I often don't endorse what I tweet, rather I want to throw things about to spark conversation or controversy. What I think about something is not particularly important when talking to thousands of unknown strangers.
Twitter has allowed the conversation to broaden and become more inclusive. At times, the conversation is really tense but that's because we're talking about really important issues. It's not going to be easy but at least the conversations are happening.
It's been a mystery to me and a disappointment why conversation about health care reform hasn't turned more attention to the subject of food.
I feel at home in intimate concert halls. I can take risks and I'm immediately forgiven if the risk is a failure because it's such a cozy atmosphere. It opens up the opportunity for conversation and for interacting with the crowd.
There's a rhythm to the words combined with the pictures [in a comic]. Whenever I'm working on a comic strip I re-read it, probably hundreds of times through to pay attention to how all of those things work. Sometimes even changing the angle of a character's eyebrow can really, seriously alter the effect and overall interpretation of a scene. And the insertion of a pause or a cough or a sniff, and all these things that we do in conversation, can bring it to life in a strange way.
When I was younger, I was just always looking for - you're always looking for this hot, so hot, like super-hot girl. And then, as I've gotten older, different things are really important to me, like just honesty. Being able to sit down and have a conversation.
There's something unnatural about a woman finding babies or, more specifically, conversation about babies, boring. They'll think she's bitter, jealous, lonely. But she's also bored of everybody telling her how lucky she is, what with all that sleep and all that freedom and spare time, the ability to go on dates or head off to Paris at a moments notice. It sounds like they're consoling her, and she resents this and feels patronized by it.
I don't know your story or your dreams or the things that steal your sleep, but I know they matter. I hope you story is rich with characters, rich with friends and conversation. I hope you know some people who carry you, and I hope you have the honor of carrying them. I hope that there's beauty in your memories, and I hope it doesn't haunt you. And if it does, then I hope there is someone who will walk you through the night and remind you of the promise of the sunrise, that beauty keeps coming, that there are futures worth waiting and fighting for, and that you were made to dream.
Start a conversation with someone with whom you have "nothing in common" and no possibility of scoring with, networking with, or even seeing again. In other words, a conversation just for the civilized hell of it.
I think we'll have a bigger conversation first within the Republican Party, then with the American people about what's the proper role of the federal government, i do hope that Common Core will be one more, one more reason for us to have this bigger debate, this bigger conversation about the proper role of the federal government in local education.
It was a positive sign that the conversation took place, it's a sign of the depth of the friendship between Australia and Indonesia.
None has more frequent conversations with a disagreeable self than the man of pleasure; his enthusiasms are but few and transient; his appetites, like angry creditors, are continually making fruitless demands for what he is unable to pay; and the greater his former pleasures, the more strong his regret, the more impatient his expectations. A life of pleasure is, therefore, the most unpleasing life.
CBGB was a wild place, ... The first time I ever played there was in 1987, I think, with my hardcore band, Scream. And I remember the craziest [thing] about that club was you could be in front of the stage and it could be louder than any show you've ever been to in your life. But if you were towards the back of the club at the bar, you could sit and have a conversation with someone. It was the weirdest thing to me.
It's taken my entire life to negotiate how to identify, and I've done a lot of research and a lot of studying, i could have a long conversation, an academic conversation about that. I don't know. I just feel like I didn't mislead anybody; I didn't deceive anybody.
Conversation in society is found to be on a platform so low as to exclude science, the saint, and the poet.
If you can laugh with somebody and relate to somebody, it becomes harder to dehumanize them. I think that most of what we are constantly bombarded with in terms of media leads you to a creation of 'the Other' and a dehumanization of 'the Other,' and it's very much an us-versus-them conversation.
I'm not a big fan of that kind of stuff - of Twitter and Facebook. I just feel like I'm a very private person and I do enjoy personal interaction. It is nice to be able to talk with the fans, in person. I don't know if it's 'cause I'm just old-fashioned, but I'd rather a face-to-face conversation.
Many designers are gay men making clothes for women. Sometimes I think fashion is more of a conversation between men than it is for women.
I feel like so much of my life is about a conversation I'm having with myself. I do interact with other people, but often I'm more interested in what I'm learning in the relationship I have with myself.
Jokes do finish themselves. I really do see them as ongoing conversations about personal themes that I ruminate on.
When you play a smaller, more intimate venue, you can have real conversations with your audience, take risks, and stay current. You can also change the set list, on how the day feels or how the audience reacts. When you do arena shows, every arena looks and feels the same. You can't see who is in the room.
I never really expected "Hurricane" to be censored and banned around the world, but I think the good thing that came from it was that it created a dialogue, a conversation, a debate and a discussion. And that's a great thing. It brought all of us together in a unique way. And it made us look a little deeper in ourselves. I think it's a good thing.
I think I have an ongoing conversation with God. I think throughout the day, I'm constantly asking myself questions about what I'm doing, why am I doing it.
The process always starts with detailed conversations with the director, followed by a spotting session (deciding where the music goes and doesn't go in the film, and what the music should be saying or not saying) in each scene. This is followed by sending the director demos of each cue for feedback.
I feel the theatre is the most unique one of all [the arts] for collaboration. I feel very fortunate to be in a field where I really do get to have long conversations with the visual artists, the actors, the musicians. It's all art forms rolled into one and I feel very fortunate to be a part of it.
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