You can't criticize Bob Dylan's singing. You have to respect Billy Joel as a brilliant poet. You can't tell me there's a better rock band ever than Led Zeppelin. And if you speak during the Eagles' "Last Resort," we're done. I'm just asking for seven minutes. This stuff really matters, you know.
I started writing when I was 17. I got an acoustic guitar for my birthday after I discovered Bob Dylan and James Taylor.
When I was 17 I got a guitar for my birthday and started discovering Bob Dylan and James Taylor and the whole '60s thing, and that made me want to make songs, to go beyond just playing an instrument. I needed to write I guess.
I would love to have everybody in the world love Bob Schneider. That's my goal- hundred per cent world domination!
It suits him because way back many years ago when Nikita Mikhalkov, the great Russian director, came, I said, "I want you to meet somebody." So I get Billy Bob from Malvern, Arkansas and Nikita Mikhalkov from Moscow. It's just two big talents meet. We sat for two or three hours and talked. It was great. He's the real deal, this guy.
I think football management has obviously changed and evolved in terms of practices and methods, but I would say the values we strive to hold are the same as great men like Bill Shankly and Bob Paisley.
Splashing about in mud in the cold is not my thing. I made an attempt to go to the Isle Of Wight Festival in 1969 when Bob Dylan was playing, but we never made it. We hired a boat from Lymington, but got lost, and by the time we got there the music was over. I wasn't too sad, to be honest.
There are no Jerry Garcias coming down the pike, anymore than there is a Jimi Hendrix or Bob Marley. They are all at the same level - the highest level that you strive to get to as a musician. Me and my friends - we'll all be long dead, people will still be trying to dig into what Jerry Garcia did.
Bob Geldof feels the big picture all the time, even in the smallest argument when someone's saying, 'Well, no, you've got to have three staples in the program, not just two,' Bob feels people dying somewhere.
I'm not that kind of Bob Dylan, tortured creative.
I think I mentioned to Bob [Geldof] I could make love for eight hours. What I didn't say was that this included four hours of begging and then dinner and a movie.
We always feel there are 3 parts to the song. The most important part is the reason it should exist. Our process usually consists of me sitting at the piano & Bob hovering over it. We throw ideas out...I start to play something...he'll hum something to make it better. He'll throw a line to me, I'll twist it to make it better and we scramble around like that for sometimes hours and days, 'til we both agree we've got something to show! That's how it works!
I consider every one of the Disney films that Bob & I worked on, to have been the luckiest break any two songwriters could have ever had. They all aimed at quality and timelessness. That's why they live over the years.
I left our home to work on a movie, and while I was away, my boyfriend [Billy Bob Thorton] got married, and I've never heard from him again.
Why is this generation looking to aging icons like John Lennon and Bob Dylan for inspiration? Why not raising up their own icons?
It would be horrible if there was no competition. It's what people want to see - they either like you or they don't. Not everybody likes Van Gogh. Or Bob Dylan! So you have Neil Young...or Ozzy Osbourne.
Here's my proposal, which is based on the TV show Survivor: We put the entire Congress on an island. All the food on this island is locked inside a vault, which can be opened only by an ordinary American taxpayer named Bob. Every day, the congresspersons are given a section of the Tax Code, which they must rewrite so that Bob can understand it. If he can, he lets them eat that day; if he can't, he doesn't.
So I'll put on my bob marley tape And practice what I preach Get jah lost in the reggae mon As I walk along the beach
Bob Dylan said, "The executioner's face is always well-hidden". That's the problem: The cross pulls that hood off.
People like Howlin' Wolf, Bob Dylan, The Rolling Stones, John Lee Hooker, Nina Simone, Captain Beefheart - all of these artists were what I grew up listening to every day of my life. And there's a very healthy music scene in the west country of England, where I grew up.
I used to ask my brother Rudy to throw rocks at me. I'd dodge every one. That's how I learned how to bob and weave: ducking rocks.
The first time I heard Bob Dylan, I was in the car with my mother listening to WMCA, and on came that snare shot that sounded like somebody'd kicked open the door to your mind.
It is frustrating having to walk through America having to bob and weave people's impressions of me because they see a tall, black guy walking down the street. That is frustrating.
When I was a teenager, black pride became newly popular again. Suddenly a lot of black people were wearing the fake kente cloth and red black and green and Bob Marley. That was sort of my window into finding my own identity as a black person.
I heard Pete Seeger records when I was a kid. I saw Bob Dylan when I was about 12. The first song I ever learned to play was a song by Phil Ochs.
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