I heard Pete Seeger records when I was a kid. I saw Bob Dylan when I was about 12. The first song I ever learned to play was a song by Phil Ochs.
I respect journalism. I was always very aware of journalism from a very broad point of view, but I'd say my baptism by fire was doing the Donald Margulies play Time Stands Still. That for me was a real education because I spent a lot of time with some incredible journalists, war reporters particularly - Bob Woodruff, Dexter Filkins - people who were very helpful in painting the picture for me and reading the accounts of people and what they experienced, a lot of PTSD.
Songs came first. I started out in 1965 trying to copy the Beatles, Bob Dylan, and the Stones, like most kids I knew. I'm still trying. Songs are hard to beat.
I remember Bob Dylan saying in an interview that at a certain point he'd had to learn to do consciously what he'd previously done unconsciously or automatically. That resonates.
Bob Bly is among the most accomplished self-employed copywriters in recent years.
I was sitting here without a shirt on, absentmindedly scratching my back with a pen for about five minutes and I just looked in the mirror and saw that I had drawn a nice mural on my back. It looks kind of like a map of Wyoming, with all the rivers and mountain ranges, or maybe a portrait of Bob Marley. Yes. Tablature
I almost dropped dead the first time I heard Bob Dole say 'gay marriage' on the floor of the senate. He wasn't saying nice things, but he said it! I never thought in my lifetime I'd hear that. I just think we're moving now at warp speed. Even when we take a step back like with prop 8, we take two steps forward.
Bob Dylan's Christianity has been allusive, idiosyncratic, and never the sort to place him on anyone's side in any Kulturkampf.
Endorsed by Bob Jones, despite calling Mormonism a "cult".
Hitler's mind was a deep-running river. You could never tell when something it had absorbed would bob to the surface again.
When I moved to New York, I had nothing. And a friend of mine also had nothing. And he said, 'Hey, come with me to the Marriot Marquis. And if you go to the 30th floor, and you wait by this door, and you sneak in, you can get free food.' And I did that for three years. I was prepared if anyone said, 'Can we see your room key?' to be like, 'Do you know who I am? I'm Bob Marriot's nephew.' Um, so great, I'm glad to be here and have free food again. And I didn't have to sneak in!
I am very much inspired by the great masters of entertainment: Bob Hope, George Burns, Jimmy Durante - who never thought about retiring. When people ask me if I plan to retire, I say, "Retire to what? I am doing what I love best right now!"
I like lots of songs, and I find it quite interesting to do [cover songs] from time to time. My first solo hit was in 1973, the Dylan song “A Hard Rain’s Gonna Fall.”
I figure if I keep my health, I have no intention of retiring. I love to work. I want to be like Bob Hope.
I'm no Bob Gibson. I can tell you that.
I have no idea why my mom picked Bob, and I've never asked her. My name used to get slaughtered all the time by other people. I was 'Desmond' or 'Damon' or `Demon.' So Bob's cool.
If Bob Barr (conservative republican congressman from Georgia) caught on fire and I was holding a bucket of water, it would be great act of discipline to pour it on him. I would do it, but I'd hate myself in the morning.
My hair had been dyed blonde for Dredd. After Dredd, I was really fried because of the blonde hair dye, and so I cut it into a bob with bangs and that's how it was during Being Flynn.
I had to be on the set for 'Who Framed Roger Rabbit' because my character was interacting with Bob Hoskins. It's a lot of 'hurry up and wait.' So there I was, at 2 a.m., sitting in a trailer at Griffith Park trying to stay awake. And I said to myself, 'This stinks.' The way I do it is better. I go into the studio about 10 a.m. There's no makeup to worry about. I can wear whatever I want. As soon I get there, I'm good to go. I record my stuff and go home.
I stand humbled on bended knee but, of course, the response to that would be 'Duh!' And to be given that incredible honor means that I represent the piss and vinegar, the energy, the defiance, the musicality of the Funk Brothers and Motown and Mitch Ryder and Bob Seger, Brownsville Station and Grand Funk Railroad and Eminem and Jack White and Kid Rock - are you kidding me?
Sometimes I wake up in the morning and I am like, 'This is a high-top day' or 'This is a bob day,' but when I get my clothes on that's when I see.
I hear [my Twitter followers] say, you know, 'Bob Rae, you're an asshole'. [...] I'm working my way and trying to represent the people and speaking in Question Period and here we have vox populi, the thoughtful man on the street, 'you are an asshole!'. Thank you very much. I read it on my Twitter and I get up and ask a question.
Paste Magazine needs to stay in business! It's the first non-sensational quality music and film publication that doesn't only attempt to appeal to middle-aged male Bob Dylan completionists! And there are still many of us who love to pick up a print magazine instead of going online.
Bob Mathias was one of those rare individuals with the ability to inspire a nation through his determination and perseverance. He was a champion in every aspect of life, and he embraced the values that make our country and the worldwide Olympic movement special
I love visual stylists like Bob Fosse and Vincente Minnelli and Michael Powell & Emeric Pressburger with The Red Shoes and The Tales of Hoffman.
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