I think back to back romantic comedies are good for black film.
Obviously, I can't tell the story of what it is to be a black girl, but maybe I can tell something else. Girlhood is not about what it's like to be a black girl, it's about what it's like to be a girl.
The colors black and white are my uniform, to honor the working class. People like my parents, who were janitors and had to wear a uniform every day. It keeps me grounded.
That's just like America. It's made up of lots of different people. We're all different colors, different ages, we do different jobs -- but it takes all of us black people, white people, brown people, men and women, young and old, working in the factories, working in the fields, working in offices, working in stores -- it takes a lot of different kinds of people to get the job done for America.
The black hole in democracy is integrity. The great unspoken is integrity. When integrity is not first and foremost, it's quite palpable but not visible. It's always there. Jazz highlights it because musicians and jazz always represented a high level of integrity.
It [Cambridge] wasn't a holy grail in the sense that I'd never been to Cambridge. But then, when I did go, the contrast between Leeds, which was very black and sooty in those days, and Cambridge, which seemed like something out of a fairystory, in the grip of a hard frost, was just wonderful.
Macroscopic objects, as we see them all around us, are governed by a variety of forces, derived from a variety of approximations to a variety of physical theories. In contrast, the only elements in the construction of black holes are our basic concepts of space and time. They are, thus, almost by definition, the most perfect macroscopic objects there are in the universe.
Who would have thought when they came to the fight? That they'd witness the launching of a human satellite.
Be loud, be pretty and keep their black-hatin' asses in their chairs
Of all the black crimes that humanity is committing against the great Creation, vivisection is the blackest.
For horror to work, you have to be afraid. You have to keep the monster in a black and white light.
I could do all of my activities at Howard because it was an environment that had essentially rid the ideology of false choices that I feel absolutely constricts young black students.
Imagine a crime series in which, every week, there is a white suspect and a black suspect. And every week, lo and behold, the black one turns out to have done it. Unpardonable, of course. And my point is that you could not defend it by saying: "But it's only fiction, only entertainment."
Design in black and white. Add color for emphasis, when your design is complete.
Unfortunately, I don't train enough on an everyday basis to be a black belt, but if I put my mind to it I think I could definitely move very quickly in that world.
I didn't like The Wiz and it wasn't because black people were doing it. I didn't like The Wiz because it was a badly made movie off a classic. Why are you remaking something unless you have something better in mind?
We're historians and above all want to write about what was. Our book doesn't deal with legacies. It also wasn't our goal to destroy a legend. We consider Walesa to be a national symbol. He led Solidarity and remains an icon. But he also worked with the secret police under the name Bolek. The truth isn't always simply black and white.
That's the nature of my [stand-up] act: black man with a white baby.
I was born a poor black child.
I'm a woman of color. I've lived in black neighborhoods all of my life, and most of the time I get hit on in my neighborhood - and mostly by black men. And so I wanted to have my specific experience and my perspective on street harassment out there.
Specifically for black women, our images and our bodies in the media and in history have been so hypersexualized.
Do not be naive. AIDS is not a curse from God to Africans or the black people. It is a tool to control them designed by some evil-minded scientists, but we may not know who particularly did it.
Your ancestors dragged these black people from their homes by force; and in the white man's quest for wealth and an easy life they have been ruthlessly suppressed and exploited, degraded into slavery. The modern prejudice against Negroes is the result of the desire to maintain this unworthy condition.
My son don't have to say it loud, I'm black and I'm proud. He don't have to be called those crazy names.
I was a kid who liked art and theater and dance and music, but if you lived in Harlem, high culture was somewhere else, and it wasn't black.
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