I remember seeing this image of these women wearing these bright clothes and patterns, and it struck me. I remember taking note and going, like, "What is that? Who is that?" and finding out it was Gucci and being surprised.
Come here and take off your clothes and with them every single worry you have ever carried. My fingertips on your back will be the last thing you will feel before sleeping and the sound of my smile will be the alarm clock to you morning ears. Come here and take off your clothes and with them the weight of every yesterday that snuck atop your shoulders and declared them home. My whispers will be the soundtrack to your secret dreams and my hand the anchor to the life you will open your eyes to. Come here and take off your clothes.
It is both delusional and stupid to think that clothes don't really matter and we should all wear whatever we want. Most people don't take clothing seriously enough, but whether we should or not, clothes do talk to us and we make decisions based on people's appearances.
I have no ambivalence about myself wearing make-up or designer clothes but I have an enormous ambivalence about what the fashion world has done to women.
I shot for French and British Vogue. The British Vogue one featured clothes by Chloe and was shot at Highgate and the John Soane Museum. It came out much better in my opinion. I only did one day and was working with my own make-up and hair people and a model who I've known for years.
It's so rare to see a woman's sexuality, real female sexuality, either in the shows or in the clothes.
The only time this happened to me before was in Jil Sander in Berlin where they said, "We have nothing that will fit you." I said, "Yes, you do." And I found something great. This happens to me in Paris again and again and again. They don't carry anything over size 40 which is nothing, because I wear a size 42 or 44 but that's hard to find in Paris among the designer clothes. All stores are like that.
What's important to a fashion designer? It's much more than learning how to make clothes. In fact, that merely makes you a dressmaker. It doesn't make you into a fashion designer.
Mostly [Eva Braun criticize Adolf Hitler] about his clothes, the cut and the fit of his clothes. This was an ongoing issue between them.
[Adolf Hitler] had stubborn ideas about clothes and didn't care how he looked and this drove [Eva Braun] up the wall.
The realities of getting up in the morning with two children and being covered in spit-up and totally filthy make me excited to imagine clothes that aren't made for baby puke. Dressing nicely is a dream now.
For example, I wear clothes I buy at trendy shops because I don't care much about clothing. If someone wants to create a trend around clothing, I'll happily and blindly follow.
Plenty of times, I haven't been able to wear certain clothes because they didn't come in my size.
I kinda came into my manhood, or what I thought was my adulthood, early. I had to show up, and I had to make sure I had gas money, food money, rent money, clothes money - everything was on me, startin' at that age, so that's what led me to start hustlin', that's what led me to start to try to find ways to fend for myself. And once I did that, I was full-time, bein' in the street, and, bein' in the street, it's cold. It's the way the streets operate, and you have to adapt to that.
I had these couple of hippie guy friends who were super broke and living in the attic of somebody's house and they were like, "We don't have any food, man." And so I decided to go to the grocery store and steal chicken pot pie. And I stuck it inside my clothes. I took a couple frozen chicken pot pies and stuck them inside my pants, and I got caught walking out of the store. And they took me in the back room, and - luckily, I was 14, but I had a fake ID saying I was 18, so they didn't call my parents.
Being a model seems like a dream job - lots of new clothes, cocaine, dates with Leonardo DiCaprio. But that's just for lady models.
The stars I have worked with not only look good in my clothes, but they also embody a spirit of dedication and hard work that I relate to and admire.
Eleanor Roosevelt was painfully shy, painfully shy. So she overcompensated. In the same way that Nancy Reagan felt unattractive and unlovable and so everything had to be - hair had to be perfect, and the makeup and the clothes. Because she thought, "They don't think I'm pretty."
My parents tried so hard to do what they could to keep us in school, but school didn't last but four months out of the year and most of the time we didn't have clothes to wear.
We worked all the time, just worked and then we would be hungry and my mother was clearing up a new ground trying to help feed us for $1.25 a day. She was using an axe, just like a man, and something flew up and hit her in her eye. It eventually caused her to lose both of her eyes and I began to get sicker and sicker of the system there. I used to see my mother wear clothes that would have so many patches on them, they had been done over and over and over again. She would do that but she would try to keep us decent.
I try to bring as much taste, smartness, quality, functionality, and aesthetic qualities to everyday clothes.
I'm interested in the intimate relationships we can have with those good clothes that we may have in our closets.
This is what I've always been interested in, trying to make timeless, functional, real clothes.
Everywhere I've been working, I always had in mind the final destination of the clothes, which is the consumer.
Your clothes should always make a statement.
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