The history of art is the history of revivals.
Art begins with resistance - at the point where resistance is overcome. No human masterpiece has ever been created without great labor.
On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.
Art for art's sake is a philosophy of the well-fed.
You come to nature with all her theories, and she knocks them all flat.
Immature poets imitate; mature poets steal.
Art is one thing that can go on mattering once it has stopped hurting.
Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic.
No matter what your political persuasion, you can find a guide that makes it quick, easy and painless to exercise your right to vote. Wanna know what a certain proposition put forth by a cadre of undisclosed billionaires which cuts funding for public education, arts and infrastructure means? Use the voting guide!
Art hurts. Art urges voyages - and it is easier to stay at home.
Art is real and imaginary, two worlds rolled into one - the fulfillment of the artist's insatiable soul.
In art, to express the infinite one should suggest infinitely more than is expressed.
Art must be parochial in the beginning to be cosmopolitan in the end.
The task of art today is to bring chaos into order.
The beautiful is in nature, and it is encountered under the most diverse forms of reality. Once it is found it belongs to art, or rather to the artist who discovers it.
Above all, artists must not be only in art galleries or museums - they must be present in all possible activities. The artist must be the sponsor of thought in whatever endeavor people take on, at every level.
I painted with acrylic paint, and the reason why I went to oil was mainly because I didn't control it. I was looking for the insecurity of it. I mean, I might have found another reason later, but at that moment, the reason was I was looking for the insecurity.
Do you drink?" "Of course,I just said I was a writer.
I once asked a distinguished artist what place he gave to labor in art. "Labor," he in effect said, "is the beginning, the middle, and the end of art." Turning then to another--"And you," I inquired, "what do you consider as the great force in art?" "Love," he replied. In their two answers I found but one truth.
Art does not imitate, but interpret.
Drawing is like making an expressive gesture with the advantage of permanence.
Everything you can imagine is real.
Yes, we were amazed when that happened. It was a real joke to us. Konrad Lueg and I did a Happening, and we used the phrase just for the Happening, to have a catchy name for it; and then it immediately got taken up and brought into use. There's no defence against that - and really it's no bad thing.
Don't think about making art.
The Art Snob can be recognized in the home by the quick look he gives the pictures on your walls, quick but penetrating, as though he were undressing them. This is followed either by complete and pained silence or a comment such as 'That's really a very pleasant little water color you have there.
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