The Daredevil comic book was the first comic book Marvel had ever put out that was an adult R-rated book, so I started with that. When I was creating the series, I just started with that tone, and that edge, and it just kept going.
When I was developing the [TV Series "Daredevil"] idea, we were really doing something closer to what was in the comic book. By that, I mean in terms of civilians in the street knew that superpowers were an everyday matter of fact. When it finally ended up at Netflix, they really decided to land it in the Marvel Universe that exists in the cinematic universe. That changes the story entirely. It was no longer about the other, which is what that metaphor was. It's really more about the character herself, which I love.
One of the best things about reading comic books, when you're a kid or an adult, is watching the characters cross-over. What happens in one book affects the other, and these shows are so tightly knit that it feels like one giant show.
Anytime you start doing a comic book with mythology attached, people are like, "Are you going to get it right? It's important to me."
In later years, holding forth to an interviewer or to an audience of aging fans at a comic book convention, Sam Clay liked to declare, apropos of his and Joe Kavalier's greatest creation, that back when he was a boy, sealed and hog-tied inside the airtight vessel known as Brooklyn, New York, he had been haunted by dreams of Harry Houdini.
I did end up becoming a drawer, a sketcher and a painter because of comic books, but I didn't read them. Not at all.
Bad criticism has followed things like comic books or TV, and they put down a medium. A medium cannot be inherently good or bad.
I'm kind of a comic book geek, but I'm not really a super hero comic book geek.
I was a huge comic book fan, and I still am.
You can't throw a rock without a comic book character falling out of a tree.
I wasn't really a big comic book guy, growing up. I watched cartoons, but the choices were a whole heck of a lot slimmer.
I couldn't read. I just scraped by. My solution back then was to read classic comic books because I could figure them out from the context of the pictures. Now I listen to books on tape.
To make sure that my blasphemy is thoroughly expressed, I hereby state my opinion that the notion of a god is a basic superstition, that there is no evidence for the existence of any god(s), that devils, demons, angels and saints are myths, that there is no life after death, heaven nor hell, that the Pope is a dangerous, bigoted, medieval dinosaur, and that the Holy Ghost is a comic-book character worthy of laughter and derision.
Whatever kind of story you're telling, whether it's a genre piece for a comic book or whatever it is, it has importance because it's all a metaphor for the existence of our being.
The curse of comic book adaptations, when I was younger, was that the director or producer would go, "Don't worry about it, it's just a comic book."
I think jazz and comic books are probably the two uniquely American art forms.
I don't subscribe to the school of thought that as a feature film producer I shouldn't dabble in television, web content, or even comic books...
The Marvel cinematic universe and the Marvel animation universe are things that are very true, in terms of the DNA of what it is. But if, at the end of the day, all we're doing is telling stories that have appeared in the comic books already, then we're not really challenging anybody.
Every day is a brand-new, completely crazy fantasy-adventure, where I'm either kicking ass or kicking balls. It's all part of the job. All of that is really fun for everyone. It plays like a comic book superhero.
I love comic books. Since I was a kid, I've collected them.
It's turned into a world of amateurs. There are amateur actors making millions of dollars, amateur cinematographers, amateur directors... Jesus, these amateur directors can get deals for anything. Another comic book? Oh, very good.
Why can't God just defeat the devil and get rid of evil? It's the same reason the comic book character can't get rid of his nemesis; then there's no story.
I grew up with comic books and cartoons and action movies. To find myself in the position to do work in these mediums is just an opportunity I couldn't have even asked for. It's just pure luck, really.
Luckily, what you trade off in not being part of the comic book canon and not having some literature that you can use to your benefit, in terms of figuring out who you are, you gain in the ability to just be whoever you want to be.
The comic book, and I've said it before, is a treasure trove. It's a grab bag. We certainly have characters and story lines that we really want to do - but to get there in a TV series, you have to take your time. Sometimes you can't get right to it. They're two different mediums. So we make it our own and really own the material. I like to think of it as an alternate universe.
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