I think that cartoons have a lot more power than they're given credit for.
I have a personal definition of cartooning, which is, simply, "imaginative drawing." Anything you're drawing that is not in front of you but is a mental construct that you want to express in a drawing is, to me, a cartoon.
You might be a redneck if you watch cartoons long after your kids get bored.
My drawing came out of editorial-style cartoons. Music was one thing and art was another, and there weren't really any standards for my art. My work was just drawings. They weren't done with any aspirations of becoming a part of punk scene. They weren't about punk. They were just collections of drawings, some of which I xeroxed and sold.
I wouldn't want to be defined so much by comics or cartoons. My work is more narrative than that. If you take your basic cartoon, there's always a punchline or a joke at the end. My drawings don't depend on that so much.
When I was first painting the Monopoly guy I received a criticism. People said, "You're just painting cartoon characters, anyone can do that," but I'm actually a very skilled artist. That's why I released a Jack Nicholson portrait right after that that was very detailed in the face to show my skills.
'Adult Swim' on the Cartoon Network is unbelievable. And 'South Park' continues to do great stuff. And 'Family Guy' and the various other Seth MacFarlane projects are amazing.
Okay, let's talk about cartoon labels for half a second - some people think anything with a dog or a car or a colorful alien is garbage, which is not true. Look at Big Moose Red. It's, like, a $6 wine with a cheesy label, and it's actually a solid wine.
When I was 12 years old, I was hanging out with 23-year-olds. I was into cartoons and Pokemon, and they're all talking about girls. It was a strange way to grow up.
It is less dangerous to draw a cartoon of Allah French-kissing Uncle Sam — which, let me make it very clear, I have not done — than it is to speak honestly about [working moms].
People expect you to be this weird cartoon sometimes when you're a musician. I hate that. I hate standing out. I hate people looking at me. I just want to be part of the crowd.
When I was a kid, 'Scooby Doo' was, hands down, my favorite cartoon. Even when I was older, when I was in college studying and I needed to tune out for a while, I'd watch 'Scooby Doo.
I was always into cartoons and animation.
I've done the voice for the Hulk for the animated cartoon.
Sailor Moon' was my favorite cartoon of all time, and I'm still kind of obsessed with it. I own all the DVDs to watch it at home.
Don't want to end up a cartoon in a cartoon grave yard.
Betcha I wet cha like hurricanes and typhoons, got buffoons eating my pussy while I watch cartoons.
The new Disney cartoon 'Bambi' is interesting because it's the first one that's been entirely unpleasant.
Children's programming in America, I think it's pretty shoddy in terms of lack of diversity. It's pretty much cartoons and Disney sort of shows. I don't find any of that stimulating for children.
So, this is my plea to all Western editors and producers: Display the Muhammad cartoon daily, until the Islamists become accustomed to the fact that we turn sacred cows into hamburger.
If you were to look at an old 'Betty Boop' cartoon or an 'Out of the Ink Well' animation, there are many things about 'Adventure Time' that really remind you of that, even though it doesn't look like any of those cartoons.
I can still do clothing, movies, cartoons. I'mma get mine regardless. Whether I put an album out or not, I'm still gonna see a check.
The pop musicians often leave meaning in the dust and substitute it for cartoons. The deeper artists - the grunge artists in the world and the emoticon people - tend to leave all of the happiness out of life like it just doesn't exist.
People try to look for deep meanings in my work. I want to say, 'They're just cartoons, folks. You laugh or you don't.' Gee, I sound shallow. But I don't react to current events or other stimuli. I don't read or watch TV to get ideas. My work is basically sitting down at the drawing table and getting silly.
I had a great movement teacher - he showed me how to walk so I wasn't becoming like a cartoon.
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