I think that I've got some pretty bad reviews on albums or songs that later proved themselves.
It's very difficult to ignore humanitarian disasters. The royalties from my albums continue to support my charity work.
Metallica is going to be one of those bands you look back on in the year 2008, that people will still listen to the way I still listen to Zeppelin and Sabbath albums.
Grammys, American Music Awards, successful albums, I'd pick my kids any day over any of it.
Lately, Ive been listening to some jazz albums. I love the new Pat Metheny album. John Coltrane. I still like good metal, though!
I don't really cringe over any of my albums.
You can't just sit around and make protest albums all your life; eventually it comes to the point where you have to do something.
Well, since I produce and pay for my own albums, it is the ultimate freedom.
Avril Lavigne sold a massive amount of albums and she has to top that with her next release. We have four great albums behind us, and it's not going to be as hard to live up to that.
Most of the albums that have taken long have been related to illness and fatigue or producer problems.
But I always held my music up and protected it from compromise. So I just do it for my friends. I've written hundreds of songs, and I'm sure I have a few albums worth of songs.
I hate negative songs; I won't sing them. It doesn't matter if it's sold 2 million more albums.
Christmas albums are not something you do frequently.
I've appeared on some other people's albums.
The first nine albums there was never a Synthesiser, never any Orchestra. There was never any other player except us on the albums.
When I began making my own albums, the songs became funkier. They were more about the streets.
I guess many game music fans prefer original soundtrack albums.
For years, Jazz At The Philharmonic albums were the only ones of their kind.
There's a plaque on our wall that says we've sold over 65 million albums, and I don't feel I've accomplished anything. I feel like I'm just getting started.
We always started these albums as making demos, that went right on until Scary Monsters.
I wasn't allowed to grow as an artist. My albums were nicer to look at than to listen to.
It was actually 3 years between albums. That seems like a long time to me
I'm sick to death of people saying we've made 11 albums that sounds exactly the same, Infact, we've made 12 albums that sound exactly the same.
Love is composed of a single soul inhabiting two bodies.
Those two songs condense the two albums. They also show what the audiences wanted. I was desperate to keep the band together and find something that the public would like.
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