But black people fall for that same argument, and they go around talking about law breakers. We did not make the laws in this country. We are neither morally nor legally confined to those laws. Those laws that keep them up, keep us down.
I have worked hard to build relationships between Jewish people and black people.
There are so many things to talk about between black people, Hispanic people, white people, gay people, men, women, it's all based on fear. We all have fears, this thing that stops us from embracing as we are one. We are never going to be one. People are messed up, but humor lets us see how ignorant we can be.
In my work and in myself I reflect black people, women and men, as I reflect others. One day even the most self-protective ones will look into the mirror I provide and not be afraid.
There are those who believe Black people possess the secret of joy and that it is this that will sustain them through any spiritual or moral or physical devastation.
It will take very sophisticated marketing to achieve our aim of bringing more black people into the theater.
Jews, black people - any people who are hated or who have suffered, either as individuals or as a people - use humour. It is a survival skill.
Black people comprehend the South. We understand its weight. It has rested on our backs... I knew that my heart would break if ever I put my foot down on that soil, moist, still, with old hurts. I had to face the fear/loathing at its source or it would consume me whole.
I don't think because I hang out with enough black people, I'm gonna turn black. What kind of rationalization is that? I'm just friends with people that I like. I don't care what skin color you are.
Patriotism is best exemplified through auto-critique. When you're willing to stand up within the group and say, 'It is wrong for Black people to be anti-Semitic,' or 'It is wrong for America to discriminate against persons of African descent and made them slaves and based its wealth upon free labor,' it's crucial to say that.
The climate in the '50s and '60s for black performers or black people in the entertainment business was atrocious. It was atrocious.
Wherever you go in the history of America, there have been Black people making contributions, but their contributions have been obscured, lost, buried.
Black people were very angry with me for writing the book. A lot of people didn't believe me, or didn't want to believe me, and that used to really bother me. It was a very painful and difficult time.
I grew up in Houston, and I remember we had separate drinking fountains, and black people sat in the balcony of the theater... We had an African-American housekeeper growing up who was really like my second mother. I thought it was silly - hatred just because of the color of somebody's skin.
The same rebellion, the same impatience, the same anger that exists in the hearts of the dark people in Africa and Asia is existing in the hearts and minds of 20 million black people in this country who have been just as thoroughly colonized as the people in Africa and Asia.
You can't have anything valuable in your house. Niggers will break in and take it all! Everything white people don't like about black people, black people don't like about black people. It's like our own personal civil war. On one side, there's black people. On the other, you've got niggers. The niggers have got to go. I love black people, but I hate niggers. I am tired of niggers. Tired, tired, tired.
I love the fact that we, as black people, carry our faith with us. We share it and embrace it and love it and talk about it because we talk about everything else and why not that and that was the first impression that I had that really touched me.
I wanted to play roles which offered new ways of viewing black women and black people in general- and I have done that. And I have always, whether I needed to pay the rent or not, I've always turned down roles which I thought were stereotypical. And so when I look at my body of work in that respect, I am really happy. Because I feel my work does say something positive and that was what I always set out to do.
When you go to a church and you see the pastor of that church with a philosophy and a program that's designed to bring black people together and elevate black people, join that church. Join that church. If you see where the NAACP is preaching and practicing that which is designed to make black nationalism materialize, join the NAACP. Join any kind of organization, civic, religious, fraternal, political, or otherwise that's based on lifting the black man up and making him master of his own community.
I feel like I come from a smaller off shoot of black people because I am mixed. People say I’m African American but that doesn’t include the other half of me.
The Sixth Sense is not a good white film. Insomnia is not a good white film. They're just good films. So why we can't we have good films that happen to have black people, or Asian, or Latino, or any other minority group in them?
Black people don't even question things any more, they simply follow the lead.
Why would you create a movie for black people if you don't understand the history and perspective of the people you are doing it for? You need historical perspective to make sound decisions.
Music played a large role in the survival of the black people in America — that and a sense of humor that just couldn't be enslaved.
I spent seven months in Africa and came back saying there isn't anything you can say about black people that you couldn't say about, say, pink people except that they're black.
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