When cerebral processes enter into sports, you start screwing up. It's like the Constitution, which says separate church and state. You have to separate mind and body.
Words are a big deal to me. I'm verbal and visual and I'm always struggling to find a way to smash those two parts of my cerebral cortex together. Sometimes it works, sometimes it feels mentally disjunctive.
There is no other species on Earth that does science. It is, so far, entirely a human invention, evolved by natural selection in the cerebral cortex for one simple reason: it works. It is not perfect. It can be misused. It is only a tool. But it is by far the best tool we have, self-correcting, ongoing, applicable to everything.
The kind of acting that's wholly literary or cerebral is wrong. It's useless for me to have actors so much in their heads that they can't be organic.
But if I were asked to pick one constant, one quality that seems dependable, immutable, endlessly available, I'd say that it was intensity. For nothing in Sicily seems withheld, done half way, restrained or suppressed. There's nothing to correspond to say, the ironic, the cerebral remove at which a Frenchman might consider an idea or a question, or the Scandinavian distrust of the sloppy, emotive response.
The secret to freestyling is working on the creation of thought and it being expressed from your cerebral cortex, to the air in your lungs, to your larynx, pharynx, to your tongue to form a word via whatever consonants and vowels you're working with as well as having a sense of style, cadence, and rhythm.
The game of football really is more cerebral than most people think. To be successful, it takes more than just strength and speed; it takes versatility, intelligence, and ability to think quickly and calmly, to adapt to every situation.
I have my father's lopsided mouth. When I smile, my lips slope to one side. My doctor sister calls it my cerebral palsy mouth. I am very much a daddy's girl, and even though I would rather my smile wasn't crooked, there is something moving for me about having a mouth exactly like my father's.
For me, writing is inseparable from thinking. I could say the entire undertaking is a vast cerebral construct against my demons. It's the thing that I love. It's my identity.
There's a lot of pressure to look good, have the gun, know what you're doing and be one of the boys. I was like, "I don't want to be one of the boys. I want to be a doctor. I want to be cerebral. I want to sit back and just use something else. I don't want to do the stunts. Let the boys do that. I'm just going to be the doctor who's about taking care of other people."
I'm a very cerebral person and I like to do my homework and break it down. I like to feel like I did my due diligence. It's a confidence factor for me, as an actor.
I think not in two or three dimensional terms but in five dimensional terms when I consider a novel. There's height, width, and depth, there's the time factor, and then there's the factor which I call the cerebral factor of the reader, the way the reader adjusts to all the other dimensions, which is the fifth dimension.
My comedy is for adults, but you can have your kids listen to it. They won't get all the jokes because hopefully I'm more cerebral than a 10-year-old... but if you ask my wife, I'm not!
I love expression and really connecting with people. As actors, we like to tell stories because they can influence or even change people's lives. It's so cerebral, you never know who you can affect out there.
Barack Obama, who might be mercifully closing the Clinton parenthesis in presidential history, is refreshingly cerebral amid this recrudescence of the paranoid style in American politics. He is the un-Edwards and un-Huckabee - an adult aiming to reform the real world rather than an adolescent fantasizing mock-heroic 'fights' against fictitious villains in a left-wing cartoon version of this country.
I was coming from a very cerebral, dark, difficult, layered play by Christopher Hampton and doing an action movie in Hollywood (Die Hard) with explosions, and I was holding a gun.
For a brief moment, I considered deconstructing the song and going down a cerebral road, but then I realized it would kill what is most powerful about it.
A thriller must be thrilling. A mystery may or may not be a thriller depending on how much breathless emotion it has, as opposed to cerebral calculation.
So, you can define emotions very simply as the process of perceiving what is going on in the organs when you are in the throws of an emotion, and that is achieved by a collection of structures, some of which are in the brain stem, and some of which are in the cerebral cortex, namely the insular cortex, which I like to mention not because I think it's the most important, it's not.
I admire Chris Martin. Coldplay have made some wonderful records for the genre they're involved in, but I would consider them to be more of a pop act. The music is much more cerebral than it is animalistic.
I don't like getting hit for one, although you know I did take Aikido for many years, but Aikido is a different kind of martial art, maybe even a more cerebral art because it's all about redirecting the energies of your opponent instead of trying to bash your opponent's head in effectively, so it's a much more loving art, so I guess I tend that way normally anyway.
As a person with cerebral palsy who walks with crutches, people have the assumption that I've had to overcome a lot of obstacles in my life because of it, and to some degree, I have. However, the most difficult obstacle to overcome is other people's perception of who a person with a disability is.
We live in the Age of the Higher Brain, the cerebral cortex that has grown enormously over the last few millennia, overshadowing the ancient, instinctive lower brain. The cortex is often called the new brain, yet the old brain held sway in humans for millions of years, as it does today in most living things. The old brain can't conjure up ideas or read. But it does possess the power to feel and, above all, to be. It was the old brain that caused our forebears to sense the closeness of a mysterious presence everywhere in Nature.
Although my doctors informed me that I suffered a cerebral concussion, as well as shock, I do not seek to escape responsibility for my actions by placing the blame either on the physical and emotional trauma brought on by the accident, or on anyone else. I regard as indefensible the fact that I did not report the accident to the police immediately.
To me, the most important tool is not a physical or a technical one. It's more of a cerebral one. It's your brain. It's about having an interest in experimenting musically, perhaps touching on several different genres of music. No doubt, the most important tool is the mind. It's the willingness to experiment freely.
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