I was in punk rock bands, heavy metal bands, world music bands, jazz groups, any type of music that would take me. I just love music.
I'm extremely happy about music altogether, and the history that I've made. How I changed the world, music-wise, music over the internet and stuff like that.
In the last few years I've been listening to jazz more than anything else. I listen to a lot of world music and experimental here and there.
I was a weird kid. I shouldve been gay because I listened to a lot of Broadway musicals. I dont know why Im not gay. I listen to a lot of jazz and world music, like African or Cuban music. Something that has vitality to it. A lot of the American stuff just feeds on itself.
The great Initiates in the spirit world have vast and imposing plans for the musical future. What is this plan? It is to use music as an occult medium through which to develop altered states of consciousness, psychic abilities, and contact with the spirit world. Music in the future is to be used to bring people into yet closer touch with the devils; they will be enabled to partake of the beneficial influence of these beings while attending concerts at which by the appropriate type of sound they have been invoked.
I really don't. I have truly eclectic taste in music and I seem to cycle through phases in terms of to what's inspiring me. I'll go from Beethoven to Sigur Ros; World Music, Brit-pop, Classic Rock, Blues/Jazz, even the odd bit of Heavy metal.
Traveling all around the world, music sounds different.
One of my problems is I'm not really sure if I slot into rock or not. I've always tried to combine world music, folk, jazz, blues and rock, and have done since Traffic.
Movies are the biggest export in the world, the biggest American export. It influences people all over the world. Music and movies. That's what's exciting about what we do, the fact that it's so global. It brings people together. People don't have to understand the language to laugh at actors. They're going to laugh even though they don't understand what they're saying. Cause they're seeing it.
As far as my single selections, over the years it's been a very essential part of my survival tactic, but I have no problem being able to jump on records with whoever people think is the rawest rapper in the game or number one or King or whatever they wanna name themselves, to be honest with you. It doesn't affect me, 'cause that's what I come from; I'm comfortable in that zone. But I don't wanna make hood music, I don't wanna make street music, I want to make world music, global music, international music.
Art is the heart's explosion on the world. Music. Dance. Poetry. Art on cars, on walls, on our skins. There is probably no more powerful force for change in this uncertain and crisis-ridden world than young people and their art. It is the consciousness of the world breaking away from the strangle grip of an archaic social order.
Never understood a lot about the world... music is one of the only things that makes any sense.
Well, Smoke n' Mirrors has very much a world music flavor and it doesn't park itself in one country. It borrows heavily from the Brazilian angle, which is dear to my heart, and I recorded several albums with that flavor.
The Nile Project is the performing side of an effort that also includes education in music and environmental issues, raising awareness of the entire Nile basin as an ecosystem. With such vibrant music, the good intentions were a bonus; the Nile Project was a superb example of what I call small-world music, of what happens to traditions in the information age.
I play American and World music, Texas style.
I find a difference between what gets called world music - a fusion of western music and music from different cultures in more of a modernized version - and Explorer Series stuff, which is completely undiluted indigenous folk music. That's a lot more powerful than a lot of the super-processed stuff that comes out now.
Interspirituality is the world music of religion; borrowing, fusing, blending and bouncing rhythms and riffs off one another not to create a homogenized spirituality, but to birth a radical new sound embedded in the ancient and timeless silence. This doesn't impact or deepen my life-it is my life.
I really like world music. I used to think it was simple but it's far from that.
I have very eclectic taste in music. I like everything from Nirvana, which is featured in the film, to world music, to orchestral and jazz. For me, the nineties were about Oasis, because I was travelling around Britain when that band exploded onto the music scene.
Everywhere in the world, music enhances a hall, with one exception: Carnegie Hall enhances the music.
I love many kinds of music: world music, jazz, classical, pop.
Reading old travel books or novels set in faraway places, spinning globes, unfolding maps, playing world music, eating in ethnic restaurants, meeting friends in cafes . . . all these things are part of never-ending travel practice, not unlike doing scales on a piano, shooting free-throws, or meditating.
I listen to music mostly in the evening. I've come to love what is called world music, like the Zimbabwean Oliver Mtukudzi and the Colombian singer Marta Gomez. I also love the Irish folk singer Mary Black. Other favorites include Chet Baker, Eva Cassidy, and Billie Holiday.
I thinks it really interesting how they throw the world music samples in there. I often wonder what it would be like to do something like that, but use my lyrics and my kind of style.
What isn’t on my iPod playlist? I have very eclectic tastes. Jazz. Classic Rock. Hip Hop. Ska. Soul. Electronica.World Music. Funk. Blues. Chamber Music. Reggaeton. Gospel. And a whole lot of Prince. (I am a Minnesota gal through and through.)
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