My parents were really strict about me not watching cartoons.
I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies and Looney Tunes cartoons.
I suppose no matter what I'm drawing, there will always be some sort of question in my mind about it. A work of art (even cartoon art) is never really finished; it is abandoned.
That's the conundrum of cartoon stripping, as opposed to political cartoons. When your anger is the driving force of your drawing hand, failure follows. The anger is OK, but it has to serve the interests of the heart, frankly.
Everybody has a cartoon of themselves. Mine is: I write very fast, and I'm ruthlessly efficient with my time.
In American films, Russians are often portrayed like cartoon villains without clear motivations.
I'd say, don't listen to what anyone says: you're good. Go put your anorak on. Get your thick bottle-top specs. Draw your little cartoons and your comics and keep writing to the BBC.
Blows the lid off a decades-long conspiracy to secretly educate cartoon viewers
I love an underdog. No, I don't necessarily mean the cartoon. I mean like David, as in Goliath, or the Bears, as in The Bad News Bears.
I used to draw cartoons. I'd just show them to some of my friends, expecting that they were going to appreciate them, that they were going to enjoy reading them.
On my door is a cartoon of two turtles. One says, 'Sometimes I would like to ask why he allows poverty, famine and injustice when he could do something about it.' The other turtle says 'I am afraid that God might ask me the same question.'
I think loads of people see acting, when they're kids, as these magical stories that just happen within the context of the film or the play or the cartoon or whatever they're seeing. They don't imagine that there are actually people that go and do that for a living.
I also love being able to do something that kids and families can enjoy because I have two children of my own and I want them to grow up watching all the fabulous animated movies and cartoons that I loved to watch as a kid.
Disney cartoons are all rated G. It's really funny. There are kids all over the world who still have complexes over Bambi's father getting shot by the hunter and Bambi's mother getting crisped. But that's the way it's always been. This is the sort of material that appeals to kids. Kids understand it instinctively. They grip it.
I've been interested in cartooning all my life. I read the comics as a kid, and I did cartoons for high school publications - the newspaper and yearbook and soon. In college, I got interested in political cartooning and did political cartoons.
Nixon is fascinating because he's our most alienated president. Everybody felt that they never knew who he was - that's palpable in the histories. His face is so cartoony that he's become this cartoon figure. I never really related to the romanticization of J.F.K., and I knew too much about Reagan to idealize him. Nixon falls in between.
I'm 40 years old, and I still love watching Bugs Bunny slap the bull on the nose. I still watch those cartoons, and yet I also enjoy reading books about science, or the current fiction.
I think you can get away with so much more offensiveness when you're operating behind a stuffed teddy bear or a cartoon or something that's not real, because it's forgiven. It's like having a little kid in a movie curse - it's funny because it's not natural.
The idea for any cartoon (my experience, anyway) is rarely spontaneous. Good ideas usually evolve out of pretty lame ones, and vice versa.
I just tried to create a life for myself that's full of fun and fantasy and things that equal laughter. My life's been cartoons and comedy and acting, and it's just been a fun life.
You don't expect everyone out there watching to believe that this cartoon is real, that this drawing has really come to life. But on some level, you do. You try to cast a spell. You want the world to feel real. It's a nerdy pursuit.
I'm a collector of cartoons. All the Disney stuff, Bugs Bunny, the old MGM ones. It's real escapism, it's like everything's alright. It's like the world is happening now in a far away city. Everything's fine.
My cartoons appear in newspapers, which are full of words, but there's something about having it in this little box that confounds people's expectations.
To keep doing this job [draw political cartoons] week after week, I think you have to want to change the world, while understanding that you can't. You have to hold both of those contradictory ideas simultaneously.
I was the founder of the Cartoon Bank in the 90s. I was interested in finding ways for cartoonists to supplement their incomes.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: