But the people I admire have always been people like Marlon Brando, Jack Nicholson and Jack Lemmon.
When I was in high school in the '50s you were supposed to be an Elvis Presley, a James Dean, a Marlon Brando or a Kingston Trio type in a button-down shirt headed for the fraternities at Stanford or Cal.
I love John Travolta, who came off that Kotter show. Nobody knew he could dance or do all of those things. He is like - boom. Before he knew it, he was the next big Brando or something.
I've tried like hell to make bad movies good, and I can't. Maybe Marlon Brando has been able to do that at times. But even he has a hard time making 'The Appaloosa' a good movie.
I've never thought it was a good idea to act back-to-back. If you are going to have any chance of replicating life, you need to live it. I also never forgot something Johnny Depp said to me, which Marlon Brando said to him, 'You only have so many faces in your pocket.' I really admire artists who take the time to recharge their batteries and not continually call on it. I think you can spot tired and jaded artists quite quickly.
I travel to work on my motorcycle, so it's jeans, boots and a brown Aero leather jacket that weighs as much as I do. If it were black, it would seem like I've got a Brando idea going on, which I don't.
Next to my husband and along with Marlon Brando, Yves Montand is the most attractive man I've ever met.
In fact, I think I have had a ghost in my house. Although not active lately, unexplainable things would happen and the kitties were particularly sensitive - especially, Marlon Brando... the cat not the man.
If I am duly compared to Marlon Brando at all, well, I can only think of The Teahouse of the 'Shanghai Noon,' that they're comparing me to that!
I used to go over to Gene Kelly's house and play volleyball, and Paul Newman and Marlon Brando were always there. You kind of took it for granted because I was 20, 21, 22, and they were a bit older - well, Gene certainly was. But it was just part of daily living. They were in the same profession, and you didn't think that much about it.
Marlon Brando, Jack Nicholson, Sean Connery and Robert Redford, Mel Gibson - at least in the Road Warrior films - and Harrison Ford are among my favorite actors. Meryl Streep, Jane Fonda, Sally Field, Deborah Winger, Jessica Lange, and of course, Shirley MacLaine, are among the women.
I know this'll sound obnoxious, but acting was very much an accident for me. I didn't have, like, posters of Marlon Brando in my bedroom when I was growing up.
A floor length backless black sequined dress would be my dream dress. As for my dream date - that would have to be a young Marlon Brando!
A Murphy [Eddie Murphy] movie is like a Sidney Poitier comedy - he's that intensely good... He revolutionized acting. He's literally black Brando. Before Eddie Murphy, there were two schools of acting for a black actor: Either you played it LIKE THIS or youplayeditlahkdis. He was the first black guy in a movie to talk like I am talking right now. That did not exist for black actors before him.
Someone I met years ago explained to me the difference between a personality and an actor, a personality being Eddie Murphy or Roseanne Barr, and an actor being Morgan Freeman and Alfre Woodard or Marlon Brando.
I have grown up watching Marlon Brando, Al Pacino, Dev Anand, Amitabh Bachchan and the likes. These are actors who have changed with time. They have no shelf-life. They have immortalised themselves because they have evolved with time.
I personally can watch an eight-hour documentary on Woody Allen because I'm fascinated by him. But, an audience can't really sit through more than two and a half hours on any movie. It doesn't matter if Marlon Brando came back from the dead. It's just impossible.
If I'm intimidated, I shouldn't be directing a movie. I gotta treat 'em as characters, not as stars. It's hard to not treat Marlon Brando as a legend, a star, it's difficult not to treat Robert De Niro as a star, but that had to go away very fast after I knew them, because I had to work with them. I'm the director, I'm the boss. They're looking to me for guidance.
James Dean taught me not to speed, River Phoenix taught me not to DO speed, and Marlon Brando taught me to slow down on the cheeseburgers.
I don't care whether they're men or women, that's bullshit. A good writer can get into any gender, can get into any mouth. When I write I may be a Brando creep, or a girl laying on the floor, or a Japanese tourist, or a slob like Richard Speck. You have to be a chameleon when you're writing.
You are always a comedian by default. You are this way because you've been forced to be this way, but it is better to be the hero. So if you can be a persona, the great one of my lifetime of course was and is Marlon Brando.
Marlon [Brando] showed me that you could do the work and not have to shut yourself off from people or your family.
Anyone of my generation who tells you he hasn't 'done Brando' is lying.
Well, it was interesting because when I was going to do it the first time in my head was Leonardo DiCaprio [for Chris] and Marlon Brando was going to play the character that Hal Holbrook eventually played. But then when it wasn't to be and there was no promise that it ever would be I think some part of me didn't want to attach specifics to it anymore - actors or anything else - because I wanted to see it made that much more badly.
If 'The Wild One' were filmed today, Marlon Brando and the Black Rebel Motorcycle Club would all have to wear helmets. I used to be afraid that when (Hells) Angels became movie stars and Cal the hero of the book, the bikerider would perish on the coffee tables of America. But now I think that this attention doesn't have the strength of reality of the people it aspires to know, and that as long as Harley-Davidsons are manufactured other bikeriders will appear, riding unknown and beautiful through Chicago, into the streets of Cicero.
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