I was reminded of the Sydney Harris cartoon that said 'adding two numbers that have not been added before does not constitute a mathematical breakthrough'.
There is a clear acknowledgement all over the world that we should not teach people to read and then to leave them without literature. For they would then relapse into a dreary and ultimately dangerous state of half-education, in which they would be easily satisfied by crude semi-pictorial approximations of the strip cartoon and by the abundant supply of degenerate literature which destroys, rather than promotes, a capacity to face the problems of the world with skill and courage
I always imagined my little cartoons on plates for some reason.
I just really love the cartoon form. I love the plasticity of it.
My favorite drawings at the Muhammad cartoon festival in Texas were the two chalk outlines out front.
An actor uses his body as a tool and an instrument. In the same way a musician plays an instrument, the actor uses his body to convey feeling and emotion. An animator uses a pencil or a computer to create the same thing, the same exact way... An actor is taking words that are not his own, and he has to bring some kind of authentic life to those words. It's the same goal, to create this authentic life. Even if it's a drawing, or if it's a cartoon, you're still trying to create authenticity because, if the character emotes authentically, it has a power to connect with the audience.
I think loads of people see acting, when they're kids, as these magical stories that just happen within the context of the film or the play or the cartoon or whatever they're seeing. They don't imagine that there are actually people that go and do that for a living.
Muslims insult all other religions. The Quran is an insult to the Jews, the Christians and everyone else. It calls the Jews apes, pigs and rats. All the non-believers are najis (filthy, impure) and hell bond. The Quran even instructs the Muslims to fight the unbelievers, chop their fingertips, behead them, crucify them and deal with them harshly. 5:33, 9:14, 9:73 However, Muslims went berserk when a Danish Newspaper published a few cartoons of Muhammad.
Islam has taken everything from its wretched believers. They are robbed from their identity and self pride. All they have now is Islam. That is why Islam for Muslims is more than just a religion. It is their identity. When you criticize Islam, they perceive it as an attack on their identity and cringe with pain. They take that not only as an insult but also as an assault on their person. Like a corned animal they become vicious and fight back with all their might - a fight of survival. That is why you see such a violent reaction to a few silly cartoons.
I went into Hollywood and met Mike Aarons and went to Grantray-Lawrence Animation to work on the, by today's standards, extremely cheap and crude Marvel superheroes cartoons which basically consisted of taking stacks of the comic book art, taking parts of the art, pasting it down, extending it down into drawings and occasionally a new piece of art to bridge the comic book panels and limited animation and lip movement.
I also love being able to do something that kids and families can enjoy because I have two children of my own and I want them to grow up watching all the fabulous animated movies and cartoons that I loved to watch as a kid.
Disney cartoons are all rated G. It's really funny. There are kids all over the world who still have complexes over Bambi's father getting shot by the hunter and Bambi's mother getting crisped. But that's the way it's always been. This is the sort of material that appeals to kids. Kids understand it instinctively. They grip it.
I've been interested in cartooning all my life. I read the comics as a kid, and I did cartoons for high school publications - the newspaper and yearbook and soon. In college, I got interested in political cartooning and did political cartoons.
I'm not satirical in a traditional way. What I do is more about creating caricatures and cartoons. I am commentating on the nature of how we live through photography, and how you can twist an angle to create a different perception of a person.
The old gods and their magics did not dwindle away into murky memories of brownies and little fairies more at home in a Disney cartoon; rather, they changed. The coming of Christ and Christians actually freed them. They were no longer bound to people's expectations but could now become anything that they could imagine themselves to be. They are still here, walking among us. We just don't recognize them anymore.
You do have to put in a lot time to get good at anything and than includes cartoons. So I think it's true of art and everything else.
I'm very fond of the strictly visual cartoons I did when I was breaking in in the 1970's. Over time I migrated to a more verbal approach.
The most popular cartoon of mine is a guy on the phone looking at his appointment book and saying "No, Thursday's out. How about never, is never good for you?"
Sometimes you're noodling around with a sketch and something incongruous in the drawing calls forth the caption and other times you think of a line and just have to find a place for it. A cartoon with a caption like "I don't want to live forever, but I sure as hell don't want to be dead forever either" sprang into my head and I just had to find the right venue for it which was an old couple talking to each other.
The digital realm give cartoons and cartoonists more possibilities for exposure.
We're all being segregated or sent to our different rooms to watch television that's geared only for adults, to be honest. There's very little fare - outside of cartoons and a few things for children (and) I guess (some reality shows like) The Voice - that can be watched by the entire family.
You work like hell to get yourself ahead in the business. You could go anywhere before, and suddenly you can't go anywhere. It's like being a cartoon character.
I'm 40 years old, and I still love watching Bugs Bunny slap the bull on the nose. I still watch those cartoons, and yet I also enjoy reading books about science, or the current fiction.
My agency tells me I am rare because I sing, do movie trailers, and do cartoons too. I like that because it gives me variety in jobs. I don't just sit and do movie trailers, and I don't just do cartoons either. I can do both, and I feel very fortunate for that.
We were trained from cartoons. Everything who was on the screen was chosen. Anything who was not there was deliberately not there.
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