I don't come to work as an actor. There are many directors who can direct without ever having acted and do a great job and connect with their actors and lead them to excellent performances without themselves having had an acting background.
I started as a drummer, so I sort of took on singing duties by default. I had sung backgrounds and some lead vocals from behind the drums in different bands that I'd been in, and I'd gotten great responses for the songs I would sing. I really started pursuing the possibility of being a lead singer based on the fact that I was working a full-time restaurant job and then playing gigs at night, hauling drums around. One day, it just dawned on me that, 'Hey, I could be in a band and be the singer, and it would be a lot easier!'
I have written millions of words about contemporary England - in journalism. Why don't I take it as the background for a novel? I may do one day. But the simple answer is that it does not excite the novelistic part of my brain; it does not fire it up.
Just because I'm from North Harrow some people want me to be a proper chav. I'm not from a poor background, but we have a normal size house, and my mum is a nurse. I had to go to work otherwise I wouldn't be able to have done anything - there wasn't enough money for me to skive off. As for the Vicki Pollard thing - I don't let stuff like that bother me. I mean, she's a bit of a retard, isn't she?
Those subject to capital punishment are real human beings, with their own backgrounds and narratives. By contrast, those whose lives are or might be saved by virtue of capital punishment are mere 'statistical people.' They are both nameless and faceless, and their deaths are far less likely to be considered in moral deliberations.
In Texas, you just learn just be nice to people and respect them, and respect where they're coming from. And understand people have different backgrounds and opinions, and there's nothing you could do about it. And that's what I've realized to shape, I guess, who I am.
I get a lot of comics, and I can look at a comic and tell immediately whether I'll enjoy it or not. There are elements in the stories that I have no rapport with. I see dirty language, I see sleazy backgrounds; I see it reflected in the movies, the movies are comics to me. And I don't see a sleazy world. I see hope. I see a positive world.
I worked with an amazing dialect coach named Jill McCullough. We did Skype sessions while I was shooting "No Escape" in Thailand, actually. So three times a week I would have long, two-hour sessions with her just working on the nuance of the accent, which I had had a huge background in because I went to drama school in England for four years.
Having a highly homogeneous background, education, values, preferences, etc, in the very early team is better than not - cuts down on time-wasting arguments.
I have a neuroscience background - that's what my doctorate is in - and I was trained to study hormones of attachment, so I definitely feel my parenting is informed by that.
I come from a middle class background. I have travelled a lot by trains and have lived in the world. It is a world I cannot get away from; I would not even want to.
I know there are kids out there, I want to make sure they all know that driving without braking is not something I recommend, unless you have professional clown training or a comedy background, as I do. It is not something I plan to make a habit.
Ask for feedback from people with diverse backgrounds. Each one will tell you one useful thing. If you're at the top of the chain, sometimes people won't give you honest feedback because they're afraid. In this case, disguise yourself, or get feedback from other sources.
We can place a product, virtually any size, in almost any location. It really depends on what the program and the video in each individual episode provides in terms of a logical or contextual background.
Weed's not as bad as everything else... 'cause weed is a background substance. You know what I mean, you can smoke some herb and still function. You ain't crisp... but you'll function.
Alcohol was the background color in the fabric of Reggie's life.
he challenge is finding the modern conduit for the audience, having fun and really looking at the duality of this particular character, that is both devil and angel, and on the cusp of losing control of the pagan background, to this newfangled religion called Christianity. There's a great backdrop there, and just a whole dark side with the magic.
I'm interested in everything about what it means to be a human being, so every role is an excuse to delve into a different way of life, a different socio-economic background, and a different tragic or comedic circumstance.
I did more research into the police procedure. I worked out with SWAT guys and ex- and active military guys, and consulted with them and read books. As far as the character itself, I don't know how you can research being a focused guy, aside from just being a focused person and knowing what that's like. Outside of the character background and all that, there wasn't a whole lot of other stuff to really delve into. You just do what you do.
I'm not from a particularly sci-fi background. I'm not anti sci-fi at all, but I've never been known as a sci-fi writer and, suddenly, I was creating a flagship BBC sci-fi show, which is terrifying sometimes.
When you have two different women coming from two very different backgrounds, it's fun for us because we get to explore how each one of them approaches their job and how they bring their own experiences to it.
We played more rock music when we were writing the script. 'Renegade'. All of the Styx songs. All of the old '70's and '80's music, that's the stuff that's pounding in the background while we were doing this stuff. It's a part of those movies.
In high school, I came to realize I had a second-hand faith, derived from my parents and family background. I had no actual reasons for believing it.
Most people might think that I've come from a musical background, but nobody in my family was in any kind of band or played anything. I just picked up music from breakdancing really, that's what got me to listen to music, and in general I was just a creative guy.
They were just snapshots, nothing special, nothing particularly artistic. They were used for utility purposes. (On photographs of mundane streetscapes he had Stanley Something-or-other take in Sacramento in 1988 to serve as backgrounds to his cartoons. People don't draw it, all this crap, people don't focus attention on it because it's ugly, it's bleak, it's depressing... But, this is the world we live in; I wanted my work to reflect that, the background reality of urban life. )
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