Cartoonist Quotes - Page 4

• I used to get letters from guys in prison. Anymore now I don't even open them. They'd ask me to please sign a couple of cards for their children. Then I see them on eBay two weeks later. Or the people that write and say, "You is one of my favorite cartoonists. I would like a drawing, please." I guess they encourage inmates to write letters to celebrities. It's like a way to make money by selling autographs or something. Give me a break.

  Mike Royer

  Children, Couple, Writing

  "Interview: Mike Royer Talks Classic Cartoons, Jack Kirby and Much More". Interview with Bryan Stroud, comicsbulletin.com. January 30, 2015.

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• I'm not sure about that role any longer. The role used to be to mix things up and I think to a great extent it still is, but the quality of the work of the political cartoon has been succeeded by the wisecrack, the gag cartoon, so that the cartoonist becomes more of the equivalent of the Jay Leno monologues, or David Letterman monologues.

  Jules Feiffer

  Thinking, Political, Cartoon

  Source: bigthink.com

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• I think the experience forced me to consider how interested I was in political cartooning. After I was fired, I applied to other papers but political cartooning, like all cartooning, is a very tough field to break into. Newspapers are very reluctant to hire their own cartoonists when they can get Oliphant or MacNelly through syndication for a twentieth of the price.

  Bill Watterson

  Thinking, Political, Paper

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• I guess I just don't have the killer instinct that I think makes a great political cartoonist.

  Bill Watterson

  Thinking, Political, Killers

  Source: bob.bigw.org

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• Garry Trudeau is the only cartoonist with the clout to get his strip published large enough to accomodate extended dialogue. It's ashame.

  Bill Watterson

  Enough, Dialogue, Clout

  Source: bob.bigw.org

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• I'd like to see cartoonists measuring their work by higher standards than how many papers their strips are in and how much money they make.

  Bill Watterson

  Paper, Standards, Higher

  Source: bob.bigw.org

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• When I am working a book, I go through my library and take a look through some of the great cartoonists of the past, like Cliff Sterrett, who did "Polly and Her Pals," or Winsor McCay who did "A Little Nemo in Slumberland," and Herriman - and I just looked through these guys and looked for somebody to steal. You know, looked for who I could swipe, or turn into - who's work I will turn into my work. And I still use, after all these years, these artists as inspirations. So, here in my eighties, I go back to when I was eight for my inspiration.

  Jules Feiffer

  Book, Inspiration, Past

  Source: bigthink.com

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• And all the things I thought were mistakes and I did cartoons on them. And then I think I was the first cartoonist in the country to attack the war in Viet Nam and that helped influence a whole generation of young cartoonists who later on took up the battle. And that was exciting to know that I had helped influence work of young people who were moving this forum into a better and more exciting area, out of the more by the state that political cartooning had been in.

  Jules Feiffer

  Country, War, Mistake

  Source: bigthink.com

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• Both of my parents were cartoonists - they met in art school - so I was always drawing and I was the best artist in my class and all that stuff.

  Mark Alan Stamaty

  Art, School, Class

  Source: therumpus.net

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• I'm, like, not overly into labels. I've been referred to that way, but I tend to think of political cartoonists as constantly at it, producing more work than I do. I do, what, six or eight covers a year, maybe, and a bunch of illustrations as well, but how many do you create a year? I'm in awe of that, and I think the term implies being at it every day or at least weekly.

  Barry Blitt

  Thinking, Political, Term

  Source: www.politico.com

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• If a good cartoonist can make a living making his comics, he'll continue to do that; the lesser insincere cartoonist that gets a lot of press will fall by the wayside eventually.

  Gilberto Hernandez Guerrero

  Fall, Ifs, Presses

  Source: thequietus.com

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• I'm working so much I don't see the work of many young cartoonists so it's hard for me to tell which are my favourites. Maybe when I get to stick my head out of the sand I'll be able to let you know.

  Gilberto Hernandez Guerrero

  Able, Sticks, Sand

  Source: thequietus.com

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• Islamic ethics is based on 'limits and proportions,' which means that the answer to an offensive cartoon is a cartoon, not the burning of embassies or the kidnapping of people designated as the enemy. Islam rejects guilt by association. Just as Muslims should not blame all Westerners for the poor taste of a cartoonist who wanted to be offensive, those horrified by the spectacle of rent-a-mob sackings of embassies in the name of Islam should not blame all Muslims for what is an outburst of fascist energy.

