The devolution of American culture takes another great step forward
I think being Canadian helps you as a journalist in America, because you're sort of on the outside watching this big party going on, and you're sort of taking mental notes as it goes on. I think if you're in the party the whole time, you don't notice it as much. And I think Canadians are very good observers of American culture.
It's interesting in American culture. We like to build people up and then push them off the pedestal, and then we want to see them come back. Like Britney Spears, and a lot of people, it's what we do, and it's not like that in other parts of the world.
My childhood was pretty colorful; I like to use the word turbulent. But it was a great time to grow up, the '70s and '80s in Brooklyn, East Flatbush. It was culturally diverse: You had Italian culture, American culture, the Caribbean West Indian culture, the Hasidic Jewish culture. Everything was kind of like right there in your face. A lot of violence, you know, especially toward the '80s the neighborhood got really violent, but it made me who I am, it made me strong.
One of the characteristics of North American culture is that you can always start again. You can always move forward, cross a border of a state or a city or a county, and move West, most of the time West. You leave behind guilt, past traditions, memories. You are as if born again, in the sense of the snake: You leave your skin behind and you begin again. For most people in the world, that is totally impossible.
I think we all recognize that one of the problems in American culture is that increasingly, there's no middle ground. That either you're a celebrity writer or a celebrity poet, or else you're nothing.
This determined bias against religion, especially Christianity, is clearly evident when viewed against the religious heritage of American culture as revealed in the Church of the Holy Trinity v. United States, 143 U.S. 452. 1892.
American culture is one that is so easily in denial. We have such a strange dichotomy, so hypocritical. The truth can be blaring in neon letters but our culture will find a reason not to hear what the truth is.
While we have a very strong popular culture, the roots of American culture are very shallow, and we put emphasis on how a movie does as far as the box office goes. Many years ago, it would have been vulgar to print box - office grosses in the paper. Now The New York Times does it, and it's the big story for people interested in arts and entertainment on Monday. Which is why emphasis has shifted away from filmmakers and fallen on movie stars and business people.
A lot of contemporary American culture makes its way to this county. Cuba is not some gray, isolated backwater. This is a happening place.
Secular Humanism is opposed to other religions; it actively rejects, excludes, and attempts to eliminate traditional theism from meaningful participation in the American culture.
Town after town has but one newspaper or one radio station. It is often owned by Murdoch. Yes, we don't have as much freedom of the press as we think we have - although the traditional freedom of speech is strongly rooted in American culture.
A panoramic vision of Bob Dylan, his music, his shifting place in American culture, from multiple angles. In fact, reading Sean Wilentz's Bob Dylan in America is as thrilling and surprising as listening to a great Dylan song.
People ask me if I miss the States. I miss African Americans. But not the U.S. government or all the things they put me through. I miss African American culture, our speech, dance and cooking.
I think in American culture, we put value on economic success but tell people you don't have to be economically successful to be happy.
I love my own culture. I love my African-American culture very deeply, and I know it deserves to be honored. You have to be aware that people are suffering unjustly, and given our own history we have a duty to stand for the people who are being treated like our parents and grandparents and children were treated.
The most important thing about Jazz at Lincoln Center is the fact that its the first time that perhaps the most important art form in American culture has a place to really exhibit itself and dedicated to its own particular conditions of performance.
Jamestown changed the world in many ways, but perhaps it shaped our nation most profoundly the day Africans arrived. I can't think of a more relevant place to talk about the issues facing our community today than the place where African culture became American culture.
American culture is often so self-consumed that we often think that our problems are just our problems.
Unlike the book, with a documentary, you get a chance to show much more texture and color. Film gives you get a chance to focus on much more individuals who are pivotal in changing the landscape of American culture.
There's something I have about being Canadian - there's a distance it gives you when you live in the States and operate in American culture. You approach familiar things a different way; you come at it from a different angle. It's a trait that runs through a lot Canadian artists' work and actors' work and musicians' - that kind of special remove.
Whether one becomes famous or not, you have to be reminded of people like Melville, who for the last thirty years of his life was completely unknown. He worked in a customs house and walked off to work as an anonymous person in this American culture.
I did not disregard my culture, if I did, it was the white American culture, and I accepted my true culture, when I accepted Mohammed Ali, because this is a black name, Islam is the black man's religion, and so I would like to say, that I would like to clarify that point that I reclaimed my real culture, and that's being a black man and wearing a black name with a black body, and not a white name, so I would never say that I didn't disown my culture.
There is a certain amount of righteous indignation I hold for the American culture, because to get back to the real root of it, to get broader about it, my opinion that is my species - and my culture in America specifically - have let me down and betrayed me. I think this species had great, great promise, with this great upper brain that we have, and I think we squandered it on God and Mammon. And I think this culture of ours has such promise, with the promise of real, true freedom, and then everyone has been shackled by ownership and possessions and acquisition and status and power.
There are all kinds of strange threads in American culture, and places where sympathy is extended and places where it isn't, and places where outrage is extended and places where it's not. It's this constantly shifting barrel of eels.
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