[W.H.R.] Rivers is the Rider Haggard of anthropology; I shall be the Conrad.
I've got a solid grounding in history, sociology, anthropology, philosophy, etc etc. That means I actually have a good idea about how societies change and evolve. I know how a lot of them have actually functioned through the years. I can put together a culture that's cool and different, while still being logically consistent, so that it feels real. So many fantasy worlds are either implausible, cookie-cutter, or both. Mine aren't.
I started my professional life as a philosopher of language and for several years took the orthodox line that meaning is an essentially linguistic phenomenon. Whether as a result of simply listening to everyday talk about meaning, or reading books of anthropology, sociology and art history, it dawned on me that there is nothing at all privileged or central about linguistic meaning.
When I'm not governing my country any more, I'll go back to taking care of children. Or else I'll start studying anthropology - it's a science that's always interested me very much, also in relation to the problem of poverty. Or else I'll go back to studying history - at Oxford I took my degree in history. Or else...I don't know, I'm fascinated by the tribal communities. I might busy myself with them.
The Restless Anthropologist is a rich, powerful, and compulsively readable collection of essays by anthropologists who look back at the multiple relationships between their serial fieldwork experiences and their lives. Illustrating the dense interweaving of the personal and the professional that is the hallmark of anthropology as a vocation, these essays are at once affectively deep reflections, and clear-eyed assessments, of lives often lived 'between here and there.' Alma Gottlieb's idea to stimulate these articles and bring together this collection was inspired.
Depended on the soldier. To relax, most of them put on headphones or played video games. Later in the war some of the younger officers began to read a lot of anthropology because they realized that the basic problem was that they were trying to fight a war in a culture they didn't understand. They might have read someone like Margaret Mead.
Life became a science when interest shifted from the dissection of dead bodies to the study of action in living beings and the nature of the environment they live in.
I wanted to be a car mechanic and I wanted to race cars and the idea of trying to make something out of my life wasn't really a priority. But the accident allowed me to apply myself at school. I got great grades. Eventually I got very excited about anthropology and about social sciences and psychology, and I was able to push my photography even further and eventually discovered film and film schools.
Though a good cop, Luc Claudel has the patience of a firecracker, the sensitivity of Vlad the Impaler, and a persistent skepticism as to the value of forensic anthropology. Snappy dresser, though.
I was a student in the Department of Anthropology. At that time, they were teaching that there was absolutely no difference between anybody. They may be teaching that still.
In 1989 I came to New York to go to the School of Visual Arts. Then, after two years, I switched over to the New School for Social Research and did cultural anthropology in the graduate school there.
We still have to realize that if you are say a historian of the Civil War, you don’t know anything special about say Columbus or for that matter the 20th century. You are a consumer of that information, especially if it’s stuff like Columbus and the American Indians. That information isn’t even in history, much of it. Much of it is in anthropology or archeology.
A free throw seems boring but then when you sort of dig into what's going on and the history and psychology and the social anthropology around the free throw - it's interesting.
You have a lot to learn, young man. Philosophy. Theology. Literature. Poetry. Drama. History. Archeology. Anthropology. Mythology. Music. These are your tools as much as brush and pigment. You cannot be an artist until you are civilized. You cannot be civilized until you learn. To be civilized is to know where you belong in the continuum of our art and your world. To surmount the past, you must know the past.
As one recalls some of the monstrous situations under which human beings have lived and live their lives, one marvels at man's meekness and complacency. It can only be explained by the quality of flesh to become calloused to situations that if faced suddenly would provoke blisters and revolt.
My first job was actually as a social worker. And then later, I got my PhD in anthropology. And I've always been interested in humans as well as primates. We are all kind of have the same emotions, the same goals and lives really. But to me, when I first got to Madagascar I realized that the lemurs lives are very closely related to what the humans are doing; partially because they've got both looking for natural resources. And if we can make some way that both humans and lemurs can live together peaceably and happily, that would be my goal for Madagascar.
See how exciting Anthropology is? He’s a leading expert in ancient Greece. Now you should all change your majors so that you can ogle men like him all day long. Or better yet, uncover naked male statues. (Tory) Was that necessary? (Acheron) Hey, I live to recruit students for the department. If I can make you good for something, then by golly I’m going to do it. (Tory)
Find out what schismogenesis means. Schismogenesis is anthropology. It says relationships between people are not stable. They are either moving up or moving down. The same is true for brands. You need to understand where you are.
If you want to be an anthropologist, you need to study physical anthropology specialized in bones. If you want to be a forensic chemist, get a degree in chemistry. Do you want to do DNA work? Get a degree in microbiology. And do well. Study hard and go to graduate school.
Among the various forms of science which are reaching and affecting the new popular tradition, we have reckoned Anthropology. Pleasantly enough, Anthropology has herself but recently emerged from that limbo of the unrecognised in which Psychical Research is pining.
I had just received my degree in Calcium Anthropology... the study of milkmen.
I went to college to study drama where I discovered I had no talent and after a period of dropping out majored in cultural anthropology which of course meant more masks and dancing. I studied what interested me and so I had to become a writer because my education had left me unsuited for a decent well-paying job.
In a world where concepts are so often deployed in an ad hoc fashion, half explored before being displaced by others, it is immensely refreshing to encounter such serious and sustained attention to the building blocks of inquiry—and to the responsibilities thereby incurred. Designs on the Contemporary is a work of profound importance to the philosophy of anthropology. In conjunction with Rabinow’s other works, it creates a nonpareil, a configuration of thought with no equal.
Because he did not have time to read every new book in his field, the great Polish anthropologist Bronislaw Malinowski used a simple and efficient method of deciding which ones were worth his attention: Upon receiving a new book, he immediately checked the index to see if his name was cited, and how often. The more "Malinowski" the more compelling the book. No "Malinowski", and he doubted the subject of the book was anthropology at all.
If I'd have gone to art school, or stayed in anthropology, I probably would have ended up back in film ... Mostly I just followed my inner feelings and passions ... and kept going to where it got warmer and warmer, until it finally got hot ... Everybody has talent. It's just a matter of moving around until you've discovered what it is.
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