Collaboration is just about finding people who are better than you at certain things and combining your powers. Like, if I'm not the strongest at playing piano, I'll work with someone who's really good at it and we'll combine both our brains to write a song.
Communication accompanies social transactions and can instruct or stultify, mobilize or intimidate, but it is no substitute for production, collaboration and fight.
A successful solution to the client's design needs requires a collaboration of my skills, talents and knowledge with the client's information base, history in their industry and personality.
For me, the greatest kind of success that I've had on a particular project or in exploring a role does come through collaboration. I wouldn't want to do a movie where everything I do the director just says, "Good job" and I'm under directed.
Social embedded business processes that solve concrete needs are key to enterprise social collaboration.
Sometimes it’s more a matter of collaboration which matters in a collection.
I've never trusted collaborations, because most people in this world are not closers. They don't finish what they start; they don't live what they dream; they sabotage their own progress because they're afraid they won't find what they seek.
If business doesn't thrive, it hurts America. We need improved relations, more collaboration, more thought and more consistency as we go about trying to make sure we have the best country in the world. Not scapegoating and finger-pointing.
My only concern about art collaborations is that I never thought of myself as an Artist. My tax forms say Musician/Songwriter.
Let me define a garden as the meeting of raw nature and the human imagination in which both seek the fulfillment of their beauty. Every sign indicates that nature wants us and wishes for collaboration with us, just as we long for nature to be fulfilled in us. If our original state was to live in a garden, as Adam and Eve did, then a garden signals our absolute origins as well as our condition of eternity, while life outside the garden is time and temporality.
Few things in life are less efficient than a group of people trying to write a sentence. The advantage of this method is that you end up with something for which you will not be personally blamed.
To be cured, we must rise from our graves and throw off the cerements of the dead. Nobody can do it for another - it is a private affair which is best done collectively. We must die as egos and be born again in the swarm, not separated and self-hypnotized, but individual and related.
There is a central difference between the old and new economies: the old industrial economy was driven by economies of scale; the new information economy is driven by the economics of networks.
That brings me to Dennis Ritchie. Our collaboration has been a thing of beauty.
I have been getting offers from international artistes for collaboration all across the globe, but I prefer to work with Indian artistes.
Open, frank communication is the lynchpin to teamwork. A fractured team is like a fractured bone; fixing it is always painful and sometimes you have to re-break it to heal it fully - and the re-break always hurts more because it is intentional.
And when you're with a great crew like we had, it becomes a thrilling, again, collaboration, which is to me one of the great aspects of the process that you go through. I find myself at this point in my career, getting potentially, incredibly bored if I stand around a lot, so that's why I really like the pace of television.
One of the things that is always difficult about a collaboration is that you don't necessarily find the same thing funny. And so the challenge becomes, how do you tell the other person that you don't think something's funny? The best collaborations tend to be when you are willing to be told that. But there's also ego involved, and so there's a lot of frustration in knowing that you're writing something, and the other person, on some level, needs to think that it's funny.
The less you offer, the more readers are forced to bring the world to life with their own visual imaginings. I personally hate an illustration of a character on a jacket of a book. I never want to have someone show me what the character really looks like - or what some artist has decided the character really looks like - because it always looks wrong to me. I realize that I prefer to kind of meet the text halfway and offer a lot of visual collaborations from my own imaginative response to the sentences.
Contemporary art and manga - what is the same about them? Nothing, right? The manga industry has a lot of talented people, but contemporary art works on more of a solitary model. No one embarks on collaboration in contemporary art in order to make money. But in the manga world, everyone is invested in collaboration. The most important point is that the manga industry constantly encourages new creations and creators.
The whole thing of working in collaboration with filmmakers is the thing that I love the most, and possibly the thing I do the best.
Writing a screen play with a group of collaborators is like the Lennon McCartney collaboration .... sometimes one or two people do more than others on certain parts of the process and vice versa.
To the extent that the scientist's capacity for pursuing the truth depends upon costly apparatus, institutional collaboration and heavy capital investment by government or industry he is no longer his own master.
The four most important words in the English language are, "What do you think?" Listen to your people and learn.
Most of the collaborations of technology were done by teams...Collaboration is key to creativity
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