Yes there were 15 to 20 terrorists. We managed to capture both of them!
(in the film "That's Entertainment!" - 1974) Thank God for film, it can capture a moment and hold it there forever. If anyone ever asks you: "Who were they?" or "What made them so good?" I think a reel of film answers that question.
Making a movie is trying to capture moments of true reality.
Adult gorillas will fight to the death defending their families. This is why poachers who may be seeking only one infant for the zoo trade must often kill all the adults in the family to capture the baby.
Do yourself and your family a favor: Decide right now that you will write a self-help book someday. I'm serious. A self-help book is a great way to capture what you think makes a good person, a good life and a good world. It's also a "forever document" that you can pass down to future generations. We need more people sharing positive messages and books with the world. Why not be one of those people?
John Farrar, my dear friend and songwriter/producer of most of my hits (he wrote "You're The One That I Want" and "Hopelessly Devoted to You," among others), wrote the song ["I Think You Might Like It"] and it captures so much fun and joy! Having that reunion as well, with John and John - made the project even more special!
Remove justice, and what are kingdoms but gangs of criminals on a large scale?... A gang is a group of men... in which the plunder is divided according to an agreed convention. If this villainy... acquires territory, establishes a base, captures cities and subdues people, it then openly arrogates to itself the title of kingdom.
The Internet, the camera cellphone and the like have not only sped up the world's information uptake, but they have cheapened that which they capture.
Photographic data... is still and ESSENTIALLY THE SAFEST POETIC MEDIUM and the most agile process for catching the most delicate osmoses which exist between reality and surreality. The mere fact of photographic transposition means a total invention: the capture of a secret reality.
The camera does not know what it takes; it captures materials with which you reconstruct, not so much what you saw as what you thought you saw. Hence the best photography is aware, mindful, of illusion and uses illusion, permitting and encouraging it - especially unconscious and powerful illusions that are not usually admitted on the scene.
You can never capture a person in picture, never. You might get an interesting expression or gesture. I almost never research a picture subject ahead of time. I think Karsh is full of baloney. Can you imagine spending a whole week out in La Jolla with Jonas Salk soaking up his ambiance, then wind up making him look as if he's in the studio in Ottawa with his thumb under his chin?
I did not have any philosophy at all when I wrote the first novel. I was just wanting to capture experiences that I thought would be inspiring for Indians who are trying to break free from the very high-pressured family environments and do their own thing.
One view of photography is that it is a zen-like act which captures reality with its pants down - so that the vital click shows the anatomy bare. In this, the photographer is invisible but essential. A computer releasing the shutter would always miss the special moment that the human sensibility can register. For this work, the photographer's instinct is his aid, his personality a hindrance.
For photography is a way to capture the moment - not just any moment, but the important one, this one moment out of all time when your subject is revealed to the fullest - that moment of perfection which comes once and is not repeated.
People are mystified by it and so they kind of think, the acting community thinks they're gonna be replaced by CG characters and animators think they're gonna be replaced by performance capture (and) a lot of directors, particularly European directors, who have no experience of it.
Trying to understand, inside, what it is to be Ugandan was crucial to the character, because there are Ugandan ways of doing things that I was trying to capture. Even if I had made this movie in South Africa, it would not have been the same, because it is so specific to Uganda.
Photography's vaunted capture of a moment in time is the seizure and freezing of presence. It is the image of simultaneity, of the way that everything within a given space at a given moment is present to everything else; it is a declaration of the seamless integrity of the real.
[X-ray's] accidental discovery in the late 1800s fits seamlessly into modernity's fascination with, and belief in, the power of technological transparency: the desire to domesticate time (cinema), to preserve and capture the surface of the fleeting (photography), to see inside (x-ray).
I don't pretend to make my photographs speak the truth of what Mexico is all about. But in its villages I can feel the way culture is changing, and it's fascinating to live through it and try to capture it on camera.
I am a bit evangelical, I know, but performance-capture is still misunderstood.
Choose a single, sacred word or phrase that captures something of the flavor of your intimate relationship with God. A word such as Jesus, Abba, Peace, God or a phrase such as "Abba, I belong to you." . . . Without moving your lips, repeat the sacred word inwardly, slowly, and often.
As we all know, the objective and mission of the photojournalist is to show us the reality of the world. And in order to capture that reality, they go to dangerous and tragic places at the expense of their lives. I see them as the conscience of our humanity; they represent for me what is left of our humanity.
My parents are my role models. I also love Halle Berry, Robert DeNiro, Eddie Murphy, Angela Bassett, Tom Cruise and Jennifer Lopez. When I see their work, I get engulfed in it. They really capture me.
When a certain show or film or celebrity captures the imagination of the masses that has a good deal to say about us, I think, and what is happening in our collective psyche.
In environments where corporations become too interventionist and capture regulation themselves, the government must be able to battle back so that the people have a chance.
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