I think I'm the future of hip-hop. You know, I feel bad for saying that. That's unfortunate, but that's a fact. You can't compare my model of hip-hop with what I'm about to come out with versus anything in the game.
I think the ambiguity of similarity and difference is very powerful. It's the same scene in different times of year read across the grid, and, of course, different locations reading vertically. But you can get confused and lost in the series. You force the mind, which is always comparing and contrasting, to stumble ... That ambiguity is very powerful. One is getting lost and refinding oneself.
In times of uncertainty, we tend to move away from deterministic world views. And when we try to find moral footing for our actions, we compare ourselves to the foil of all foils, the Nazi period. It's a quest for moral certainty by saying, "Even if we're not doing great these days, at least we're not the Third Reich." Which can be consoling or alarmist. There's always a present-day agenda behind it.
You can never compare a stadium full of people to statistics online ... There's something about seeing people's faces, and it's amazing [seeing how] things online can also be translated offline.
I always compare young missioners to the kids who naively signed up to go to Iraq to fight terrorism. They are just the foot soldiers in the spiritual war that Mike Bickle and Lou Engle are waging against what they consider sin. They will say it is biblical truth, but the Bible says many things, and you don't see anyone saying that slavery is okay or that we should not eat shellfish. Why the fascination with sex?
I don't really look at the charts at all. If anything, I try to out-do what I've done before. I try to make music that I like and I trust my own judgement with what will work with a wider audience. If you compare yourself to the charts, you lose perspective on what you're doing and why you're doing it.
They compare Steve McManaman to Steve Heighway and he's nothing like him, but I can see why - it's because he's a bit different
I saw Elvis live in '54. It was at the Big D Jamboree in Dallas and the first thing, he came out and spit on the stage...it affected me exactly the same way as when I first saw that David Lynch film. There was just no reference point in the culture to compare it to.
There are directors who desire to be artistic. It is pathetic to compare the seriousness of their aim with the absurdity of their attainment.
I never compare myself to anybody. I don't look at my accomplishments compared to anyone. I'm happy with what I've accomplished in boxing.
The true meaning of an artist/actor is opening my heart to the audience and at the same time opening their heart. Through sharing my pain I can possibly heal your pain, there is no other feeling like it, money doesn't compare. This is the true meaning of Art. I will attempt to do it till my dying day.
I saw. I wanted to start my own store so people would know that what they were buying was real. There were bootlegs around at the time that had my name on the cover, but the music had nothing to do with me. I'm not trying to compare myself to [Jimmie] Hendrix, but back in the '70s, there were some Hendrix bootlegs.
The greatest gratification that I get to work with these hands is that when I come out and I go to the waiting room and speak and talk to the families of my patients, I get standing ovations and I get tears and they look at me as superhuman and superhero. No amount of money, no amount of anything can ever compare to that feeling.
I think my brain is full of collisions and that's how I like to read and process information. I'm always comparing things and I think I do that subconsciously when I'm reading books of poetry.
I worked with great, brilliant directors. I've been so lucky. It's terrible to compare anyone, because you can't. But I can just tell you that this experience was just a truly magnificent experience for everyone involved.
I'm not a visionary, but I've spent half my life drawing things Imagined, Remembered, and Observed, comparing the differences between them, and my study confirms that "the difference between night and day / is not as great as people say."
I like the little chess match of how people move through space. I'm not comparing myself to Michelangelo with this analogy, but he said when he sculpts it's like finding the sculpture within. It feels that way when you are with actors, too. There's a natural way to do this with a natural language that flows and feels like real people talking. And you've just got to find it. So I enjoy that part of the process.
Sure, compare. But compare the things that matter to the journey you're on. The rest is noise.
Consumers view of you is not about how they compare you to other banks. It's about how they compare you to all of the other businesses they experience.
Life and the universe compare to each other like a child and a parent, parent and offspring.
In some ways, I think "Pulp Fiction" hurt cinema in a very, very minor, small way. It did a massive amount of good. But it also made it impossible to make a movie even remotely like it without someone comparing it to "Pulp Fiction".
Without feelings insignificant decisions become excruciating attempts to compare endless arrays of inconsequential things. It's just easier to handle those with emotions.
Compare where you are to where you want to be, and you'll get nowhere
You don't become a saint by comparing yourself to a sinner.
I wrote for many years without showing my writing to anyone, because I was constantly comparing it to what I was reading. You have to compare yourself to the best and feel totally inadequate.
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