I've dealt with Hollywood about having my work made into a film or cartoon but nothing came of it. That's not to say I wouldn't like to see something happen.
Every week when my batch of weekly cartoons would go to FedEx, it felt like a small miracle. Then in a few days, it's 'Here we go again.'
I watch cartoons the way most adults watch reality-TV shows.
I knew I wanted to be some kind of artist from about 12. I met a neighbour who drew cartoons, and I had an idea I wanted to be a cartoonist - or something that involved Indian ink, at any rate.
I did an interview once where I was asked who I found attractive and I went on about cartoons and Nala from 'The Lion King' - and it's a bit weird but various of my ex-girlfriends actually did look like Nala.
You know what I did this morning? I played the voice of a toy. Some terrible robot toys from Japan that changed from one thing to another. The Japanese have funded a full-length animated cartoon about the doings of these toys, which is all bad outer-space stuff. I play a planet. I menace somebody called Something-or-other. Then I'm destroyed. My plan to destroy Whoever-it-is is thwarted and I tear myself apart on the screen.
I'm terrible about people wanting to take pictures with me. I'm a giant baby about it. They treat you like a cartoon. There's nothing you can do except make light of it.
I'm not particularly an expert on the genre. Correct me if I'm wrong, but usually you see most of the super-villain in his villainous role. He's the Green Goblin, or whatever various bad guys in Batman, or something like that. It's the excessive, larger than life, cartoon-ish, costumed character that is the personification of evil and has to be destroyed.
All kinds of violence on the TV. You're not supposed to watch violence on the TV. Children, they can't watch it 'cause they're afraid maybe the kids will copy something they see on the TV. I can't even get a funny cartoon anymore because some 12-year-old somewhere watched a particularly violent episode of the Road Runner-Coyote show, and the next day, they found him at the bottom of a canyon, two giant springs strapped to his feet.
They were just snapshots, nothing special, nothing particularly artistic. They were used for utility purposes. (On photographs of mundane streetscapes he had Stanley Something-or-other take in Sacramento in 1988 to serve as backgrounds to his cartoons. People don't draw it, all this crap, people don't focus attention on it because it's ugly, it's bleak, it's depressing... But, this is the world we live in; I wanted my work to reflect that, the background reality of urban life. )
I mean that's really depressing man. Of course, the kids are freaking out. They watch cartoons and sit in front of the television and their parents are just probably yuppies who focus their entire lives around the child. The child has no sense of context, no sense of what world they are inhabiting-just like this Disnified bag of Cheerios reality. Don't give them a @#$%& pill! God! Take them out on a canoe already! You know what I mean?
I was watching cartoons on television and a commercial came on for one of the Batman series where I played a butler. And then my grandson looked up at me and he said, "Do you know Batman?" I said, "Yes." He said, "Really," I said, "Yeah." I said I know him very well. And he told all the boys at school, he said, "My grandpa knows Batman. Does your grandpa know Batman? OK, no. Mine does.
My craziest ideas come from cartoons. I approach music by taking that cartoon extreme and the real life extreme and finding somewhere in the middle. The animated element lures people in, but the real-life substance puts the nail in the coffin.
Health messages are simply overwhelmed, in volume and in effectiveness, by junk-food ads that often deploy celebrities or cartoon characters to great effect. We may know that eating fruits and vegetables is good for us, but the preponderance of the signals we get - and especially the signals children get - push us in the direction of junk food.
Children have always responded to me because I have that cartoon-character look.
I grew up, probably like a lot of people, on cartoons. And I never thought I would have the chance to be in an animated movie. It's good also to show the world my sweet side with them.
If I were a better artist, I'd be a painter, and if I were a better writer, I'd write books.. but I'm not, so I draw cartoons!
Suburbia is the insidious cartoon of the country house in a cartoon of the country.
Slice open one of my veins and cartoons will pour out; open another vein and you'll get a flood of motor oil.
In civilized societies, if you are offended by a cartoon, you do not burn flags, take up guns and raid buildings, chant death to your opponents, or threaten suicide bombings. You write a letter to the editor.
The fine-art world knows very little about the cartoon world.
My mom thought I might be good for voiceover. She thought I had a cute voice, so maybe I could do a cartoon or something. And while we were looking into that, we also thought I should get into theater acting, so I tried it and the first audition I went on, I booked it. And it kind of just snowballed from there.
Cartoons are windows into the human condition.
I have long thought that his [Rupert Murdoch's] social philosophy was contained in his cartoon show, The Simpsons: all politicians and public officials are crooks, and the masses are a vast lumpen proletariat of deluded and exploitable blowhards.
The whole idea of rock and roll lifestyle is a cartoon. It's a caricature. And at times, it's made up of people emulating others; a few who actually live that lifestyle and many who claim to live that lifestyle.
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