The R.I.P.D. picture is like a graphic novel, I guess. I don't know if it's like a typical kind of comic book. But there is great source material for those kinds of films.
Graphic novels and comic books offer an easy foothold into that world, and screenwriters and studio execs gravitate toward those, because I think they can see it all right there. It's like, "Here's what the movie looks like."
People should really horde their Blu-rays like old comic books and baseball cards. Because they're really beautiful, and will be worth something if you like movies as I do.
When I was a kid, I remember the first Batman, the first Superman comic books when they came out, thinking how great that was and wouldn't it be great to see a movie like that. They did some cheap serials, but they're not the same as today. But I think younger audiences would like to see a real hero also.
That's the type of thing you need to keep in mind when drawing comics. The storytelling. Consider the action and the space available to you, that's what will make it a great comics page. Once you've figured that out, you can always find/make the reference to support your storytelling decisions. So by all means, study film, but as with any reference, the results are better when they inform the craft and not dictate it.
There's a page in #2 where I did one of the most interesting pages I've ever drawn. I had to think, "This is a big, blockbuster comic book." You're prepared to be more fan service-y or bombastic. Yet I did one of the most challenging pages I've ever drawn, and it was incredibly satisfying to do that on a project like this [All-Star Batman].
If I won the lottery tomorrow - which would be a real trick, since I haven't entered - and was independently wealthy for the rest of my life, I'd write comic books, because it's what I like doing.
I do think that hip-hop has a relationship with comic book culture, and Kung Fu movies too, for that matter.
The basic idea of a hero rising up to represent an oppressed or disenfranchised group of people is as true to hip-hop as it is comic book lore.
Take emceeing, one of the foundations of hip-hop culture. A guy grabs a mic, steps up on stage and becomes a spokesman; the voice of the people. If anything, that might be the strongest similarity between hip-hop and comic books, with super heroes, like many rappers, fighting to make a change.
Much of hip-hop, like comic books, is fantastical by nature, too.
I've been involved in lots of comic book stuff; I've done numerous films based on comic books and TV shows.
The comic book industry has turned into the wellspring for all of these movies that are all based on the comic books.
The movies have made the comic books much more valuable and more respected.
I do know that people enjoy reading a comic book and saving it and collecting the comics. And sharing them and trading them with friends. That may be something you can't do as easily with digital comics.
Maybe there will always be a market for the regular comic books because you can read [them] at your own pace. You can save them, collect them, [then] go back and read them again.
There's just something that feels nice about holding a comic book!
In fact, I was too dumb to save any of the old comic books or the old artwork. I used to give them away.
You can't kill a good comic book series.
I'm used to doing comic books, where every month there's a new comic book! I find that the movie business is not quite the same. It doesn't move quite as fast.
I was in the beginning when [comic book superheroes] started, but not anymore. Now I expect it. I've gotten very used to it.
I don't think you ever outgrow your love for things that are bigger than life and more colorful than the average life. And somehow I feel that these comic book stories are like fairy tales for older people, because they have the same qualities.
I enjoy the fact that we have these mobile comics now, which are sort of a cross between a comic book and an animated cartoon.
I wanted to do comic books... as a comic book artist, as an illustrator. But I'm not very good so I thought I should do something else! So I went to a film school when I was seventeen and came out when I was nineteen.
Just like in the art museum, and notions of beauty and pleasure, if the hero is always a white guy with a squared jaw or pretty woman with big breasts, then kids start thinking that's how it's supposed to be. Part of the problem was that black comic book artists were making super heroes with the same pattern as the white super heroes. When you read a lot of those comics, the black super heroes don't seem to have anything to do.
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