From stoplights to skyscrapers, turn anywhere in civilization and you will see imagination at work. It's in our inventions, advances and remedies and how a single parent masterminds each day. Imagination is boundless, surrounds us and resides in us all.
I'm never going to be the lead actor guy. I'm real quiet and real happy and real fortunate to keep working. It's what I do. It's like the circus. I ran away and joined it a long time ago.
Theatre is so much fun because you do theatre and you have a month of working it out on your own, and then a month of rehearsal, so by the time you get to stage I know where I'm failing and I know where I'm succeeding and your boundaries are pretty concrete.
If one is the kind of creature I am and wants to do the kind of writing I want to do, an undisturbed bourgeois existence with no distractions seems in order. A single meeting outside the family upsets one's whole inner web, makes one start off on two-days' thinking and weighing, destroys a delicate balance etc. etc. ... I now have enough friends to last me a lifetime and that is enough. I am going to close the doors and hibernate at least for a couple of years. I am frightfully depressed about my work. It seems to me perfectly mediocre.
It is no easy thing for a principle to become a man's own unless each day he maintains it and works it out in his life.
I think that very often younger writers don't appreciate how much hard work is involved in writing. The part of writing that's magic is the thinnest rind on the world of creation. Most of a writer's life is just work. It happens to be a kind of work that the writer finds fulfilling in the same way that a watchmaker can happily spend countless hours fiddling over the tiny cogs and bits of wire. ... I think the people who end up being writers are people who don't get bored doing that kind of tight focus in small areas.
Now that I am in my forties, she [my mother] tells me I'm beautiful; now that I am in my forties, she sends me presents and we have the long, personal and even remarkably honest phone calls I always wanted so intensely I forbade myself to imagine them. How strange. Perhaps Shaw was correct and if we lived to be several hundred years old, we would finally work it all out. I am deeply grateful. With my poems, I finally won even my mother. The longest wooing of my life.
perfectionism is the enemy of art. Since art is essentially divine play, not dogged work, it often happens that as one becomes more professionally driven one also becomes less capriciously playful.
The artist's work, it is sometimes said, is to celebrate. But really that is not so; it is to express wonder. And something terrible resides at the heart of wonder. Celebration is social, amenable. Wonder has a chaotic splendor.
This is the power of the powerful to define, to structure, to say, 'This is the way the world works.' It's enormous power. Among the powers of the weak, I think the first one is the power not to believe the powerful.
There is a statement often repeated in the Church, and while it is not in one of the Standard Church Works, it is accepted as church doctrine, and this is: 'As man is, God once was; as God is, man may become.'
David Lynch is very important to me, and he does dreamlike movies, but my dreams are not like David Lynch's dreams. I have no interest in copying anybody's work. It would never occur to me to want this to look like someone else's thing.
The great works belong to no one nation, no one cultural tradition even. They are universal.I want an Australian vision of arts policy that is expansive, is embracing, is not narrow, is not parochial. For example, that Australians can do Shakespeare just as well as Englishmen can because we, like every civilised nation, partake of the great canonical works. It's not about Australian nationalism; it's about our identity as a culturally ambitious, culturally sophisticated nation.
Opera Australia has a mix - it produces new work, it produces from the classical repertoire and, particularly in more recent years, it's done those blockbuster musicals which are very lucrative for it and reach an audience that classic opera or a new opera perhaps wouldn't reach, like South Pacific for example.
More often than not when we do not like our work, it's not necessarily because of the work itself. But more often because of the people we work with and more importantly because of the lack of leadership. It is amazing how inspired and motivated we can be when we like the people and when we feel like we show up to work because our leaders care about our wellbeing. It is kind of incredible actually.
I'm an entertainer and I really enjoy entertaining. I think if you're going to really be what you say you are, you have to really live it, work it, practice it, and think it.
I don't think there's any single finished point for a work. It's done when something's happening with the work that feels like a balanced, coherent disharmony. That's one way to say it. And where if I keep working on it, to discover and struggle with new problems, I'll obliterate the ones I was working on. I could keep working on it, but it'd become something different. And I value what's here, at the moment.
If you love the work, it will love you back.
Everything works when the teacher works. It's as easy as that, and as hard.
I once had half a cup [of coffee], twenty years ago, and I'm still working it off.
If each person in this world will simply take a small piece of this huge thing, this amazing quilt, and work it regardless of the color of the yarn, we will have harmony on this planet.
In truth, “Extremely Loud & Incredibly Close” isn't about Sept. 11. It's about the impulse to drain that day of its specificity and turn it into yet another wellspring of generic emotions: sadness, loneliness, happiness. This is how kitsch works. It exploits familiar images, be they puppies or babies - or, as in the case of this movie, the twin towers - and tries to make us feel good, even virtuous, simply about feeling. And, yes, you may cry, but when tears are milked as they are here, the truer response should be rage.
Holiness is religious principle put into motion. It is the love of God sent forth into circulation, on the feet, and with the hands of love to men. It is faith gone to work. It is charity coined into actions, and devotion breathing benedictions on human suffering, while it goes up in intercession to the Father of all piety.
If this code works, it was written by Paul DiLascia. If not, I don't know who wrote it ..I'll be laughing when I'm old and and all my programmer friends have gone alexic from staring at too many tiny pixels
I never have restricted myself into a frame of a particular technique. My techniques are determined simultaneously along with the subjects of my works. It is similar to the works of a poet, the form of a poem is determined at the same time as its content.
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