I realized the importance of archiving. So I save key pieces from my collections, as well as any red-carpet things that become iconic. I always ask for that stuff back. I'm like, "It's going in my archives."
Public art is ephemeral by nature. Google 's new project not only catalogs an artist's work but archives it and allows people to see the art long after it has disappeared.
When I took the job as Estée Lauder's creative director, the first thing I did was go into the archives! I love taking our heritage and making it modern.
When I joined Gucci in 2002, I immediately wanted to make a research trip into the archives because I'd heard about how incredible they were, but I never had the opportunity to visit them.
I archive a lot of my clothes and have them wrapped up and in boxes. I call them 'little tombs' and keep them in a storage space... I would never get rid of the dress I wore on the night I won my Oscar. When I die, someone can have it, but not a minute before!
In my opinion, the continued popularity of these gross distortions of Iran in the U.S. seems to reveal more about certain aspects of America than about Iran. It seems that the popularity of these memoirs is largely due to the fact that, while claiming to do the opposite, they regularly reinforce the dominant representations of Iran in America by constructing an exotic, backward, and barbaric Iran principally based on U.S. archives.
Having a person of Dr. Berthiaume's calibre leading Library and Archives Canada will be a solid asset to the organization. His extensive experience in the management of large cultural organizations and his strong leadership are important qualifications for this position.
All those years and their moments— Crackling bacon, slamming car doors, Poems tried out on friends, Will be one more archive, One more shaky text.
We know the secret police's methods, and the way the archive and registry were run - that's how we know. We've also found evidence from the Bolek file cited in other files.
The fashion I've acquired over the years is so sacred to me - from costumes to couture, high fashion to punk wear I've collected from my secret international hot spots. I keep everything in an enormous archive in Hollywood. The clothes are on mannequins, also on hangers and in boxes with a photo of each piece, and there's a Web site where I can go to look through everything. It's too big - I could never sort through it myself! But these garments tell the stories of my life.
I just love the days when you come out of the archives with half a dozen excellent descriptions or poignant accounts of personal experiences.
I was working for Alan Lomax in the Library of Congress folk song archive, and starting to realize what a wealth of different kinds of music there was in this country that you never heard on the radio.
I went to the archives to see what Dumbo work there was, not for current film, but just for my love of animation. And I couldn't believe all the artwork the guys had done to find this universal empathy to Dumbo. There was one drawing where they used his ears as a sign: "Eat at Joes!" These guys were continually searching and digging to see what that is.
... over two hundred women, apparently at their own request, were sealed as wives to Joseph Smith after his death in special temple ceremonies. Moreover, a great many distinguished women in history, including several Catholic saints, were also sealed to Joseph Smith in Utah. I saw these astonishing lists in the Latter-day Saint Genealogical Archives in Salt Lake City in 1944.
Richmond has fallen - and I have no heart to write about it... They are too many for us. Everything lost in Richmond, even our archives. Blue-black is our horizon.
Another scandal for Hillary Clinton - they're saying she used a private email address when she was secretary of state, which means the government couldn't archive and preserve her emails. Then Obama said, 'Don't worry, we saw them. We see everyone's emails.'
The archives recall not one single incriminating incident, not one drunken escapade, not one reported affair, not one spat with a team-mate or reporter - As Matthew Parris wondered of Barack Obama in these pages recently, is he human?
The gossip will carry to Attolian spies, who will report to Relius, Attolia's master of spies, and he will carry the news to her." "Her secretary of the archives," murmured the magus. "Hmm?" asked the queen. "Secretary of the archives, Relius. Master of spies is so-" "Accurate?" "Overtly direct," said the magus. Eddis laughed.
Museums have no political power, but they do have the possibility of influencing the political process. This is a complete change from their role in the early days of collecting and hoarding the world to one of using the collections as an archive for a changing world. This role is not merely scientifically important, but it is also a cultural necessity.
The most challenging thing about this one was the vast amount of material we had at our disposal. We had a lot of media to go through - instead of fashion spreads, which informed The Eye Has To Travel, we had art, which was fantastic. I was spoiled by the access we had to these incredible archives and footage.
I didn't grow up with [Buckminster Fuller]. I never met him. I was once close to meeting him as a child at a ski resort one summer. He died in 1983. Only in 1999 or so, 2000, when I was working as an editor at San Francisco Magazine, did I really come back around to that name because Stanford University had just acquired the archive.
My books serve as archives of thoughts and emotions, like a tonal history that captures how I felt at a certain time of my life. It's not very informational. You're not going to get comprehensive knowledge about the Han dynasty of China or about India's Emergency. But you might learn how one person felt about the Los Angeles Olympics.
I was totally taken in and totally taken by that myth starting in 1999, rather carelessly writing about this archive and starting to read [Buckminster Fuller] self-representation, misrepresentation, whatever you want to call it.
I do make some drawings for wall pieces. I do work out some ideas for large-scale wall pieces where I have to organize words or get proportions right. I do keep them in my files. Not an exhibit or a show; just as part of my records, my archives.
Whether it's your own material or somebody else's material, it's essential that you identify with it thoroughly. It's like you want to archive it; you want to freeze it in time in terms of your perspective on it, then move on, because folk music is that volatile and comments not only on overall human concerns but also on the specifics.
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