The dramatic art would appear to be rather a feminine art; it contains in itself all the artifices which belong to the province ofwoman: the desire to please, facility to express emotions and hide defects, and the faculty of assimilation which is the real essence of woman.
I could live without acting.... Acting is a gift I've received. And I'm grateful for it and I enjoy it. But it's not the main point of my life. It never was.
The theater is a baffling business, and a shockingly wasteful one when you consider that people who have proven their worth, who have appeared in or been responsible for successful plays, who have given outstanding performances, can still, in the full tide of their energy, be forced, through lack of opportunity, to sit idle season after season, their enthusiasm, their morale, their very talent dwindling to slow gray death. Of finances we will not even speak; it is too sad a tale.
Acting is not my language at all.
What children learn from punishment is that might makes right. When they are old and strong enough, they will try to get their ownback; thus many children punish their parents by acting in ways distressing to them.
The art of acting presupposes three phases: understanding a part, intuiting a part, and contemplating the essence of a part.
My father's ashes are not yet interred.strangely, I find the fact that he isn't properly laid to rest helps me when I'm doingthis play.
On the stage one must not confuse the nature of a personality with the naturalness of a person.
The art of an actress is sublimated sexuality. But off the stage the fire must be able to reconvert the steam into body.
I think there are probably more closet conservatives in Hollywood than there are closet homosexuals.
The invention of film has given our generation the dubious advantage of watching our acting heroes deteriorate before our eyes.
Dr. Birdsell, my dramatic coach in school, always said that I was the most melancholy Dane that he had ever directed.
The first reform must be the attitude. The ministers of the Gospel must be people who can warm the hearts of the people, who walk through the dark night with them, who know how to dialogue and to descend themselves into their people's night, into the darkness, but without getting lost. The people of God want pastors, not clergy acting like bureaucrats or government officials.
Every single night I'm nervous.
Yul Brynner's performance in "The King and I," . . . can no longer be regarded as a feat of acting or even endurance. After 30-odd . . . Mr Brynner is, quite simply, The King.
On the day we filmed the scene, a bee stung me. I screamed and cried so much they called a doctor, and my father said, "It can't hurt that badly!" But it wasn't the pain that upset me, it was the thought that I mightn't be in the film. Already the little professional.
Sponsors obviously care more about a ninety-second commercial and want to pay you more than any guest star gets for a ninety-minute acting performance.
We use important words too frequently and they lose value; for instance, charm and great. An actor or musician often is proclaimedgreat when we really mean he is outstanding.
An actor must communicate his author's given message--comedy, tragedy, serio- comedy; then comes his unique moment, as he is confronted by the looked-for, yet at times unexpected, reaction of the audience. This split second is his; he is in command of his medium; the effect vanishes into thin air; but that moment has a power all its own and, like power in any form, is stimulating and alluring.
... actresses require protection in their art from blind abuse, from savage criticism. Their work is their religion, if they are seeking the best in their art, and to abuse that faith is to rob them, to dishonor them.
The actor who lets the dust accumulate on his Ibsen, his Shakspere [sic], and his Bible, but pores greedily over every little column of theatrical news, is a lost soul.
Many a play is like a painted backdrop, something to be looked at from the front. An Ibsen play is like a black forest, somethingyou can enter, something you can walk about in. There you can lose yourself: you can lose yourself. And once inside, you find such wonderful glades, such beautiful, sunlit places.
More broadly across time and cultures, it seems, one perennial piece of advice to father has been the importance of acting tenderly toward their children. The New Father, it turns out, is an old story.
I like acting; I like being lost in the creative process.
Especially when it comes to something like the awards, I find it kind of baffling that 'True Blood' has been snubbed so many times given the incredible range of acting they have on there; I mean, incredible storytelling and the incredible production values.
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