I'm a black American playwright. I couldn't be anything else. I make my art out of black American culture; they're all cut out of the same cloth. That's who I am; that's who I write about.
There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
I think the public library system is one of the most amazing American institutions. Free for everybody. If you ever get the blues about the status of American culture there are still more public libraries than there are McDonald's. During the worst of the Depression not one public library closed their doors.
Even if, personally, I'm in a place of contentment or solidity, I feel like it's hard not to look out into American culture and see vast inequity, widespread institutionalized violence and racism and transphobia and environmental destruction. It's hard to be in this world and feel a sense of innate satisfaction at all. There's plenty of things to feel unsettled about.
The whole point of American culture is to pick up any old piece of trash and make it shine with more facets than the Hope Diamond.
I often suggest in workshops that if you have 30 students in your American History course in 11th grade, or whatever grade level, that you maybe triple them up. You put, and have them choose, let's say 11 different Native American cultures. Maybe you give them a list of 15 and they choose 11 of those 15 so that they have some choice in the matter.
I think Latin American cultures are really rich and fascinating. I like the pomp and circumstance of some of their rituals and ceremonies.
Coming up in the African-American culture, we were taught that we belonged to the universe and society was wrong in the way it dealt with us. We had to learn to express and affirm values not from the winning position.
There's been this perception that Europeans still hold on to, that they discover the real talented ones in American culture and give them proper credit and that's not true anymore - it used to be. A lot of jazz musicians would get respect in Europe.
In American culture you leave home at 18. In the Asian culture, your parents don't really want you to leave home. So my parents just thought I was going to be one of those kids. I was like, "I'm never going to make a living at whatever I do." I just liked pretty things.
Yes, but the thing is my influences are so rooted in afro-American culture especially that it's quite sad to not enjoy the same success because the influences are so strong from there.
What city has given the world more in terms of American culture than New Orleans? There is none. Not New York. Not L.A. Not Chicago. Not anywhere, in the sense that African American music has gone around the world twenty times over, and it's continuing to evolve. It is our greatest cultural export.
Because in Australia we're so inundated with American culture, television, this that and the other, everyone in Australia can do an American accent. It's just second nature.
I think the number of books published by Mr. Disney has nothing to do with whether or not he is bringing literature to children. That judgment has got to be based on quality rather than quantity. It's the same old problem that continually plagues American culture. I would rather have children playing their own games out of doors in the sunlight than getting the misrepresentation of literature as given by Walt Disney.
The gestures and the swagger and the attitude of black men is imitated everywhere in American culture, but people still find black men intolerable.
Media hosts just talk about Golda Meir and Margaret Thatcher and again miss the point. I was talking about AMERICAN culture, ladies and gentlemen. As I pointed out, if Margaret Thatcher or Golda Meir, by the way, she didn't care, and Margaret Thatcher didn't care how she look like. If Margaret Thatcher were running for president today, as she was when she was the Iron Lady, we wouldn't have her mom doing television commercials telling us how wonderful she was when she was a kid and how nice she is.
'Feminism was established so as to allow unattractive women easier access to the mainstream of American culture and society,' and I'm sure in politics, you would have to acknowledge that it has worked.
One of the great strengths of American culture is this empowerment of individual, is the individual being able to be entrepreneurial, create new things. But you create a whole group of people to make great companies. It's employees and investors and customers and partners. The fabric of society, of a network of relations, is key to being successful.
One of the defining characteristics or difference between today's illegal immigration and the immigration of old is the immigrants of the late 1800s through the early 1920s came here desiring to become Americans. They wanted to become part of what was a unique and distinct American culture. They were all coming from tyranny of one kind or another.
The success [of the X-Men], I think, is for two reasons. The first is that, creatively, the book was close to perfect ... but the other reason is that it was a book about being different in a culture where, for the first time in the West, being different wasn't just accepted, but was also fashionable. I don't think it's a coincidence that gay rights, black rights, the empowerment of women and political correctness all happened over those twenty years and a book about outsiders trying to be accepted was almost the poster-boy for this era in American culture.
The dominant mood of contemporary American culture is the self-celebration of the peasantry.
We still have a lot of work to do in American culture. More open-mindedness is happening - in some cases rapidly, in some, slowly.
American culture has always known success, not suffering, so we've never known what to do with this part of the Bible. The more we succeed, the more we're seduced into thinking we can control everything. We dissect Revelation to get a sense of control over the future.
Historians differ on when the consumer culture came to dominate American culture. Some say it was in the twenties, when advertising became a major industry and the middle class bought radios to hear the ads and cars to get to the stores. ... But there is no question that the consumer culture had begun to crowd out all other cultural possibilities by the years following World War II.
Pro wrestling has always been ingrained into American culture. It was one of the first things that was ever on television, so everybody watched it.
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