Making cartoons means very hard work at every step of the way, but creating a successful cartoon character is the hardest work of all.
That's what keeps me going: dreaming, inventing, then hoping and dreaming some more in order to keep dreaming.
I cannot say who, precisely, came up with the idea of a Stone Age family.
Faced with the choice of enduring a bad toothache or going to the dentist, we generally tried to ride out the bad tooth.
High-level, big-deal publicity has a way of getting old for me, but what never fails to thrill me is when I make personal appearances.
I learned long ago to accept the fact that not everything I create will see the light of day.
Except for me, no one in my family could draw.
While I have never been a regular churchgoer, I'm anything but immune to the power and the majesty of the religious experience.
My biggest kick comes from the individual fans I run into. Middle-aged men ask me when we're going to do more Johnny Quest cartoons.
I was convinced there as only one actor to play Templeton the Rat, and that was Tony Randall.
So the stock market could have a negative wealth effect and weigh on capital spending, but a sharp decline in long-term interest rates would be an important counterweight.
I don't know anyone who enjoys going to the hospital. To help remedy this, I got an idea to create what a Laugh Room in the pediatric ward of hospitals.
I have spent a lot of years on the outside looking in.
What about Mickey Mouse? Disney tried very hard to make him a star. But Mickey Mouse is more of a symbol than a real character.
Parents look at me like I'm somebody pretty important, and say, We were raised on your characters, and now we're enjoying them all over again with our children.
I never got tired of Tom and Jerry, but I did have a dream of doing more with my life than making cartoons.
The Christmas parties were orgies of drinking and singing and groping and pawing. Cartoon staffers invested their own money in preparatory liquor.
What the real world of 1941 needed most was the release and relief provided by laughter.
Not once in six years did I make it to the office by 9 on the dot.
Despite the rejection, and in violation of all the rules, I came back year after year.
Among the great glories of the MGM lot were the vast outdoor sets that had been constructed over the years.
I hate fishing, and I can't imagine why anyone would want to hike when you can get in the car and drive.
One of the most attractive things about writing your autobiography is that you're not dead.
Los Angeles was an impression of failure, of disappointment, of despair, and of oddly makeshift lives. This is California? I thought.
There is no law that says a man who earned a hundred million dollars in his first half-dozen years on the job has to be a decent human being, but Mike Eisner is that and more.
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