If a chemical drug like Viagra is accepted by society and by the world to ignite desire, then what is the problem with my audio-visual drug called cinema which ignites desire? Both are basically doing the same thing!
Filmmaking materials are in the hands of more people now than ever before. I would like to think that the more people have these tools, the more people will learn how to use them, it's another argument I would argue for, personally, for art's education. Because there are kids who aren't that literate in screen language and they've got to know how people select shots, how people edit audio, how people combine things to make what they see on the screen. It would be like the 15th century or the 16th century in Germany, and somebody amends a printing press and you don't know how to read and write.
Whether I'm on the road or at home, I get a great deal done on elliptical machines. I use my iPad to conquer my email inbox, listen to audio books, use my Voxer Walkie Talkie app, and read through documents.
There is no news value to the content of those [Newtown 911] tapes. The actual audio is of no news value at all, unless you want the thrill of hearing the sound of the actual individual gunshot that might have killed a 7 year-old.
Radio astronomy reflects our fascination with how audio can be used to understand information or ideas. Just as scientists visualize data through charts and pictures, we can use 'data sonification' to translate radio signals into sound that help us better understand some of our most enigmatic planetary systems.
I love reading - inspirational books, leadership books, biographies. I exercise a lot and put on my audio book. Even If you would offer me a million dollars for my iPod I wouldn't give it to you, because I have some great things on it.
Often people try and just consider music as music, in a musical context. People seem to forget that music is not just audio material - it's also the artwork, the packaging it comes in.
The death of the music business was insane, but audio recordings have been around now for maybe 120 years. Books have been around for, what, nine centuries? So they're more entrenched than music.
Our sense of "open" is that the authority to make decisions about that gets distributed based on merit and understanding and participation and leadership, not solely on employment or a title or a business plan. Technical colleagues will define "open" as "open standards," "interoperable" - you can find it, search it, cut and paste it, view source, mix and match - all those things that we associate with text on the Web, that you can continue to do that with audio and video and whatever's next.
Glenn and I were listening to a radio show in the car, and he said, "Glass Eye Pix should do radio plays." I loved the idea of working in a different medium. We've made comics, books, movies, video games, models, advent calendars, why wouldn't we try audio plays?
The biggest difference for me is that the tales really have no logical outlet, no particular infrastructure in which to present them as you would have with a film festival. There's no IMDb for audio dramas. So there's a lot of work with no particular reward.
Larry and I, and a bunch of our colleagues, were sitting on great stories that needed to get out to an audience in one way, shape or form. We've both produced comics in the past, and audio dramas seemed like a similarly interesting option, the other side of the coin. As we've continued with the project, the format has become a vital way for us to tell our stories.
The more we do this, the more the audio-drama format is opening up to us in new ways. So I think there's an experimental element, or at least an confidence in experimenting, that's running though our work now - and it wasn't there in the first season.
I've been working with contractors designing and building a house on a nonstop basis since I learned about all these systems of audio, construction, electricity, energy, water systems.
I get to listen to a lot of this music again doing my DJ work on Little Steven's Underground Garage. To hear Van [Morrison] on Them's version of "It's All Over Now, Baby Blue"- what a vocal, and what an arrangement. Also, I get to hear so many records that I missed the first time around - The Chocolate Watchband, Roky Erikson. It's an audio food fest, a total privilege, a second chance.
I'm a studio guy. That's really what I love the most. I'm so fascinated with audio gear and recording techniques and whatnot, it's pretty mesmerizing.
Yes, for me audio-visual performance has its roots in my experience working as an improvising musician and composer.
You have to make rough decisions with sequencing and work within the limitations of having good audio for 15 minutes on a vinyl side.
The visuals and the audio, could stand by themselves in a way. But the whole idea of the thing, is that they would exist together. So I think together, they're way more of a stronger thing. You could listen to just the music, or just watch the video, but I think it would really mean... obviously it would just be half the experience.
My first epiphany that this might work came on my first day, when I went into biofeedback. They hooked me up to computers through electrodes, put me in a comfortable lounge chair, put an eye pillow over my face, slipped speakers onto my head and played an audio guided visualization.
Andy Kindler. Andy's set - somehow he slayed that night. But something weird about it that wasn't translating for the CD. I don't know what it was. But we listened to it and it wasn't the greatest audio recording - I mean, the quality of it was good. But we didn't want to put it on the record because it doesn't represent what Andy does.
My books are offered through Podiobooks.com and the iTunes Music Store as free audio downloads. I don't sell them.
More and more of my audio fans are asking for audiobook versions - files without the intro/outro/etc that go into the podcasts. More and more want them from Audible.
I use a laptop more as a tool, as sort of the central artery. Everything goes through the digital audio card of my computer, but if I had my druthers I'd do everything in dedicated hardware.
There are still many questions about how law enforcement responded to the shooting at the Pulse nightclub in Orlando.To get some answers, media organizations, including NPR, have asked for tapes of the 911 calls and other recordings. So far, authorities have not released that audio, only edited transcripts. Doing more, they say, would re-victimize the survivors.
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