We should try to understand our innermost needs. We shouldn't use irony to reduce their power.
I have written every one of my novels to convince somebody of something.
I don't have traceable literary models because I haven't had great literary influences in my life.
I locate that special problem in a character and then try to understand it. That's the genesis of all my work.
I only understand realism.
I'm not a best-seller, but through translations, I've accumulated some money.
I don't think humor is forced upon my universe; it's a part of it.
My pleasure was to copy, not to create.
I've always wondered why there isn't a great French novel about the German occupation. The nouveau roman authors weren't interested in telling that sort of thing.
My stories are very somber, so I think I need the comic ingredient. Besides, life has so much humor.
I do believe that reading can help you understand what you're writing and see what others are doing. But sometimes the desire for more information can act as an inhibitor.
I like the beauty of Faulkner's poetry. But I don't like his themes, not at all.
Most of the movies I saw growing up were viewed as totally disposable, fine for quick consumption, but they have survived 50 years and are still growing.
In film, you can't go into analytical explorations because the audience will reject that.
I had stories that needed more space than the hour and a half or two hours a movie gives you.
I'm not terribly happy about rock and roll. Certain rock music is uninspiring, numbing; it makes you feel like an idiot.
Hitchcock makes it very clear to us. There's an objective and a subjective camera, like there's a third- and a first-person narrator in literature.
I am only interested in bad taste if I can enjoy a gruesome tango or watch a movie that makes me cry.
I believe realism is nothing but an analysis of reality. Film scripts have a synthetical constitution.
All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
It's my own personal unconscious that ultimately creates the novel's aesthetic facade.
I think cinema is closer to allegories than to reality. It's closer to our dreams.
Modern American cinema seems to me superficial. The intention is to understand a certain reality, and the result is nothing but a photographing of that reality.
I am very interested in what has been called bad taste. I believe the fear of displaying a soi-disant bad taste stops us from venturing into special cultural zones.
One performs a very different act when reading a movie and when reading a novel. Your attention behaves differently.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: