Many of my poems try to use a comic element to reach a place that isn't comic at all. The comic element works as a surprise. It is unexpected and energizing.
Ultimately, there's always been a link between comic books and video games, and comic books and movies, and then basically all three steadily becoming this sort of transmedia.
I see myself as a comic but the acting helps sell tickets for gigs.
Before I was known, I would go on stage and pretend I was other people. Once I pretended I was mentally handicapped. It was really wrong. One time I was a bad magician. And one time I pretended I was a Christian comic.
Whether I'm doing music or I'm walking down the street or I'm in a record store buying a record or I walk into a comic store and I'm buying comics or having a drink with my friends, it's the same me.
We as comics do want an immediate response from the audience. It's really quiet on the set, and there are only the producers, and the director, so a comic is looking for someone to give a reaction, even if it is the camera guy.
Back in the day, I used to read 'Archie,' but I haven't been a comic book aficionado.
I've never been to Comic-Con, but I'm certainly aware from this side of the Atlantic that it's a very important part of film marketing now, even when the films are not directly linked to a comic.
As a comic, I've heard gunshots while I'm trying to get to sleep. I've performed where people wanted to do you harm after the show because of something you said.
Look, you know, you can't please everybody. I'm a stand-up comic. I know that. It doesn't matter how funny you are and how well you do, there's two people that are going to walk out of there hating you.
My father was sleepless most of his life. So by the age of five, I was awake with him all night long, watching bad television or we'd lie in the same bed, and I'd read my comic books while he read his latest spy or mystery novel.
Wouldn't want to write the X-Men, and I suppose the X-Men is the ultimate Marvel comic, and I really wouldn't want to go anywhere near it at all, although on the other had I wouldn't mind having a crack at something like the Punisher.
I want to point out to adults that there is a world of good material available to you now in comic form - in this medium - and learn to give it your support because the more you support it, the better the material will be as it comes out.
... Oceanic malaise. I never saw anyone reading anything more demanding than a comic book. I never heard any youth express an interest in science or art. No one even talked politics. It was all idleness, and whenever I asked someone a question, no matter how simple, no matter how well the person spoke English, there was always a long pause before I got a reply, and I found these Pacific pauses maddening. And there was giggling but no humor - no wit. It was just foolery.
I just try to keep myself a traditionalist. I liked being an underground comic doing my thing. I want to maintain that. I just do.
As a comic, it's anti-comedy to be known. I think a lot of comedic actors get lost in this world of Hollywood and all this stuff. They lose what brought them there in the first place. I'm very trepidatious about it.
I was a stage actor for 20 years or so; I was leading men in classical things. 'Shakespeare,' you know. And now, I never play leading men. I'm that kamikaze comic that comes from the left, turns the table over, and leaves, or the hyper-intelligent yuppie scumbag if it's a drama.
I'd love to see a good script of one of my books, in these years of animations and comic book sequels, and had so many written over the years, but none quite clicked.
For me, the reason to make the movie is that if people like the comic, then people would like the movie if it was well made. There are good movies for them, but very few. And I mean that in a true sense. If they love your story for freaking 30 years, then they can do a movie about it.
When you say 'comic book' in America, people think of Mickey Mouse, and Archie. It has a connotation of juvenile.
I think 'Comic Book: The Movie' is the apex of my career in terms of making a personal statement that has significance to me and resonates with biographical detail about not only my career, but all the people that I've worked with in my career. All of it's riddled, on- and off-camera, with people I've known and worked with for decades.
I will say that comic books are not the easiest things to translate to film, number one. Even the most well meaning of filmmakers find what's acceptable on the printed page is very difficult to bring to film.
When I was a kid, I always thought that I'd be a comic book artist. It took a long time to start thinking that I could be a musician.
I would like to feel that I have a range and that it's not just a matter of being a comic actor or a serious actor, because those are really artificial classifications, I think.
I'm a comic book fan.
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