I locate that special problem in a character and then try to understand it. That's the genesis of all my work.
We should try to understand our innermost needs. We shouldn't use irony to reduce their power.
I'm not a best-seller, but through translations, I've accumulated some money.
I have written every one of my novels to convince somebody of something.
I don't have traceable literary models because I haven't had great literary influences in my life.
It doesn't matter that the way of life shown by Hollywood was phony. It helped you hope.
I only understand realism.
My pleasure was to copy, not to create.
Being a man (male "macho") does not give you right to anything.
Contrary to what Kafka does, I always like to refer all of my fictions to the level of reality, He, on the other hand, leaves them at an imaginary level.
The essayist has to follow a certain intellectual pattern. The novelist has the advantage of using fantasy, of being subjective.
I started writing movie scripts. They excited me a lot, but I didn't like them when they were finished because they were simple copies of the films I saw in childhood.
I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.
My greatest aspiration was always to live in the tropics.
My only fantasy about writing was that in my old days, after directing many masterpieces, I would write my memoirs.
Whenever I write, I'm always thinking of the reader.
I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
I would very much like to become a best-selling author.
I don't want to name names, but the least I can say about rock and roll is that I'm suspicious.
Tardiness in literature can make me nervous.
It's my own personal unconscious that ultimately creates the novel's aesthetic facade.
All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
I haven't been the kind of writer about whom book-length academic studies have been written.
I believe realism is nothing but an analysis of reality. Film scripts have a synthetical constitution.
I am only interested in bad taste if I can enjoy a gruesome tango or watch a movie that makes me cry.
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