You can write a little and can draw a little, but there's necessarily a limitation on both in a comic strip, since it appears in such a tiny space.
Google owns YouTube, and recently, I drew a comic about an idea for a YouTube feature - which they actually took seriously and implemented. So I'm thinking that maybe we'll have a future where Google is 'xkcd.'
I think the comic that's gotten me the most feedback is actually the one about the stoplights. Noticing when the stoplights are in sync, or calculating the length of your strides between floor tiles - normal people notice that kind of stuff, but a certain kind of person will do some calculations.
But I read comic books. I read things like Richie Rich and Little Lulu.
Every comic went through their Mitch Hedberg phase - the glasses, the hair in the face - and you knew immediately when they were doing it.
Our visual cortexes are wired to quickly recognize faces and then quickly subtract massive amounts of detail from them, zeroing in on their essential message: Is this person happy? Angry? Fearful? Individual faces may vary greatly, but a smirk on one is a lot like a smirk on another. Smirks are conceptual, not pictorial. Our brains are like cartoonists - and cartoonists are like our brains, simplifying and exaggerating, subordinating facial detail to abstract comic concepts.
But you don't hire Ang Lee to do a typical children's movie. But it's such an interesting combination, whoever thought of getting Ang together with a comic book, that was just great.
We like to think of industrialization as being despicable. I don't really know what to make of it. There’s something terribly brittle about it. I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter. There are certain things that are usable, forceful, and vital about commercial art. We're using those things – but we're not really advocating stupidity, international teenagerism, and terrorism.
Ronnie Barker will forever be remembered as one of the great comic actors.
I'd like to make people who see me in comic pantomime on the screen feel the way Mark Twain makes his readers feel.
Kafka is still unrecognized. He thought he was a comic writer.
As you get older you're told to be sensible, but it's important for writing if you're a comic that you're able to still access that childlike thing.
I write books, I write for comic books, I give lectures... I live. And when the opportunity comes to do a picture, I do a picture.
Animals have their tragic and their comic side, and resemble us in many ways. They, too, have their distinctions and individualities. Many people believe that there is a huge gap separating them from the animals, but it is only really a step in the Wheel of Life, for we are all children of the One. To understand a fellow creature, we must regard him as a brother.
I think Hellblazer is quite unique. In a comic world dominated by American characters (nothing wrong with that per se) Constantine was unashamedly British. A certain kind of miserablist British
I grew up reading comic books, pulp books, mystery and science fiction and fantasy. I'm a geek; I make no pretensions otherwise. It's the stuff that I love writing about. I like creating worlds.
It's a cliche, but it's true that all the fun lies in baddies, grotesques and comic roles.
I'm just a guy who happens to work in public from time to time. I've built a reputation as an established comic, not as a celebrity - a celebrity is someone who is famous but doesn't do anything.
I grew up on comic books. 'X-Men' was my favorite team; Wolverine was my guy. At 8 years old, I dressed up as Wolverine with Adamantium claws that I made out of aluminum!
Between last night and this morning, I've been getting a lot of messages from overseas fans along the lines of 'There's an American comic ripping off Bleach!' I'm not that good at English, but I looked at the site and it seems it's a comic by Nick Simmons, the son of Gene Simmons. To be honest, I'm more bothered by the fact that Gene Simmons' son is a comic artist than whether or not it's a rip-off.
Walt Disney’s Mickey Mouse... by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren’t necessarily plugged into comic strip history... I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers.
Peellaert's comic strips were the literature of intelligence, imagination and romanticism.
I became a guy who wanted to be a comedian someday, or a comic actor. The way I put it was, I'll be like Danny Kaye. He was kind of the model I had in mind.
I understand the people-watching, but I've never done it where people have to race to three different shows, from here to there. I mean, the biggest zoo I ever faced was Comic Con, and Comic Con takes place in one big hangar.
I think the two jobs I dreamed of doing as a teenager were comic book artist and record cover illustrator. Maybe film director was in the mix as well, but that seemed to be an impossible mountain to climb.
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