  Amir Taheri

  Islamic, Mean, Names

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• Any working cartoonist will tell you this, anybody who's working in a creative field: at some point, it's a job. You have deadlines. I think, for over a year, I refused to make them for publications, because I only wanted to make them when I wanted to make them. But at some point, I was like, "This is crazy, you have an opportunity to be a professional cartoonist.

  David Rees

  Jobs, Crazy, Opportunity

  Source: therumpus.net

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• Looking back I realize I had the perfect family background to become the political cartoonist that I became. My father was stupid, insensitive, and cruel, thereby making me distrustful of all authority. On the other hand, I had a warm, supportive and encouraging mother, which made me want to fix the world.

  Edward Sorel

  Mother, Father, Stupid

  Source: classic.esquire.com

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• I don't think I would've ever dared dreaming of becoming a professional cartoonist. I wouldn't set myself up for that disappointment.

  David Rees

  Dream, Disappointment, Thinking

  Source: therumpus.net

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• Many of the American cartoonists that want to have a job and go so much for the total right without thinking, sometimes they get a slap on the face when their politician lets them down. So it goes on and on. The thing is staying in the middle and not getting committed, trying to get the best of both and do that with a sense of humor.

  Sergio Aragones

  Jobs, Thinking, Trying

  Source: www.avclub.com

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• I like the Internet as place to get instant gratification: posting a comic online is the quickest way to get attention for your art, but I have been talking to a lot of younger, aspiring cartoonists who very quickly get discouraged if they aren't getting a lot of attention immediately. This can also be aggravated by artists who appear to be really quickly Tumblr-famous, and get lots of notes on their work.

  Liz Prince

  Art, Talking, Way

  Source: www.teachingbooks.net

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• I get nervous about the effect that the high speed of everything will have on creativity. It's already sad for me to see that a lot of young aspiring cartoonists are putting stuff on the web, doing animation on the computer rather than making zines or mini-comics, which seem to be going the way of the dinosaur.

  Adrian Tomine

  Creativity, Zines, Dinosaurs

  Source: therumpus.net

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• I think it's important to understand that a cartoonist is not drawing for favourable reviews from politicians. What we're trying to do is capture the popular feeling of the time about a politician or a particular political issue. For that reason I think it sums up public attitudes that is very helpful to historians down the road.

  Terry Mosher

  Attitude, Thinking, Drawing

  Source: www.macleans.ca

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• Drawing is more fun to me than writing. I think it's interesting to talk to different cartoonists about how those activities work for them. I'm a very writerly cartoonist. I certainly spend more time on the writing than I do on the drawing, even though the drawing, of course, is very time-consuming.

  Alison Bechdel

  Fun, Writing, Thinking

  Source: www.progressive.org

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• I suppose authoritarians don't like being made fun of because authoritarian rulers have a very inflated sense of themselves and don't like being deflated, which makes it all the more important to continue to deflate them. These are very courageous people around the world who poke fun from inside these societies. So, we now have to broaden the definition of what we mean by "writer" to include bloggers, cartoonists, song writers, visual artists - all these people are, in different ways, quite brave.

  Salman Rushdie

  Song, Fun, Mean

  Source: pen.org

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• People think you get one idea for a cartoon every week, and that's not the way it works. You usually get 10 or 15, and you're - certainly when I was a cartoonist, before I was a cartoon editor, you're rushing to do what is called the batch. When I was doing that, I liked to have, in general, about 10 cartoons.

  Robert Mankoff

  Thinking, Editors, Ideas

  "'New Yorker' Cartoon Editor Explores What Makes Us Get It". "Fresh Air" with Terry Gross, www.npr.org. March 24, 2014.

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• To paraphrase president Kennedy's inaugural, the torch has been passed to a new generation of cartoonists and they are doing really interesting stuff, taking the old cliches and breathing new life into them and inventing new ones. This doesn't mean the previous generation of which I'm a charter member isn't doing good stuff but this new material is invigorating everyone.

  Robert Mankoff

  Mean, Breathing, Interesting

  "Ask the Author Live: Robert Mankoff on the Cartoon Issue". The New Yorker Interview, www.newyorker.com. October 21, 2011.

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• I lose faith every time I have to start a new page, and this is no joke. I've occasionally been criticized over the past couple of years for publicly "complaining" about how difficult drawing comics is, yet I've only mentioned it so that the younger cartoonists who are trying it out and finding it difficult and painful realize that they're not alone. There's not really any set way of learning how to do this, and it's always a struggle to improve, and, more importantly, see accurately whether or not one's work is communicating any shred of feeling or truth at all.

  Chris Ware

  Couple, Struggle, Past

  "Interviews: On Cartooning". "POV", www.pbs.org.

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