Every second the Universe divides into possibilities and most of those possibilities never happen. It is not a uni-verse -- there is more than one reading. The story won't stop, can't stop, it goes on telling itself, waiting for an intervention that changes what will happen next.
An illustrator in my own mind - and this is not a truth of any kind - is someone who so falls in love with writing that he wishes he had written it, and the closest he can get to is illustrating it. And the next thing you learn, you have to find something unique in this book, which perhaps even the author was not entirely aware of. And that's what you hold on to, and that's what you add to the pictures: a whole Other Story that you believe in, that you think is there.
If a script writer had come up with a story resembling what you have just achieved, even the Hollywood studios would have refused.
If there is a lesson in our story it is that the manipulation, according to strictly self-consistent rules, of a set of symbols representing one single aspect of the phenomena may produce correct, verifiable predictions, and yet completely ignore all other aspects whose ensemble constitutes reality.
I consider a story merely as a frame on which to stretch my materials.
Here's an uplifting story. Congratulations to the Little League team from Huntington Beach, California. Yeah, they beat Japan to win the Little League World Series. That's pretty good. See, that proves that when math and science aren't involved, our kids can beat anybody.
If somebody accuses you in a story of being a crook, you can demand that they prove it. But if a comic says it and you protest, people say, 'What's the matter, you can't take a joke?
What I'm passionate about is telling stories which mean something to me.
Good twists are enormously hard to come by, and I think the best ones are earned ones. The idea that a story can take a left turn on you, it's easy to do, but it has to be done very, very carefully, or else you risk losing the audience's trust.
As cliched as it sounds, if you have an original voice and an original idea, then no matter what anybody says, you have to find a way to tell that story.
Stories are the most primitive and purest form of communication.
I think stories do have an ending. I think they need to have an ending eventually because that is a story: a beginning, middle and end. If you draw out the end too long, I think storytelling can get tired.
It's all authentic. It's a great story. You have a dream 35 years ago - doesn't come to fruition, but you move on with life. But it's somewhere back there. Then you turn 60, and your mom just dies, and you're looking for something. And the dream comes waking out of your imagination.
Darkroom: A Memoir in Black and White is remarkable for its truth-telling about two important issues concerning Alabama's past and present: the civil rights movement and immigration. These stories, rendered through the words and eyes of a young Latina girl who came from Argentina to Marion, Alabama, are made vivid and immediate through Weaver's highly accessible drawings and dialogue. This is a book-about maturation, family, education, and social change-every schoolchild, parent, and citizen should experience.
This book reminds me of James Gleick's Chaos. The ideas and stories in Loving and Hating Mathematics are timely, interesting, and sometimes even profound. The authors, writing for nonspecialists, take pains to explain technical ideas in nontechnical language, and the book should interest general readers as well as a large mathematical audience.
Activist: not as much acting as it is reacting- which is my story
I began plotting novels at about the time I learned to read. The story of my childhood is the usual bleak fantasy, and we can dismiss it with the restrained observation that I certainly would not consider living it again.
The young girl in my story is to be as sensitive to praise as a prism is to light. Whenever anybody praises her she breaks into colors.
Nothing requires so little mental effort as to narrate or follow a story. Hence everybody tells stories and the readers of stories outnumber all others.
I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragrapheach sentence, evenas I go along.
The right story needs the right telling.
Something about the possession of a book - an object that can contain infinite fables, words of wisdom, chronicles of times gone by, humorous anecdotes and divine revelation - endows the reader with the power of creating a story, and the listener with a sense of being present at the moment of creation.
Story, finally, is humanity's autobiography.
If wishes were stories, beggars would read.
For a fiction writer, a storyteller, the world is full of stories, and when a story is there, it's there, and you just reach up and pick it.
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