the daily grind.
I think I started to approach time in a different way after the accident. Before I was more willing to give my time to people and things that I wasn't as interested in because somehow I allowed myself to be brainwashed into being forced to work with other people or on other projects that I had no interest in. So simply, the accident gave me the opportunity to do what I really wanted to do.
One of the principle things life has taught me is that we always have a choice. When we say we "can't," we usually mean we're just not willing to pay the price.
To me love is passionate, it is honest, and it is selfless. Love is willing to completely give up your life for someone, to make sacrifices and put them first.
For my mother, having a family was the most important thing in her life. In the Second World War, it was a challenge - surviving physically and mentally and finding somebody who you loved and who was willing to be with you.
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