I took several years of dance lessons that included ballet, tap and jazz. They helped a great deal with body control, balance, a sense of rhythm, and timing.
There would never have been a British Ballet without Diaghilev. He had a wonderful influence
I deliberately made an effort not to become an expert on the ballet.
I grew up studying ballet; I grew up honing my craft.
Dance is not an exercise. Dance is an art.
The vocabulary and manner of classical ballet express a high order of discipline and restraint, a sense of harmony with forces larger and more lasting than the individual.
Those who dance are considered insane by those who cannot hear the music.
Dance light, for my heart it lies under your feet, love.
We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.
On dancing on pointe: Why don't they just get taller girls?
To brisk notes in cadence beating, glance their many-twinkling feet.
A fine picture is but the image of nature; a finished ballet is nature herself.
Except for the point, the still point, There would be no dance, and there is only the dance
Dance is communication, and so the great challenge is to speak clearly, beautifully, and with inevitability. Dance is the only art of which we ourselves are the stuff of which it is made. Dancing is like dreaming with your feet!
They danced by the light of the moon.
Ballet's image of perfection is fashioned amid a milieu of wracked bodies, fevered imaginations, Balkan intrigue and sulfurous hatreds where anything is likely, and dancers know it.
What's so wonderful about ballet is that it's mind-driven physicality. It's almost a Greek ideal of body, mind, and form.
In order that our art may arrive at the degree of the sublime which I demand and hope for, it is imperative for dancers to divide their time and studies between the mind and the body, and that both become the object of their application; but, unfortunately, all is given to the latter and nothing to the former. The legs are rarely guided by the brain, and, since intelligence and taste do not reside in the feet, one often goes astray.
I think most dancers would agree that the art of ballet chooses the dancer, not the other way around.
Dancing and ballets would undoubtedly take on a new lease on life, if the customs established by a spirit of fear and jealousy did not in some way close the path of glory.
Ballet is good, because it makes you stand up tall.
Custom has made dancing sometimes necessary for a young man; therefore mind it while you learn it, that you may learn to do it well, and not be ridiculous, though in a ridiculous act.
True art consists in concealing art.
I should never conclude were I to speak to you of all the misfortunes which have their origin in the faulty carriage of the body. All these defects, mortifying for those who have contracted them, cannot be remedied except in their early stages. A habit born in childhood is strengthened in youth, becomes deeply rooted in adulthood and is incurable in old age.
In order to dance well, nothing is so important as the turning outwards of the thigh; and nothing is so natural to men as the contrary position.
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