The important thing is to learn through experience. The more you do the more you learn. I don't think anyone can teach acting from a podium.
I graduated from school for graphic design, and I started to get into acting class just to get over severe fright. I was an extremely shy person. I could barely say hello to anybody.
There is a guilty pleasure in being rude and knowing that it's acting rather than you. But you get the same release as if you were being rude in life.
If I do decide one day to stop acting, I just hate the idea of people going: 'Oh, did you ever do anything else besides that Twilight thing?'
For my senior year, I'm home schooled. It's working well with the acting. Juggling school with the acting is hard, but you know, what can you do?
I never went to acting school. I started in the circus, music hall, I was in a group, did kids bits. Ive always had this kind of insecurity being uneducated.
In acting class, teachers talk about how the 'givens' of a situation help define a character.
For me, I've never drawn a distinction between live-action acting and performance-capture acting. It is purely a technology.
In my twenties, I thought I was Robert De Niro and I invested all of myself in my acting. But, as I've got older, I've calmed down a bit. I've thrown my game plan out of the window.
I love acting and certainly won't give it up, but it's part of a bigger canvas for me now.
Acting was a lot like football. When you're a DB and you're one on one with a receiver, you're going to dance. It's go-time in front of 100,000 people and everybody watching on TV. That's exactly how it is when a director says 'Action!' It's the same adrenaline rush, the same training process. I love it.
I studied theater in college, and I absolutely knew that I loved acting, and I knew that I loved theater.
I've been doing magic since I was five years old, and when I was trying to get acting gigs, I found I could make a good living at it. It's great to kind of shake the cobwebs off and get the feeling of a live audience again. I love close-up magic, the card stuff, the coin stuff, the really up-close David Blaine stuff.
My music is a very personal reflection of me, whereas, acting a role, thats a reflection of another character.
I had an amazing experience doing 'Skins.' It was the first acting I'd ever done in my entire life, so I had to learn on set for those two years. I had to keep my head screwed on and learn from the other cast.
I started studying at 26. Before that, I never thought of acting as something that I would ever try.
I had a Jesuit education, and I consider acting and the theater as kind of a calling - a vocation.
Believe it or not, I kind of went into professional wrestling so I could get an avenue into acting.
My father was a classical singer of baroque music, and my older sister was in musical theatre, and I thought about doing the same thing but then realised straight acting was for me.
At the beginning of my acting career, I worked for two seasons at the RSC and spent a lot of time in the Cotswolds exploring Shakespeare's countryside. It's my kind of English landscape, with its tiny villages and one-room thatched pubs.
I use every single thing that Alfred Hitchcock taught me in my acting career I am very grateful for the education he gave me in making motion pictures.
I've been performing since I came out of the womb. I've been dancing and singing since I was a toddler. Acting seemed like a natural progression from that.
I remember kind of doing early acting and thinking, "God, they don't paint behind the sets." It's a bit of a shame, really - "Oh, what's on the other side of this wall? Oh, you can see the plywood." I was really disappointed. I just thought that these things were real, from watching things as a kid.
Acting is a sort of pressure cooker that allows the fizz to come out the top. God knows what I'd be like if I didn't have that.
Yes, years of compromise and disappointment have added depth to my acting.
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