The artist is a receptacle for emotions that come from all over the place: from the sky, from the earth, from a scrap of paper, from a passing shape, from a spider's web.
When I work, and in my art, I hold hands with God.
The artist is the opposite of the politically minded individual, the opposite of the reformer, the opposite of the idealist. The artist does not tinker with the universe, he recreates it out of his own experience and understanding of life.
Surely nothing has to listen to so many stupid remarks as a painting in a museum.
Every artist writes his own autobiography.
An amateur may not be an artist, though an artist should be an amateur.
Man, there's no boundary line to art!
Acting is a strange business; one day it's there, and the next day nowhere to be seen.
I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and all the rest of it.
In sculpture did ever anybody call the Apollo a fancy piece? Or say of the Laocoon how it might be made different? A masterpiece of art has in the mind a fixed place in the chain of being, as much as a plant or a crystal.
Can someone eat the fruit that comes from the tree of action that grows from the seeds of your mind?
I've always thought that there shouldn't be any limit to the things that are well designed. And I think that people who consider that art should only be kept for art galleries and doesn't have a role in public life, I think that's too narrow.
As I see it, all of them - Tachists, Action Painters, Informel artists, and the rest - are only part of an Informel movement that covers a lot of other things as well. I think there's an Informel element in Beuys, as well; but it all began with Duchamp and chance, or with Mondrian, or with the Impressionists. The Informel is the opposite of the constructional quality of classicism - the age of kings, or clearly formed hierarchies.
Create like a god, command like a king, work like a slave.
Don't look for obscure formulas or mystery in my work. It is pure joy that I offer you. Look at my sculptures until you see them. Those closest to God have seen them.
It was not possible for us to produce the same optimism and the same kind of humour or irony. Actually, it was not irony. Lichtenstein is not ironic but he does have a special kind of humour. That's how I could describe it: humour and optimism. For Polke and me, everything was more fragmented. But how it was broken up is hard to describe.
If you seek just a little truth, as most, you should not ignore abstract forms, the basis from which all short-lived experiences we call reality springs.
Art is a personal act of courage.
The morality of art consists in the perfect use of an imperfect medium.
The painter is, as to the execution of his work, a mechanic; but as to his conception and spirit and design he is hardly below even the poet.
Cutting straight into color reminds me of the direct carving of the sculptor.
A sculptor is a person who is interested in the shape of things, a poet in words, a musician by sounds.
No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love.
The temple of art is built in words.
Painting is an infinitely minute part of my personality.
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