I personally object to the veil on aesthetic as well as other grounds; but I must admit that, for instance in the suburbs of American cities, I have often seen women attired more sloppily than our Persian women normally are.
Dryness promotes the formation of flower buds...flowering is, after all, not an aesthetic contribution, but a survival mechanism.
It is true that the trees are for human use. But these are aesthetic uses as well as commercial uses-uses for the spiritual wealth of all, as well as the material wealth of some.
For me, reggae music and its aesthetic are touchstones in both simple and complex ways. Reggae's capacity to be a folk music that is created in a wholly modern context of the recording studio (and sometimes that is the sole performance space) is riddled with the kinds of contradictory impulses that we have come to expect from the post-modern. I revel in this, for it gives me, shall I say, permission.
That authentic experience that happens both in the artist and in the audience you can classify as a mystical experience. You can classify it as aesthetic shock, or even a psychedelic experience. Some people seek to recreate that experience through drugs. But the other way that you can do it is through art, and through spectacle. We have those experiences when we go to rock shows, or when we listen to a piece of classical music, or read a particular poem, or see a painting.
Maternity has come a really long way from when my mother or my friends' mothers were shopping, but it's still very limited and it's hard. Just because you become pregnant doesn't mean your style changes. You still want to maintain your same aesthetic, but it can be very challenging with what is out there. It's been interesting to kind of learning to dress around it.
I've always identified people's taste in music as being kind of hetero and/or homo - there's music people like because they feel like they have aesthetic similarity to it and the music they wish to create, and then there's music that represents the other, that they listen to because it represents an escape from the music that they have to make.
Who can forget the music of the French composer Germaine Tailleferre? These are just a few composers whose aesthetic ideals we all share, and there are many more women creators writing stunning and exciting music, and I wish I had space to list them all!
My visual landscape as a child was the inside of a lot of these old churches. And the Baroque drama of the things was what I was first engaging with artwise. I'm much more attracted to the aesthetic of religious iconography than the actual religious side. The passion and the blood and the violence and the gaudy side of it I find really fascinating.
A cultured society that has fallen away from its religious traditions expects more from art than the aesthetic consciousness and the 'standpoint of art' can deliver. The Romantic desire for a new mythology... gives the artist and his task in the world the consciousness of a new consecration. He is something like a 'secular saviour' for his creations are expected to achieve on a small scale the propitiation of disaster for which an unsaved world hopes.
I was talking to somebody about the L.A. hardcore scene, and they were saying that it was hard for them to picture punk rock at the beach. Like, the aesthetic didn't mix or something - black forms in the sand.
The aesthetic came along the way, I think - just through experimenting, and going on tour, and trying stuff out on stage, having fun with it, and not taking it too seriously. If I had a ballgown at home, I'd wear it onstage. If I found something in a charity shop, I'd wear it. That's where it grew from - just wanting to play dress-up.
Our conception of 1950s underwear is a lovely vintage aesthetic, but actually, wearing stockings with no elastic and a girdle was heavy duty.
We live in a world full of accidents finally in which on aesthetic principles have a consistency of which we can be sure. Right and wrong we will struggle with forever striving to create and maintain an ethical balance. Right and wrong we will struggle with forever, striving to create and maintain an ethical balance; but the shimmer of summer rain under the street lamps or the great flashing glare of artillery against a night sky – such brutal beauty is beyond dispute.
Prescriptive grammar has spread linguistic insecurity like a plague among English speakers for centuries, numbs us to the aesthetic richness of non-standard speech, and distracts us from attending to genuine issues of linguistic style in writing.
There is always the working out of things, and you have to have sort of a gut response to it. And an intellectual response. And an aesthetic response. All that comes from having done this for a long time. Instead of saying, "That's a really good rock track, and that will do," I'm looking for something that is more original and fresh. There are a lot of elements to get into it: a level or sophistication, passion and excitement.
I don't think I was ever thinking critically about my aesthetic, I think it's enough when you're little just to understand that you can give yourself the permission to try and see things differently or create something original, even though you probably won't make anything original for a really long time.
"Girly" can be limiting if you're told it's the only option. I don't think the solution is to get rid of the girly stuff or decide it's oppressive and get mad at a singer or book for not ACCURATELY REPRESENTING ALL WOMEN. There just needs to be more options for girls who don't identify with the girly aesthetic, and can broaden the idea of what being a girl means. Similarly, there needs to be more of that stuff that can be aesthetically girly, but feminist in the actual message.
You can't compare us, but I do think that Calvin Klein influenced his way of working. Calvin created this whole aesthetic with imagery - the whole sex thing. I can see that Calvin influence on his work. What Calvin has created is untouchable. My legacy, whatever it is I'm doing here, is miniscule compared to what he has done. It's just like an update deal.
I was listening to a lot of really early house music tracks. Like Chicago house and Detroit. And Marshall Jefferson has a track probably from 1980 - somewhere around there - that doesn't actually have any electronic instruments, no drum machines, nothing. Just a drummer and a piano player and they're playing this house music, but they're actually playing it. I really love that aesthetic and wanted to bring that into the album.
Opera contains music that reflects a culture of poetry and aesthetic. Spirituals are no different. What separates a spiritual for me is that I also happen to love Jesus. When I'm approaching these songs, I'm not approaching them like Mozart. I see my faith and the struggle of my ancestors and of a people seeking freedom beside what these songs are going to be in terms of their arrangement and delivery.
The fans, the vampire groupies, love the idea of this androgynous, preternatural figure stalking the night, and craving aesthetic pleasure just as he craves blood, wearing only the best velvet clothes, and savoring red roses.
The main reason I decided to study Latin American literature was because I'd gotten somewhat bored by the American fiction I was reading. I am not drawn to a specific style or aesthetic. When I think about literature, I think about it in the three languages I read easily - English, Spanish, and Portuguese. The authors I prefer are all very different and are not limited to certain genres or even certain time periods. Reading across three languages is a way for me to diversify my intake as a reader, not to tunnel into certain categories or demographics.
All efforts to render politics aesthetic culminate in one thing: war.
Personally, I am a hedonistic reader; I have never read a book merely because it was ancient. I read books for the aesthetic emotions they offer me, and I ignore the commentaries and criticism.
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