Seeing Anonymous primarily as a cybersecurity threat is like analyzing the breadth of the antiwar movement and 1960s counterculture by focusing only on the Weathermen.
Hollywood style means classic glamour. My reference is the 1940s through the 1960s.
In 1960 Americans chose John F. Kennedy because they were ready for change. They were ready for new and better ideas. After six years of scandals and failed policies under the Reagan Administration, Americans are again ready for change and stronger leadership. I love my country. That is why I am seeking the Democratic nomination for president.
The easy glamour of the French Riviera in the late 1960s - inspired by Romy Schneider's character in La Piscine - mixed with garden elements. Blueprint, botanical, lattice, Queen Anne's lace and folly prints are paired with cleaner silhouettes and proportions in a fresh palette of green, white and coral.
I think the greatest legacy of the 1960s was the general feeling that not only can you fight the powers that be, but you can win.
Irving Wallace wrote a bestselling novel, The Man, in the 1960s about a black man becoming president of the United States. We thought that such a possibility was thousands of years in the future. Some people may still have some difficulty with the idea, but that's a major cultural meme shift.
In the 1960s, I would have considered China with its CPC an ideologically more dynamic country than the Soviet Union. But the Soviet Union was strategically more threatening.
In the late 1960s, there were alarming predictions that worldwide famine was around the corner. I wondered if humans had already lost the race, overrun the Earth's capacity. I let one question lead to the next, and unearthed information that would forever change my life: Not only is there enough food in the world to feed every man, woman, and child on Earth, there is enough to make us all chubby.
I began coming to Paris in the 1960s when I was told audiences here liked my work. More than 20 of my plays have been produced in Paris, and several have had long runs and have returned in revivals.
During the 1960s, one neighborhood in San Francisco had the lowest income, the highest unemployment rate, the highest proportion of families with incomes under four thousand dollars a year, the least educational attainment, the highest tuberculosis rate, and the highest proportion of substandard housing ... That neighborhood was called Chinatown. Yet, in 1965, there were only five persons of Chinese ancestry committed to prison in the entire state of California.
Remember how many beautiful women there were in the 1950s and 1960s, without any surgery? And now, thanks to degeneration, we have this.
Everyone fixes up their face if it’s not ideal, you know? That’s because of the race-mixing. For example, a Russian marries an Armenian. They have a kid, a cute girl, but she has her dad’s nose. She goes and files it down a little, and it’s all good. Ethnicities are mixing now, so there’s degeneration, and it didn’t used to be like that. Remember how many beautiful women there were in the 1950s and 1960s, without any surgery? And now, thanks to degeneration, we have this.
I don't know that I had a sense that there was such a thing as "the poetry world" in the 1960s and early 70s. Maybe poets did, but for me as an onlooker and reader of poetry, poetry felt like it was part of a larger literary world. I mean, even the phrase "the poetry world" reflects a sort of balkanization of American literary and artistic life that has to some extent happened since then.
The 1970s was probably the most exciting decade to be a teenager, from discovering Little Richard at the end of the 1960s to glam rock to punk rock to electro music. So much happened in that 10-year span. There were so many musical revolutions. Some were happening at the same time. You had disco going on behind punk. You had Michael Jackson. You had the Sex Pistols.
It was sad leaving the BBC; not quite like being divorced, but you don't leave after a period stretching from 1960 to 1999 without feeling a certain number of pangs.
I spent the 1960s and 1970s seeking myself - the working-class tradition of self-education.
I realise that I had the best of serious picture journalism. There was an innocence in our approach, especially in the 1950s and 1960s when we naively believed that by holding a mirror up to the world we could help - no matter how little - to make people aware of the human condition.
I grew up with the one of the most famous fathers in the world in the 1960s and '70s. He passed away in 1984, and as time went on, people didn't know him. That blew me away.
I think the general anxiety of the 1960s - '70s spawned our interest in the living dead. When people worry about the end of their world, they need a safe vessel for all their fears. Zombies provide that vessel because they're 'safe.
But I'd say my best boss was Tom Barr, who was a partner at Cravath, Swain & Moore in the 1960s. It's because I learned so much from him.
I was born in Darien, Connecticut, but in 1959, when I was four, my parents moved to the suburbs of Toronto. Then, in the late 1960s, they bought a cottage in a resort/trailer park in the Kawarthas region of Ontario, and we moved up there. I wrote a book about it in 2000 called 'Last Resort: Coming of Age in Cottage Country.
Since the 1960s, there has been a tremendous expansion of the resources available to pay for health care.
I had no television when I was little, just a stack of old, beat-up comics from the 1950s and 1960s.
Music isn't like news, where it's what happened five minutes ago or even 10 seconds ago that matters. With music, a song from the 1960s could be as relevant to someone today as the latest Ke$ha song.
When I went south in the 1960s, I knew I could die. If I went down there and did what I did up in Chicago and made all of those hatin' white folks laugh, then I would have been defeated.
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