My dad read The Hobbit to me originally when I was young. So, it was the first imaginary landscape I ever had in my head from the written word. It gave me a passion for reading, thanks to my dad's performance of the book.
I long ago abandoned myself to a blind lust for the written word. Literature is my sandbox. In it I play, build my forts and castles, spend glorious time.
Frankly, I get much more sensitive about what's written about me than how I look in a photo. I'm so used to people seeing my image in plays and films that what they think about how I look is none of my business. If they says, "Hey, he doesn't look good," I'm like, Whatever, because I know I look different from day to day. But if you're up there putting your heart into something and people reject your performance, that's very painful. The written word can kick your ass.
In the reading and writing life, delight, for me, is where the mystery lies. Easy enough to figure out how scenes of violence or tragedy or titillation or grossness or even sentimentality can move us, but how the written word elicits delight - what Nabokov calls that shiver in the spine - is much harder to calculate and define.
Is there an aesthetic "fit" in my work between God and the world? The "I' in my poems has from the beginning identified himself as Catholic, and my books certainly can be read as presenting a Catholic theology "in a very particular sense." Catholicism is a faith morally identified with the human struggle for human dignity and justice. It is a vision of the world incarnationally rooted in the senses, a faith of and in spoken and written words - Scripture, "the Word of God," the Logos.
I put a lot of stock in the written word, and the power of it. That's what I love about acting and reading scripts. Words are really powerful. I don't believe that axiom at all - words can absolutely hurt you. Words can wound. They can do a lot of damage. I think they can do way more damage than sticks and stones. I'll take sticks and stones.
Young poets worry that their experiences - whether urban or rural, immigrant or native, small town, suburb, or big city - aren't worthy of the written word. But for me the urge toward poetry, that seductive feeling of being swept away by words, was enough for me to overcome that fear that my experiences weren't worthy of poetry itself.
All of my books are about researching. I do all the research and I give it to a writer who can put it in the written word better than I could.
It is innate in our species to be cyborgian in nature. We have been in the self amplifying feedback loop with our tools since stone tools, and since the written word, and what we are seeing now is just a deepening of that. But it has always been the case. We have always done this.
I have been a comic book fan nearly all my life. My fascination began as a refuge after my father left because it was within the stories told in comics that I could find heroes who fought for justice and where outcasts or misfits could find purpose and commonality. But over time I have come to love comics as a medium for its ability to tell stories with tremendous depth and emotion that in some ways go beyond what is possible solely with the written word.
My progressive ideals are screaming in [Straight to the Heart: Political Cantos] book; what I believe. There is no muddying-up because of debate. You know exactly where I stand, because I put it down in the written word.
The devil is a liar. I said the devil is a liar. Don't make me preach now, but you are the living epistle, the written word of Christ.
The question now becomes about defining your terms. What is literature? Unless we allow it to encompass the oral tradition from which it grew, which means taking it back to Homer and beyond, it demands the written word - poetry and prose. [Bob] Dylan is no slouch at the written word, both in its own right, and transcribed from his lyrics, which have often been acclaimed as poetry and may well stand up as such. But that is not his métier.
My English teacher, Dr. John Lindstrom, taught me an appreciation for the written word. Until his class, I'd dabbled in journalism and essay writing. But when he selected one of my essays as the best in the class, it gave me the confidence to see myself as a writer.
An oral society develops both sides of your brain, and the utilization of your brain is more complete than in a linear education module. The written word limits your brain capability by immediately focusing on one area. You don't have any peripheral vision. It immediately divorces you from the environment.
Much of the art of the 1960s, from body art to video and direct performance, was concerned with similar issues. And then there was media art, which made it possible to express things directly, without having to rely on the written word, which was manipulated by men.
The one thing that I always got positive reinforcement for from teachers, who really changed my life, was the written word.
When the first emperor wanted to unify the country, one of the major policies was to create one system of written signs. By force, brutal force, he eliminated all the other scripts. One script became the official script. All the others were banned. And those who used other scripts were punished severely. And then the meanings of all the characters, over the centuries, had to be kept uniform as a part of the political apparatus. So from the very beginning the written word was a powerful political tool.
I think, over the last couple of years, the written word has made a comeback on the Internet. For example, I'm seeing more long-form narrative experiments there. The overall noise level, however, continues to increase. Do we really need TV screens to watch when we pump gas? Really?
There's a difference between writing, the written word, and music. When you have the blank page it doesn't make a sound, which is like what happens to me every night when I'm playing. There is that crazy moment: the first mark you make on the page. But sound can inspire sound, in a way that words can't inspire words - at least for me. The nature of sound itself is still a huge mystery to me. I'm very happy about that.
"So we'd get in a horse and buggy and we would go and park under a tree and we'd read poetry to each other." And my grandfather told me all the stories. I mean, their way of communicating... They didn't have telephones, either, so they communicated with the written word. And I really... That's how old [Bill] Clinton has become to me [speaking of how he met Hillary Clinton].
He found whole figures which represented a written word; but he never could manage to represent just the word he wanted - that word was 'eternity', and the Snow Queen had said, "If you can discover that figure, you shall be your own master, and I will make you a present of the whole world and a pair of new skates." But he could not find it out.
Frankly, reviews aremostly for peoplewho still read.Like most of the written word, it isgoing the way of the dinosaur.
I believe in a visual language that should be as strong as the written word.
This suspension of one's own reality, this being entirely alone in a strange city (at times I wondered if I had lost the power of speech) is an enriching state for a writer. Then the written word ... takes on an intensity of its own. Nothing gets exteriorized or dissipated; all is concentrated within.
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