Archives Quotes - Page 4

• I was totally taken in and totally taken by that myth starting in 1999, rather carelessly writing about this archive and starting to read [Buckminster Fuller] self-representation, misrepresentation, whatever you want to call it.

  Jonathon Keats

  Taken, Writing, Self

  Source: therumpus.net

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• The most challenging thing about this one was the vast amount of material we had at our disposal. We had a lot of media to go through - instead of fashion spreads, which informed The Eye Has To Travel, we had art, which was fantastic. I was spoiled by the access we had to these incredible archives and footage.

  Lisa Immordino Vreeland

  Fashion, Art, Eye

  Source: blogs.indiewire.com

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• He had undoubtedly not availed himself of the ministry archives, archives that might have revealed to him that Iranian diplomats in Paris, from this, his own Foreign Ministry, had taken it upon themselves to issue Iranian passports to Jews escaping the very Holocaust they were aware of, but that he now denied.

  Hooman Majd

  Taken, Escaping, Paris

  Hooman Majd (2013). “The Ayatollah Begs to Differ: The Paradox of Modern Iran”, p.52, Penguin UK

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• Psychedelics are not flashlights into the chaos of the Freudian unconscious, they are tools for mathematically unpacking your mind into a higher dimensional space. In the Newtonian and print created space that we are walking around in you, are like a self extracting archive, that hasn't self extracted itself yet.

  Terence McKenna

  Self, Space, Mind

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• Some survived due to advancements in engineering. Personally I'd take a vaccine over living in an iron lung. http://www.theatlantic.com/national/archive/2012/01/what-america-looked-like-polio-children-paralyzed-in-iron-lungs/251098/

  Howard Tayler

  Children, Engineering, Iron

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• Among other things, drag queens are living testimony to the way women used to want to be, the way some people still want them to be, and the way some women still actually want to be. Drags are ambulatory archives of ideal moviestar womanhood. They perform a documentary service, usually consecrating their lives to keeping the glittering alternative alive and available for (not-too-close) inspection.

  Andy Warhol

  Queens, Women, People

  "The Philosophy of Andy Warhol: From A to B and Back Again".

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• Cloud storage in data centers will utilize the latest developments in physical storage virtualization, deduplication and other methods to make the most effective use of physical storage assets. Software defined storage could allow a further level of abstraction and cost effectiveness. The vast bulk of content stored "in the cloud" will reside on large SATA interface HDDs with some on magnetic (mostly LTO) tape (particularly for "archives.")

  Tom Coughlin

  Clouds, Data, Effectiveness

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• Right now our blog on the presence of tape at EMC World is seeing twice as much traffic as all the other EMC World related content. Why? Many of our readers are coming to the obvious conclusion that tape, despite the negative marketing, is still an optimal way to protect and archive their information.

  George Arthur Crump

  Marketing, Negative, Tape

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• I've always had a bazillion songs in my archive, but I want to play people stuff they know. Now that I have two albums' worth of material, that gives me freedom to compose a set that's more well-balanced and build a show rather than just a recital of some songs.

  Kate Voegele

  Song, Play, Two

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• Through our science we have created magnificent spacecrafts and telescopes to explore the night and the light and the half light. We have made visible things that are invisible to the unaided eye. We have brought the dreamy heavens down to Earth, held them in the mind's eye. Our explorations have produced a vast archive of remarkable astronomical images... The riches are too many for choices, the revelations beautiful and dreadful. Who can look at these images and not be transformed? The heavens declare God's glory.

  Chet Raymo

  Beautiful, Eye, Night

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• Natural selection is all about the differential success of rival DNA in getting itself transmitted vertically in the species archives.

  Richard Dawkins

  Dna, Rivals, Natural

  Richard Dawkins (2015). “The Blind Watchmaker: Why the Evidence of Evolution Reveals a Universe without Design”, p.124, W. W. Norton & Company

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• Certainly, for a newspaper director, to have within arm's reach a Travaglio, about whom every starring actor, supporting cast and extra of Italian political life he is ready upon cold request to provide an inquiry brief refined in the most minute details is a nice comfort. But also a bit unsettling. The day I asked him if in that archive, into which no one is allowed to stick their nose, there were a brief with my name on it, Marco changed the subject.

  Indro Montanelli

  Nice, Italian, Names

  Preface to "Il Pollaio delle Libertà" by Marco Travaglio, Vallecchi, 1995.

