I like 'Sponge Bob' and 'The Last Airbender.' I like shows where people get creative to do the impossible.
I really believe that Bob Dylan and others have speeded up the changes. Pacifism has found a voice at last.
If I'm doing a concert, and I'm having a problem with the audience... I just play a Bob Marley song, and I'm good for the rest of the night.
I don't know if music has ever achieved anything past appealing to the people that it appeals to. If a song could stop a war, then Bob Marley and Bob Dylan songs would have stopped one or two.
I don't mind personal insults, but when you insult the jokes that I tell you're insulting Fred Allen, Bob Hope, Burns and Allen, Trevor McGee and Molly Picon.
Bob Dole is going to be appearing in a Pepsi commercial with Britney Spears. Yeah, apparently Dole says that if this doesn't cure his erectile dysfunction, nothing will.
My generation didn`t face the kind of urgent, pressing issues that my parents did, who fought through a war and a Depression and know what suffering is. That`s why Bob Dole had a tough time with this electorate. He was an old-fashioned curmudgeon who knew about sacrifice, and we didn`t know if we could live up to his standards. But we knew we could live up to Bill Clinton`s. He`s more like one of us.
Have you ever seen that guy who has the record for fattest man in the world? Bob Hughes, the fattest man in the world... 1400 pounds. Ladies and gentlemen, the man has let himself go.
I watched Ken Burns' Civil War series on PBS. My favorite segment is when Bob Hope entertains the troops at Gettysburg.
When Uncle Bob (or Ted or Ray) promised to send a shooting star over the house to mark a young listener's birthday, the young listener, who had hung out the window for an hour without seeing the star, questioned not Uncle Bob (or Ted or Ray), but his own eyesight.
It's an honor to walk in the footsteps of a legend. As host I intend to honor the tradition of The Bob Hope Classic and have a great time blazing a new path.
That was exciting man, because the killer is a different kind of character. There are a lot of people who wanted to play the role. I'm happy that Sony and CBS took a chance on a new face. I like the idea that he is from a different country. He has a British sensibility. I like that Billy Bob has a darker edge.
The [Bob] Dylan sessions were very disorganized, to say the least. I mean, the "Like A Rolling Stone" session I was invited by the producer to watch.
Only through sheer ambition did I end up playing on [Bob Dylan sessions] and the fact that I could do that is a testament to how disorganized it really was.
Musically Bob [Dylan] is a primitive. He's not a Gershwin, or somebody that uses eloquent music terms.
Producing Bob Dylan was pretty much a spectator sport.
[on River Phoenix] I would love to see what kind of choices he would be making now if he was still around, some of the characters that he would have played. I mean, to me he was like a rock star, you know, he had it all: he had the looks, he had a great name, he had an attitude, an energy, an excitement about him. He was instinctively like a, he was a rebel, you know? He was kind of Bob Dylan to me, at times, and he had a lot to say. And I've never seen too many interviews by him, but the ones that I saw were pretty electric, pretty... he was switched on, definitely.
I do think we can be a little less PC when it comes to sports, though. Just once I want to hear an announcer go 'God, black people are fast. Holy cow! All of them. They're fast. Back to you Bob.'
In 1965, when great young white artists in the English-speaking world were successfully re-channeling hillbilly and black music - you know Bob Dylan, Ray Davies, Pete Townsend, Keith Richards - they didn't get any money at first. They were all broke.
I'm going old school. Adult comedy but you can have your kids in the room. Kind of Andy Griffith meets Bill Cosby meets Bob Newhart. Also my character isn't an idiot as all the rest of the sitcoms recently have the dad character like Homer Simpson.
[Bob Dylan] is principally a recording artist, and if he weren't, it is unthinkable he would have had such an impact. He is to be heard first and read second. Well, what about plays, you could reasonably ask. Is [William] Shakespeare not great literature? Yes, obviously: but his work is great literature even to those who have never known it performed. The same is evidently not true of Dylan.
Without music, there is not the faintest chance [Bob Dylan] words would now be garlanded as they are.
I think, especially among the New York intelligentsia at that time, that there was a reason Bob Dylan went to New York to happen, because there was a culture developed there around the ideas of civil rights, around the idea of democracy growing out of Emerson and Thoreau, these ideas of the fanfare for the common man.
Usually when I write lyrics I try to read a lot and listen to a lot of other stuff. Some of my favourite lyricists are like Lou Reed, kind of the classics - Bob Dylan and stuff like that.
I went on tours with [Bob] Dylan - the big one was in 1975 and called Roaring Thunder Review. I knew him well because I met him around the time he did his second album, in 1963. He recorded one of my songs called Shadows. In the 1970s, it was suggested that we do a duet, because we had the same manager, Albert Grossman, who also managed Odetta and Peter, Paul and Mary. Dylan and I respected what each other did, but I just decided not to do it.
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