But the reality is that the police serve a certain function, to maintain a certain status quo, and that's one of the things that the movie is about, because it basically gives you three options for looking at the police, as symbolized by Dave Brown.
I always have my own music on my iPod, especially songs that I am going to record. Besides that, I have lots of others ranging from Chris Brown to Beyonce', Michael Jackson, Rascal Flatts and Adele.
I guess we all feel like underdogs. I remember being a freshman at Brown University and not knowing what a WASP was. We were reading an Edward Albee play, and - it was just a moment of accepting, certainly that I wasn't very worldly, but also that a lot of the plays that I'd been reading, let's say other kinds of family plays, were speaking a foreign language.
And there's been occasions where I've gone brown and got parts! I'm not above doing that! I hope after this, I can get a role where it won't be: "Oh, you can't play any role other than a blonde." I'm proud of being a blonde. I'd be proud of being a brunette or a red-head. I don't think it matters.
When Rolling Stone handed me this crazy assignment to be in the studio with James Brown, they had the misapprehension that I'd written for them already just because I claimed my character had.
Whoever will be president, if they wish to save America from the Wrath of God and the course that America is on, which will bring about America's destruction, they must consider justice for the Black and the Red and the Brown. If they do not consider that by separating the Black man and woman and allowing us to go free to build a nation of our own, this and this alone will turn away the wrath of God, will lessen the storms, and lessen the increased Judgment of God using the forces of nature.
No candidate at present is thinking of justice for the Black and the Red and the Brown in this manner. And none of them are showing they will accept to let us go to save America from the Wrath of God. So Black and White have to know America now is in the crosshairs of God Himself, the Great Mahdi.
Personally, I enjoy a bowl of brown rice for breakfast most of the time.
The past seems to infuse into the present, and in the brown, wringled faces of the old people one sees the presence of the past.
I had been with a guy for seven years and I was done with that. I wanted to reinvent my whole life and change my hair - I'd had brown, straight extensions forever - and I just wanted to get rid of that, to shed skin, and really just be independent.
For example, if ears are back on a horse, it's obviously not very happy. And the eyes show that it's not happy. Now, if the eyes are nice and soft and brown, then it's calm. You can see these things in horses and cattle, and I think that some of these people are just really good at picking up these signals, but they don't realize it.
If I were making paintings of a bowl of fruit it would still be viewed through some sort of political lens, because the viewer wants to create a type of narrative around the political theme when they look at work depicting black and brown models.
I have been painting models with black and brown skin only for the past years. So, I did already have this experience, this is how I have come to the paintings I do now.
I like that Sleepy Brown guy who's down with Andre. He's so great.
I was reading a Time magazine interview with an author named Brené Brown. She said, "People that fail seem to ultimately do the same thing they think works over and over again." I had an epiphany and called my manager and started a creed with my producers. I promised we'd do whatever was best for the song and the album - no ego would get in the way.
Because Ajamu Baraka speaks in the language of his community, and makes no bones about it, he really invites in a whole new demographic of voters who have been locked out? - African-American and black and brown people and indigenous people? - who have felt like this system has no place for them. And he is unapologetic about standing up for the rights of the oppressed people and against colonialism and against imperialism.
I've learned to love my brown eyes.
If some of the recovery money had gone to cities instead of states, the urban population, read "Black" and "Brown," would be better off with recovery jobs.
I met the guys at HeavyRoc through the drummer in St. Lucia, Nick Brown. He is Ben from The Knocks' cousin, and at the time we'd been doing some work together, but everything was still very much in the unsure developmental phase (even though I'd been in it for a year and a half). I told him that if he was going to play the music for anyone that he shouldn't say anything about it and should just play it and see if anyone says anything, and he did it one day at their studio and they loved it and got it touch.
Is there deeply embedded change within our industry? And I would say, as a black filmmaker, it's easy for me to focus my attention on black work, but true change would include brown work, and it would include work by Asian-Americans, and it would include natives, and it would include women, and it would include more LGBTQ voices.
The subset of our population that has not benefited from the advancement of medication is black and brown people.
I think that a big part of the energy that was going into fighting AIDS was reduced when we saw that more of the new infections were among our black and brown young people. That's a sad truth to have to claim, but I believe it's true.
[The World Series] introduced me for the first time to a team with a lot of black players. Detroit had about three of them: I think it was Willie Horton, Gates Brown, and Earl Wilson - might have been one or two more in '68.
Mrs. James, my fifth-grade teacher, introduced us to some of the great literature of African American culture. I won my first blue ribbon reciting the vernacular poems of Paul Lawrence Dunbar, in particular "Little Brown Baby."
Mass incarceration is a policy that's kind of built up over the last four decades and it's destroyed families and communities, and something we need to change. And it's fallen disproportionally on black and brown communities, especially black communities, and it's kind of a manifestation of structural racism.
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