I always felt the audience sorta tolerated the serious musical parts while I was doing my comedy.
The audience works as such a mob. They either all laugh or all don't laugh, and, you know, changes from audience to audience.
And if the audience is in a kind of naughty, raunchy mood, then they're going to make naughty, raunchy suggestions and then we take them and we do the scene anyway, and that's part of the fun.
If there are older black people in the audience that I can see I will not say the n-word. I know they grew up with a different meaning.
You can just keep getting it worse until you have to pull back and let the audience breathe. But yeah, I really love digging.
A good or great performance is like peeling an onion; in every scene you reveal another layer, something the audience hasn't seen until then. They stay involved because they are constantly learning about and discovering the character they are watching. They can't take you for granted and it keeps them hooked.
Odds are you’re going to like this lively spin on the true story of six MIT mathletes who broke the Vegas Bank. It’s a kick to watch Kevin Spacey and a gifted young cast use smarts to deal audiences a winning hand.
I mean my goal is to get Michael Richards to do stand up at the Laugh Factory to an all black audience.
Globalisation means indeed everything is global but there are still very specific centres of power, especially when it comes to media and news.Misinformation about some attacks is going to affect how emotionally involved the audience is going to get. In the end, an emotional ranking is artificially created when it comes to casualties.
I wanted the song to contain various meanings, and what I wanted in particular was to appeal to the audience with my charms as a man.
The way that music is approached in the temple is very call and response; it breaks down that barrier between performer and audience.
I feel the most connected to my art when it comes from my real life and hopefully the audience feels that.
I think there is a weird loneliness that comes with being a comedian. There is something definitely inside the personality of a person who wants to be a comedian, and (he or she) is looking to connect (to the audience) at all times.
I think where you get into trouble - for instance the mixing of sex and violence - is when you're telling an audience that this horrible thing is enjoyable. The suffering just gets out of hand too much. It becomes pornographic.
I want audiences to look at adolescent delinquents with greater understanding and more compassion.
My career is based on the slow build of an audience based on putting on a good show live and putting out a record every couple of years. I was already doing really well in terms of my goals, to keep my fans coming back.
Donald Trump is a different ball of wax. I've been trying to say for I don't know how many months now that the traditional political playbook in destroying and attacking a political opponent is not gonna work on Trump, because Trump's connection with his supporters or his audience is far deeper and far greater than most voters' connection with a candidate that's very popular. Reagan had the connection.
This not a criticism of [Mitt] Romney; please don't anybody call him up and say I'm ripping him. I'm not. I'm simply telling you that the connection [Donald] Trump has with his supporters, slash, audience, is unique. Not everybody politician has it, and certainly not every public figure has such a connection with their audience.
To me, humor is part of a conversation with an audience.
One of the things that I love about painting is that I never consider myself to have an audience.
There's actually a disdain for the conversation about audience in the art world. Artist to artist, if you say, "What do you think about audience?" they would probably say, "I don't think about audience, I only think about my work," yet the audience is such an important part.
One of the things I love within music and within sports is how often musicians and athletes thank their audience. In the art world, you would never hear that.
Just to give the audience a breath of fresh air is important.
There are several key pieces to keeping audiences engaged, and the evolution of that. One is a content-first strategy because you need to provide the best possible product, no matter what your brand is, it's got to be a great, incredible product first.
I never met Barry Crump, but I was in an audience once for a play once. There was a drunken man at the back of the auditorium that was shouting during a performance of a one man play, and it turned out later on that was Barry Crump and he was in a state of inebriation.
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