As a boy I dreamed that I could go on a boat with Jean Cousteau. But I was never given the opportunity. I am now giving that opportunity to young people around the world who would like to experience the beauty of nature.
I plead guilty to that when I was young pastor. In one of my churches I changed so much, one old wag said I'd changed everything in the church except the signs on the bathroom doors! I could have used a little more wisdom. And common sense.
Perhaps because technology so dominates our existence, more and more it seems that the young reader is captivated by fantasy.
I think I started writing as a young person because I felt a lot of psychic confusion and emotional confusion, and writing was a way to sort it out. You know, to externalize it, sort it out, put it down, look at it, and hopefully it would become clearer.
I pity the babies whose mothers are busy texting trivialities instead of playing with their children; I pity the children who are tethered to their cell phones instead of playing ball; I pity the adolescents who are wasting their best years holding one of those artefacts instead of the hand of another young person.
As a boy I was obsessed with Egypt and Egyptology. I'm convinced it's not that uncommon. A lot of 10 or 12 year old boys become obsessed with Egypt. It's a bit like young girls and horses.
Based on my experience; I would develop fast speed before anything else. Get your young runners so they can run and teach them speed.
Kids as young as twelve CAN run 90 minutes, and they can train hard to run fast, BUT they lose something in training hard at that early age.
I'm not making music for old people or young people. [It's] for everybody that wants to listen to it.
I was very curious, that's why I think my reality TV seems normal. I watch a lot of reality TV because I am so interested in people and observing people. From a very young age I can remember watching a woman with a guy and she's rolling her eyes and he's pleading with her and I would think, she doesn't want to be with him, he's in love with her, she likes this other guy and I would make up these stories in my head about these people. That helps me sort of profile people and that is a key to being able to read people.
Not only the brothers on the street but the middle class brothers are also identifying with the gangster rappers because of the extent to which this music circulates. It becomes possible for the - not only the young middle class men, but it becomes possible for young middle class white men and young men of other racial communities to identify with the misogyny of gangster rap.
I can't really blame a lot of young sisters and brothers who believe that education has anything to offer them. Because as a matter of fact, it has nothing to offer them. Suppose they do get a high school diploma that is meaningful. What kind of job is awaiting them. The jobs that used to be available to working class people are not there as a result of the de-industrialization of this economy.
Often young black people are looking towards the alternative economies. They are looking towards the drug economy.... the economies that are going to that apparently will produce some kind of material gain for them.
When I was young I was constantly reading walls; I took in everything written on walls, from love messages to political messages. It was my hobby and became my art.
As a young kid I was in love with breakdancing. I practiced the uprock style, which is a battle style of dance that looks like fighting. It comes from the gangs in New York in the 1960s and '70s. It's beautiful, almost like a martial art, and it can be funny, too, because you make fun of each other.
I think a philistine environment should be bracing for young artists. You have to make your own enjoyment, you've got to make your own art.
I love to make movies about young people - young scientists that are inventing things and all the writing they did was very funny and very true.
Spielberg was very young and starting up when we did Sugarland Express and I loved that, but the main thing was that I really loved his talent.
I like to work with talented people, I must say that. That's my weakness. I really like to work with good directors. That doesn't mean I don't like to work with starting up young directors, that's fun also.
What I would suggest to the young people is to not forget this and don't try to get assimilated into today's Hollywood style of movies because I don't think it's going to last long.
Gangs have always existed - they are primarily a community a young men trying to find intensity, meaning, a path to the outer world (outside of home) that most tribal groupings addressed with rituals, rites of passage, initiation ceremonies. We’ve lost this knowledge as a culture.
Gangs exist when there are lots of empties in a person, in family, in community. It points out how we need to do more to bring real art, passions, teachings, caring, and resources into the emptiness of young peoples' lives.
If young people had love, hope, true education, the arts, full and meaningful lives they won’t join gangs. My life since living the gang and drugs has been directed to making positive what it means to be Chicano, human, man, woman, and on how to draw out the imagination and creativity that all people have.
We need more leaders among our gente - more teachers, politicians, businesspeople, organizers, and such. Turn the energy that many young people are putting into "war" and "death" and put it into life and true justice.
We [people] all need each other. Gangs do try to fill that void - but they can't do what healthy, balanced, and coherent families and communities can do. Let's strengthen our core relationships from the start - and all the way through a young person's life. This is the best way to avoid the growth of deadly and crime-involved gangs.
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