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• Whether it's your own material or somebody else's material, it's essential that you identify with it thoroughly. It's like you want to archive it; you want to freeze it in time in terms of your perspective on it, then move on, because folk music is that volatile and comments not only on overall human concerns but also on the specifics.

  Paul Stookey

  Moving, Perspective, Essentials

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• I didn't grow up with [Buckminster Fuller]. I never met him. I was once close to meeting him as a child at a ski resort one summer. He died in 1983. Only in 1999 or so, 2000, when I was working as an editor at San Francisco Magazine, did I really come back around to that name because Stanford University had just acquired the archive.

  Jonathon Keats

  Summer, Growing Up, Children

  Source: therumpus.net

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• For example, because I'm a lapsed geologist, I followed the eruption of Icelandic volcano Eyjafjallajökull in 2010 in great detail, amassing a huge number of links to news articles, blog posts, scientific papers, web cams, video and photos. That archive came to the attention of Chatham House, and they then commissioned me to research the way in which the media responded to the ash cloud crisis. I think that's the only time that my degree and my career have fully intersected, and it really was a lovely moment!

  Suw Charman-Anderson

  Thinking, Volcanoes, Media

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• I work at a record label where I have archives. These things [memorabilia] occurred and are important to somebody, and they're important to me. I find the record industry largely repellent. This music, the Teen Idles, all of that stuff, is important to me. I don't have lawyers, an agent or a manager. However I find the music industry largely repellent. I just make records because that's what I love to do. So I think that era, those pieces of media, I keep in my collection.

  Ian MacKaye

  Thinking, Media, Important

  Source: brightestyoungthings.com

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• I have a company that is not Microsoft, called Corbis. Corbis is the operation that merged with Bettman Archives. It has nothing to do with Microsoft. It was intentionally done outside of Microsoft because Microsoft isn't interested.

  Bill Gates

  Microsoft, Done, Operations

  "LOS ANGELES TIMES INTERVIEW : Bill Gates : A Seasoned Boy Wonder Still Searching for the Cutting Edge". Interview with Nancy Yoshihara, articles.latimes.com. December 10, 1995.

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• Photography mirrored the [nineteenth century] will towards rigor, towards defining details, the need for miniscule description, the long-distance optics, for technology at the service of truth, for concepts of credibility, of objectivity, the need to archive, for the consolidation of institutions like the museum, in short, towards a need to control memory.

  Joan Fontcuberta

  Photography, Memories, Distance

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• I take pleasure in working with the non-art photographs that reside in public archives, essentially authorless and owned by the world itself, because I find the world of fine art photography to be pretty silly and pretentious.

  Michael Light

  Photography, Art, Silly

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• Seances is an internet project where I intended to adapt at least a hundred and maybe three hundred lost films into ten and twenty minute long fragmentary versions. We then uploaded them to an internet archive that fragmented them even more. We treated them like shreds of lost movie spirits and allowed these spirits to interrupt each other in non-consecutive collisions that formed new movies.

  Guy Maddin

  Long, Twenties, Three

  Source: thequietus.com

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• I am certainly influenced by certain post-structuralist traditions but also a number of other theoretical archives as well - including the brilliant work of Paulo Freire, Zygmunt Bauman, Loic Wacquant, Nancy Fraser, Tony Judt, and others.

  Henry Giroux

  Numbers, Brilliant, Tradition

  "Higher Education Under Attack: An Interview With Henry A. Giroux". Interview with C. Cryn Johannsen, www.truth-out.org. April 22, 2011.

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• Typically your work will end up in a museum [after] you're dead. And maybe that's the function of a museum. It's an archive of your work after you're dead.

  Eric Drooker

  Museums, Ends, Function

  Source: www.guernicamag.com

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• I love this idea of the body as a trauma archive!

  Heidi Julavits

  Ideas, Body, Trauma

  "The Sunday Rumpus Interview: Heidi Julavits". Interview with Angela Stubbs, therumpus.net. October 14, 2012.

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• Let's face it, we're all clones nowadays. We've all got the same archives, we've all got the same Hyundai, we've all got the same Mac or PC components, and we're all being told the same news stories globally.

  Rob Brown

  News Stories, Faces, Macs

  "Autechre". Interview with Mark Richardson, pitchfork.com. February 18, 2008.

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• I think in most companies you're surrounded by the past. You may have a Web site or archives or a lobby that sort of shows off your work of the past. The future is not as tangible.

  Harry West

  Past, Thinking, Tangible

  Source: bobmorris.biz

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