When you're a comic, it's like being born gay. It's what you want to do every night when your other friends are out at night going to parties.
Everything is in how you are going to handle it. As a lifelong nightclub comic, I'm ready to handle whatever I have to handle.
Having a comic in the White House will assure stability in foreign relations. The world will continue to respond to foreign initiatives by saying, 'You must be joking.'
I'm always confused when people say how much they miss 'Invader Zim' because the show never stopped running in my head, and then I remember everyone else isn't in my head. I try to imagine the world for all those people who don’t know what Zim's been up to since the show went off the air and it makes me shudder. How can people live that way? Hopefully this comic helps make the world a better place.
Rage is caused by a conviction, almost comic in its optimistic origins (however tragic in its effects), that a given frustration has not been written into the contract of life.
The great modern novel of the comic-pathetic illusion of freedom is Confessions of Zeno .
I'm a big comic book geek and I've been reading comic books since pretty much since I was five or six in 1971 or something like that. So, I mean, I read it all and there's certainly a lot of different iterations of Superman that I personally have enjoyed more than others.
If Bob Dylan really is an historian in and of himself in his work, in his performances, he is also an historian with a unique sense of humor. There's always been a bit of a stand-up comic in him.
I'm generally not a social dramatist or comedy writer. My interests have always been more in psychological stories or personal relations and comic ideas.
As a comic book artist, once you become a master, you end up a slave. In fine art you're always free... since I couldn't make it at Marvel, I made my life a carnival.
I'm a big illustration and comic book fan. In my eyes, comic books and illustration are the same kind of art forms.
In his prime, the young comic walked onto a stage with the confidence of a man who owned it, and by the time he walked off, he did.
If somebody accuses you in a story of being a crook, you can demand that they prove it. But if a comic says it and you protest, people say, 'What's the matter, you can't take a joke?
The Socratic demonstration of the ultimate unity of tragic and comic drama is forever lost. But the proof is in the art of Chekhov.
All great humorists are sad... I cannot help seeing beyond the tinsel of humour, and recognising the pitiful basis of jest - the world is indeed comic, but the joke is on mankind.
To be comic is merely to be playful, but wit is a serious matter. To laugh at it is to confess that you do not understand.
I think if you have a comic perspective, almost anything that happens you tend to put through a comic filter. It's a way of coping in the short term, but has no long term effect and requires constant, endless renewal. Hence people talk of comics who are "always on." It's like constantly drugging your sensibility so you can get by with less pain.
I think that the tendency for most people is to fall back on a comic interpretation of things because things are so sad, so terrible. If you didn't laugh you'd kill yourself. But the truth of the matter is that existence in general is very very tragic, very very sad, very brutal and very unhappy.
I do not believe indeed, I deem it a comic blunder to believe that the exercise of reason is sufficient to explain our condition and where necessary to remedy it, but I do believe that the exercise of reason is at all times necessary.
To be a satirist, at all events. The venom of Pope is what is needed. The sense of delight -- the expansion and the compassion of Shakespeare is no good at all for that. He is a bad comic.
As a kid growing up in the 1950s I became acutely aware of the changes taking place in American culture and I must say I didn't much like it. I witnessed the debasement of architecture, and I could see a decline in the quality of things like comic books and toys, things made for kids. Old things seemed to have more life, more substance, more humanity in them.
Personally I don't think there's any real intrinsic difference between comic books, movies, theatre, novels. I know there's sure to be some differences of some sorts. I've worked on novels, films, and video games, and in an adaptation, I guess one of the issues is that I have to be in love with the thing I'm adapting before I do it. So that can cause a problem. You can be too scared of it. You could be too reverential. But at the same time you want to try to capture this thing that you're obsessed by. You're fixated for a reason. What's the reason? You try to get ahold of it.
I'm not a comic book guy. I've never been to Comic-Con. I don't know anything about that. It's a whole different world.
I've always had my voice as a comic. I was never that into politics, or prop comedy.
My mother was the one who totally got behind me as far as, do things and ask questions later. My father would say, "I don't care how dirty you are up there, just be funny." Because they knew me offstage. They knew I was a good guy. They knew my whole plan of becoming the most exciting comedian, visually, ever. A real rock-and-roll stand-up comic.
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