If you put all the songs together that I've written on band records, and put it up next to my solo record, there's definitely a different kind of feel than Billy's songs.
I've never written a children's book, but when people meet me for the first time and I say I write books, they invariably reply, 'Children's books?' Maybe it's something about my face.
I've really never written about my relationships, or things like that. I wouldn't want to divulge things that were too private.
I don't mind my work being a record of the time it was written in.
If I thought there was any hope of turning 'World War Z' into a movie, I wouldn't have written it as a giant, epic, global story, because that requires a giant, epic, global budget.
My writing is progressing slowly, but at least it's moving forward. I'm sure that's the case. The only problem is that I'm never absolutely certain that what I've written is any good.
It is difficult, if not impossible, to argue that laws written in the 1970s are adequate for today's intelligence challenges.
In every thriller written about Washington, particularly after 9/11, there are good guys and there are bad guys, and there's no gray area at all.
Victor Young had been hired to write the score for the dances of The Ten Commandments but he became very ill. You were then hired to write the score. But at the same time you'd written The Man with the Golden Arm score.
And now, since I've been governor since last January, I have written numerous letters to the administration in regards to securing our borders with absolutely no response. So we have been facing this crisis, and it's devastating the people of Arizona. And I feel as governor I have a responsibility to protect the citizens.
There has been so much rubbish written up in the papers over the years.
We cannot even recollect the actions of our infancy, our childhood is like something written on a slate and rubbed off.
My first book, 'Running Loose', was censored back in 1983 or '84. Every book I've written since has been censored somewhere.
I definitely want to do more movies, and I'm also a writer, so I have a few screenplays that I'm working on, one of them based off my one-woman show that I used to do in New York. Two of the screenplays I've written by myself, and then I'm also working on one with my writing partner, Tom Riley, who's in London.
We all know from growing up with TV that John Wells shows are usually very large ensembles with amazingly written characters. He tends to redefine the way stories are told in a specific genre, whether it's 'China Beach,' 'The West Wing,' or 'E.R.
The more alone I am, the more focused I can get. I've written things with people, some of which I liked and others I think are total travesties. Collaborating is trying to make a piece of music and get someone else to come up with the ideas. What's the fun of that?
Like so many aspiring writers who still have boxes of things they've written in their parents' houses, I filled notebooks with half-finished poems and stories and first paragraphs of novels that never got written.
I mostly write about the working poor. Somehow, they're not being written about much anymore. I'm very interested in people who are in a situation that needs a little puzzling out. The thing that gets me started on a story is a person in a tough situation.
It's not written in the Constitution or anything else.... Congress, just out of the clear blue sky, said the airwaves belong to the people, which means, in essence, that it belongs to Congress.
We're always trailing, as far as the amount of roles that are written for us and the films that are being made that have black characters in them. I don't know if that's going to change.
Right at the end of the war I wrote a piano sonata, which was written at a time when Sam Barber used to come down here and we used to have lunch together in a very nice old hotel that's now not there.
Cutting for Stone is nothing short of masterful -a riveting tale of love, medicine, and the complex dynamic of twin brothers. It is beautifully conceived and written. The settings are wonderfully pictorial. There is no doubt in my mind that Cutting for Stone will endure in the permanent literature of our time.
I have written a memoir here and there, and that takes its own form of selfishness and courage. However, generally speaking, I have no interest in writing about my own life or intruding in the privacy of those around me.
We mustn't forget we chose the name 'WWW' before there was even one line of code written. We could do that because the Internet as an infrastructure was already there.
I think some period drama can be quite alienating, but 'Downton' isn't. This is going to sound quite, um, pretentious, but someone said that it's like a soap written by a poet.
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