Mr. Adams, describing a conversation with Jonathan Sewall in 1774, says: "I answered that the die was now cast; I had passed the Rubicon. Swim or sink, live or die, survive or perish with my country was my unalterable determination."
It's a privilege to present 'Late Night Live'. No radio program, anywhere on Earth, casts a wider net.
The God that holds you over the pit of hell, much as one holds a spider... abhors you, and is dreadfully provoked: his wrath towards you burns like fire; he looks upon you as worthy of nothing else, but to be cast into the fire.
I thought that, with so much current attention focused on the topic of North Korea, I might share what I think are three books which cast a rare light on the elusive realm of North Korea.
Sense is our helmet, wit is but the plume; The plume exposes, 'tis our helmet saves. Sense is the diamond, weighty, solid, sound; When cut by wit, it casts a brighter beam; Yet, wit apart, it is a diamond still.
God of deep waters and infinite riches, challenge me to go where I fear, to do what is difficult and what I thought could never be done. Push me to go to the deep waters of life and cast my net wide, for I put all my hope, trust and faith in you.
My own sense of the world is that very little is absolute or black and white or easily understood. I suppose in all my writing I'm trying to cast the reader into this spiritually ambivalent dream world, which hopefully mirrors more honestly the complex reality we find ourselves in.
I'm tempted to say that the top three reasons for hopelessness are rejection, rejection, rejection. But let's cast our net wider. 1) Not being able to write as well as we hoped we could. 2) Not being able to write at all. 3) Rejection.
The beauty of when you watch good television or films is that, yes, you may have a multi-cultural cast but those roles could be anybody - they could be white, they could be black. To show the world that we have more in common than we have different with each other is to me the ultimate goal of all of that. It does help unite in people's mind the thought that people are the same. Yes, there's going to be cultural differences, but for the most part, we are all in the same gang as human beings.
That's the one thing I say about the great British shows. You know, I see it on the series on HBO where the season is shortened to like 12 or 6 or whatever it is. You know there's a reason why there's a quality behind that. Because I think the writers as well as the crew and the cast do get burnt out after doing continuous episodes after and over and it feels like a factory rather than something of a creative process. And we get tapped out. That's just my opinion.
I went to do Eclipse right after The Runaways, and I think the director of that movie might have said to another cast member that he had to beat the Joan Jett out of me.
I think there's a lack of quality roles for women in comedies. Most actresses get cast as the "eye-roller" or "the serious one," while men in comedies get to do all the fun, silly stuff and muck around. Sometimes you just have to search hard for a role or create one for yourself.
I believe you can never stop growing and learning and I've been very fortunate to have been working since I was 10 or 11-years-old. I have learned so much throughout the years working with amazing directors and great actors as well. This was really a huge step for me because it's very different from anything that I've done before but I think the biggest difference here is that the cast we were surrounded by in this movie was unbelievable.
The great thing about space films generally, with the exception of Apollo 13, is that big stars tend not to work in space and I think that's because space is an equaliser. It makes everyone the same really and suits an ensemble cast and actors who are prepared to work with each other.
I did 50 takes on Robert Shaw assembling the Greener Gun on 'Jaws.' The shark wasn't working, so I just kept shooting to make the production report look like we were accomplishing something and to keep cast and crew from going crazy from boredom. It was a strategic indulgence.
The melodies come out so strong that I'm like, "Oh, crap." It's really better if they could both be kind of able to compromise, but the melodies, even more recently, they come out very fully cast and formed.
It was great for that to be my first movie with such a wonderful cast, and such a huge movie. And now I get to do The Fighting Temptations, which is coming out soon-it wasn't much of a character, it was more of a real person, so I got to show more of my acting range.
I have never acted he has never been cast in a romantic lead or has been cast opposite a female love interest in any movie he starred in.
I'll get cast occasionally as sort of the jerk version of myself, and I have fun doing that. But it's really better for everyone if I stay behind the camera.
I didn't get the Russian Jew part because they didn't think I looked Russian or Jewish enough - and, mind you, I am both Russian and Jewish - so I was cast as the racist Mexican.
Everyone casts a shadow. Everyone has a relationship with the fearful unknown.
History isn't just what happened, but what happened to whom and why and what would have been different if the cast of characters had been different.
I think we all felt it on this movie - crew and cast. You never know when you're making a movie... no one is saying in the middle of Casablanca that this is going to be a classic. The lead actors had turned it down and I think they wound up with B-list actors at the time.
You're always in a tunnel that you can't see the end of. But there's something that took place on this movie that I don't think we expected and that was that once we decided that the entire cast would be real retired opera singers and retired musicians... and these people the phone hadn't rung for them for 20 or 40 years even though they can deliver.
In terms of the stars, the only ones I cast were Billy Connolly and Pauline Collins. I was in Los Angeles working and a lot of this took place on the telephone. I'd met Maggie [Smith] once and I'd come back-stage, which I'm usually loathe to do because as an actor you don't want people coming back because you want to get home [laughs].
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