I am a huge comic book nerd and video game nerd, so to get to actually play one of those characters would be off the chain. It would be amazing.
Growing up, I didn't have any comic books, at all. But my friend had a trunk full of them, so comic books were like candy for me. I would go over to his house for a sleep-over, and I would just be devouring everything I could get my hands on. I knew the sleep-over was going to be over, and I was going to go back to my house and it was going to be Kipling.
I don't think about myself having any form or style. Although it does tend to be rather realistic; not too stylised at all, it's not as exaggerated as comic art normally is. I try to go for a more realistic looking approach to my art.
I'm happy to entertain kids you know. It's my biggest pleasure to like see a twelve year old picking up a book that I did and dreaming about being a comic book artist. That's what the magic is, everything else is just production and a job.
If you can inspire a kid that's maybe the best part of being a comic book artist.
Trish "Patsy" Walker is just one of my favorite characters and she was a big comic character in the '40s.
One of the best things about reading comic books, when you're a kid or an adult, is watching the characters cross-over. What happens in one book affects the other, and these shows are so tightly knit that it feels like one giant show.
Anytime you start doing a comic book with mythology attached, people are like, "Are you going to get it right? It's important to me."
An idea is a light turned on in a man's soul. Comic-strip artists are in the habit of representing it by means of a light bulb flashing on, above the head of a character who has suddenly grasped an idea. In simple, primitive terms, this is an appropriate symbol.
In later years, holding forth to an interviewer or to an audience of aging fans at a comic book convention, Sam Clay liked to declare, apropos of his and Joe Kavalier's greatest creation, that back when he was a boy, sealed and hog-tied inside the airtight vessel known as Brooklyn, New York, he had been haunted by dreams of Harry Houdini.
A married philosopher is a comic character.
That's the best thing about being an actor. If you're in a baseball movie, you walk away knowing way more about baseball, or if you're in a sci-fi film, you learn way more about Comic-Con, and so I loved all that.
When you're writing TV or movies your vernacular is time, it's all based on rhythms, a character takes a beat or two characters have a moment, like everything is about time. And when you're writing a comic, everything is about space. It's how many panels to put on a page, when should you do a full page splash, what is the detail that you see in any particular image.
I'm kind of a comic book geek, but I'm not really a super hero comic book geek.
I was a huge comic book fan, and I still am.
You can't throw a rock without a comic book character falling out of a tree.
Almost any tale of our doings is comic. We are bottomlessly comic to each other. Even the most adored and beloved person is comic to his lover. The novel is a comic form. Language is a comic form, and makes jokes in its sleep. God, if He existed, would laugh at His creation. Yet it is also the case that life is horrible, without metaphysical sense, wrecked by chance, pain and the close prospect of death. Out of this is born irony, our dangerous and necessary tool.
I couldn't read. I just scraped by. My solution back then was to read classic comic books because I could figure them out from the context of the pictures. Now I listen to books on tape.
It took forever for me to get work because I was a political comic, and now it's become good business, and God knows how long that'll last. You have to do it night after night after night to kind of make it. I still find myself on 'Piers Morgan' or on some show and I think, 'I hope this is funny.'
I got booted out third, but to me [Last Comic Standing] was a lot like Rambo II...I don't really remember much...there was rats, people bombing, screaming, yelling, and a middle aged guy with a shaved chest got beat by somebody from the Viet Cong.
What looks tragic might be comic on second consideration, and what is comic might bring tears in time.
Whatever kind of story you're telling, whether it's a genre piece for a comic book or whatever it is, it has importance because it's all a metaphor for the existence of our being.
The curse of comic book adaptations, when I was younger, was that the director or producer would go, "Don't worry about it, it's just a comic book."
I think jazz and comic books are probably the two uniquely American art forms.
I don't subscribe to the school of thought that as a feature film producer I shouldn't dabble in television, web content, or even comic books...
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: